OMA completes De Rotterdam, a ’vertical city’ within a city in The Netherlands
Rotterdam's Wilhelmina Pier already plays host to architectural pieces by the likes of Renzo Piano, Mecanoo, Alvaro Siza and Norman Foster. Its latest addition, the characteristic stacked-block shape of De Rotterdam, was designed by none other than the city's own OMA architecture practice.
The tower took a lengthy 16 years to complete. Design-work began in 1997 but the late noughties financial crisis halted the project and it wasn't until 2009 that construction was able to commence - perversely, also thanks to the crisis. The recession's second dip meant that construction became more affordable.
Still, the delay hardly fazed the architects. 'Sometimes, it is good to wait,' says OMA partner Ellen van Loon, who is from Rotterdam (this complex is the first project she has completed in her hometown). 'It makes the building sharper and stronger.' This also gave them plenty of time for fine-tuning, and while the building's main concept didn't change much during the wait, it did gain height along the way.
The building's striking overall volume arrangement was carefully planned, as one would expect from OMA and Rem Koolhaas, an architect who has been known for studying variations of tall-building ever since his landmark publication Delirious New York came out in 1978. The CCTV in Beijing is another of the office's well-known explorations of the theme. Rotterdam, OMA's main base, offered excellent ground for experimentation. '[Rotterdam] was completely destroyed [during the war] and it has in its DNA an urge to build,' says Koolhaas.
De Rotterdam can be reached through a specific route, over the Erasmus Bridge (designed to critical acclaim by Amsterdam-based UNStudio), and its shape was painstakingly calculated around that route. 'It is important that it can only be approached in one way. That is why we designed it in a particular way,' explains Koolhaas. 'It was designed to work with the bridge.'
And while its considerable size is hard to ignore (it was described by OMA as a 'vertical city'), it is not what this building is all about. The city's aim for decentralisation means creating a counter-centre across the river Maas from central Rotterdam, on the Wilhelmina Pier peninsula. Koolhaas himself urged guests at the opening not to dwell on De Rotterdam's size. 'This is not simply an ambitious architectural project, it is also part of a necessity,' he said. 'We need to emphasise how much urban activity is injected in this place at this moment.'
The structure's ground floor was designed to be as open and transparent as possible; cue the central lobby's glass enclosed, dramatic cathedral-like high ceilings. Even the commercial units were created so that no blind spots and awkward rear sides appear on the ground level, in order to make for a generous, vibrant environment and true draw for the city's inhabitants.
Now, the mixed-use De Rotterdam is the largest multi-purpose building in the Netherlands, spanning a sizeable 160,000 sq m. The program – whose interiors will be fully complete in May 2014 - includes apartments (West Tower), office space, and the NHow hotel in the East Tower, which will be throwing open its doors to its first guests this January.
Watch OMA's De Rotterdam taking shape on the city's Wilhelmina Pier. Film: Paul Martens
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Two new books examine the art of the logo, from corporate coherence to rock excess
Pentagram’s new book reveals 1,000 brand marks, while the art of the band logo is laid bare in Logo Rhythm
By Jonathan Bell Published
-
Art, culture, watches & jewellery editor Hannah Silver’s gift guide
From a Beryl Cook cushion to an offbeat diamond ring, there's something for everyone on this Wallpaper* editor's gift guide, embracing art, culture and style
By Hannah Silver Published
-
Feldspar makes its mark on Mayfair with a festive pop-up at Corinthia Hotel
Devon-based bone china brand Feldspar makes its first foray into shopkeeping with a pop-up at London’s Corinthia Hotel. Ali Morris speaks with the founders and peeks inside
By Ali Morris Published
-
Turin’s Museo Egizio gets an OMA makeover for its bicentenary
The Gallery of the Kings at Turin’s Museo Egizio has been inaugurated after being remodelled by OMA, in collaboration with Andrea Tabocchini Architecture
By Smilian Cibic Published
-
We stepped inside the Stedelijk Museum's newest addition in Amsterdam
Amsterdam's Stedelijk Museum has unveiled its latest addition, the brand-new Don Quixote Sculpture Hall by Paul Cournet of Rotterdam creative agency Cloud
By Yoko Choy Published
-
A peek inside the Nederlands Fotomuseum as it prepares for its 2025 opening
The home for the Nederlands Fotomuseum, set on the Rotterdam waterfront, is one step closer to its 2025 opening
By Ellie Stathaki Published
-
A guide to Zaha Hadid: from architecture to making 'a big hole' in Wallpaper*
Dame Zaha Hadid was a global, Pritzker Prize-winning architect and a force of nature; in this ultimate guide to her work, we celebrate her life, career and legacy
By Ellie Stathaki Published
-
The Lantern cultural hub in Detroit by OMA balances ‘light touch’ and ‘dramatic impact’
Library Street Collective’s Lantern, a new cultural hub in Detroit, was designed by OMA New York and is a signature rebuild that makes the most of the site’s existing structures
By Siska Lyssens Published
-
Milan’s 10 Corso Como revamp nods to the concept store’s industrial character
Milanese concept store 10 Corso Como unveils its new look by 2050+, a stripped-back design that nods to its 20th-century character
By Ellie Stathaki Published
-
A nest house in the Netherlands immerses residents in nature
Buitenverblijf Nest house by i29 offers a bird-inspired forest folly for romantic woodland escapes in the Netherlands
By Ellie Stathaki Published
-
The House Under the Ground is a Dutch home surrounded in wildflowers and green meadow
The House Under the Ground by WillemsenU is a unique Dutch house blending in its green field
By Harriet Thorpe Published