The amount of people living in cities is increasing at rapid speed and demographers expect that 80% of the total global population will be a city dweller by 2050. So how can designers successfully guide these drastic changes? The 5th International Architecture Biennale in Rotterdam (IABR) starts from the premise that without cities there is no future. By means of conferences, lectures, debates, films and small-scale implementations, alternative ways for making cities are being sought.
Once an architectural paradise, Europe now struggles with vacant buildings and lack of funding to realise new projects. Architects are feeling the effects of the economic crisis stronger than ever. The hand-on approach of urbanist duo Elma van Boxtel and Kristian Koreman (ZUS) is perhaps the most attractive part of the IABR. ZUS are the initiators of a project to enliven an abandoned building block close to Rotterdam’s station. With only limited resources, they have transformed the area in and around the building with interventions such as an elevated walkway, rooftop crops, and temporary pop-up restaurants. The consumer is the catalyst in this ’Test Site Rotterdam’.
A zigzag route through Rotterdam centre connects the Test Site Rotterdam with the main exhibition at the Netherlands Architecture institute (NAi). Along the route, in the hidden courtyards and alleyways of Rotterdam, a diversity of small-scale interventions such a soap bubble pavilion and the Nature on Demand installation try to throw new light on the potential of these discrete urban hotspots that often remain unnoticed by citizens.
The main exhibition at the NAi, `Making City`, is a dense conurbation of models, movies and drawings focused on architects and their relationship with the authorities. An extensive series of research projects show proposals of how to transform cities such as the Nile City, Zurich and Delhi, but also quirky strategies sponsored by the Dutch Ministry of Infrastructure and the Environment to vitalise new urban areas such as Amsterdam`s Zuidas, Haagse Havens, and Eindhoven’s new Brainport city district. After all, a biennale is fun, and this lighthearted approach might bring a bit of happiness to the overall melancholy mood of Dutch architects.
The amount of people living in cities is increasing at rapid speed and demographers expect that 80 % of the total global population will be a city dweller by 2050
The 5th International Architecture Biennale in Rotterdam (IABR) starts from the premise that without cities there is no future. By means of conferences, lectures, debates, films and small-scale implementations, alternative ways for making cities are being sought
The hand-on approach of urbanist duo Elma van Boxtel and Kristian Koreman (ZUS) is perhaps the most attractive part of the IABR. ZUS are the initiators of a project to enliven an abandoned building block close to Rotterdam's station
With only limited resources, van Boxtel and Kreman have transformed the area in and around the building with interventions such as an elevated walkway, rooftop crops, and temporary pop-up restaurants
The main exhibition at the NAi, `Making City`, is a dense conurbation of models, movies and drawings focused on architects and their relationship with the authorities
An extensive series of research projects show proposals of how to transform cities such as the Nile City, Zurich and Delhi
The research projects also showcase quirky strategies sponsored by the Dutch Ministry of Infrastructure and the Environment to vitalise new urban areas such as Amsterdam`s Zuidas, Haagse Havens, and Eindhoven's new Brainport city district
Installation view of `Making City`. the main exhibition at the NAi
'Tar Creek Supergrid' by Amy Norris and Clint Langevin, as seen in the Smart Cities - Parallel Cases 2 exhibition
'Hollandstad Inverted Metropolis' by students of Fontys Academie voor Architectuur en Stedenbouw, Tilburg, as seen in SmartCities - Parallel Cases 2 exhibition
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In Helsinki, Pauline Curnier Jardin has created the grotesque amusement park of her dreamsFrench artist Pauline Curnier Jardin celebrates otherness at Kiasma, Helsinki’s Museum of Contemporary Art
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A celestial New York exhibition showcases Roman and Williams’ mastery of lightingLauded design studio Roman and Williams is exhibiting 100 variations of its lighting ‘family tree’ inside a historic Tribeca space
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‘He immortalised the birth of the supermodel’: inside Dior’s career-spanning retrospective of photographer Peter LindberghOlivier Flaviano, curator and head of Paris’ La Galerie Dior, talks us through a new Peter Lindbergh retrospective, which celebrates the seminal German photographer’s longtime relationship with the French house
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New dance performance features costumes made of spider silkMist is the second collaboration between choreographer Damien Jalet and artist Kohei Nawa, with spider silk costumes designed by Sruli Recht
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Michael Craig-Martin turns Covid-era objects into iconsIrish artist Michael Craig-Martin confronts a new age of consumer culture, putting his striking, bold-coloured spin on objects defining the times
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Photographing the defiance and opulence of Europe’s contemporary Ballroom sceneIn his ongoing series, photographer Dustin Thierry charts the ‘emancipatory possibilities of expression’ in Ballroom culture across Europe
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Viviane Sassen's Huis Marseille show is drenched in history, melancholy and intrigueThrough photography and collage, Dutch artist Viviane Sassen examines the tempestuous history of the Palace of Versailles
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Drift’s poetic drone installation takes flight for Netherlands’ Liberation DayThe Dutch artist duo staged a special iteration of Franchise Freedom above Rotterdam this week, flying 300 illuminated drones in formation to send a message of hope and encouragement in midst of the Covid-19 pandemic
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Artist Katrien De Blauwer’s photomontages have us doing double takesHer uncanny clippings offer a new way of seeing at Nederlands Fotomuseum
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Polly Brown explores the friction-filled process of airport security checksFrom colourful signage in Hokkaido to watery wavescapes in Miami, the artist’s series of x-ray damaged film photographs subverts the romance of travel
