Watch Universal Everything's audio-visual installation unfold in the Science Museum's new Media Space galleries
It can be difficult to describe digital artworks, because they often need to be seen to be understood. But Matt Pyke hopes that when people do see the newest, extraordinary installation by his design collective, Universal Everything, they will feel 'the sensation of witnessing a new form of life, never felt before'. And the brilliant thing is, they probably will. Even if that's hard to imagine right now.
The huge, two-part audio-visual installation is the first exhibit to be shown in the Science Museum's new Media Space galleries, which opened to the public this month. Designed to bring together photographers, artists and curators to explore the relationship between photography, science, art and technology, the Media Space is a collaboration between the Science Museum and the National Media Museum in Bradford.
Within the newly opened space, Universal Everything has created a curved chamber comprising two concentric 360º video projection walls immersing the visitor. Running on the outside of the chamber, 'Presence' is a 24-minute, four-screen film of a contemporary dance performance, clothed in Universal Everything's customary abstract digital costumes and choreographed by Benjamin Millepied and his LA Dance Project (soon to be on at Sadler's Wells Theatre). The inner screen shows '1000 Hands', a living, evolving digital environment, consisting of visitor-generated drawings made through a touch screen app.
Since we covered his exhibition at Paris' Gâité Lyrique two years ago, Pyke has been busy working on installations and experiences for Intel, Nike and Hyundai (who are also partnering for the Media Space show). For this exhibition the plan was to bring it all together. 'We wanted to create a grand cumulative mix of the processes we have been exploring; architecture, sound, choreography, CGI and touch screen interaction,' he explains. 'The essence of the work is about revealing a living, emotional presence within digital forms, leading us to develop abstracted, digital costumes for the dancers of "Presence"'.
Continues Pyke: 'With "1000 Hands", we wanted to involve the visitors in the creation of the work, to challenge the traditional role of audience versus artists. The work only exists because of the audience contributions.' The installation is the studio's biggest collaboration yet, involving architects, fabricators, projectionists, musicians, dancers, choreographers, CGI animators and programmers.
Within the newly opened space, Universal Everything has created a curved chamber comprising two concentric 360º video projection walls immersing the visitor.for Media Space
A still from 'Presence', a 24-minute, four-screen film of a contemporary dance performance, which runs on the outside of the chamber.
The performers - choreographed by Benjamin Millepied - appear clothed in Universal Everything's signature abstract digital costumes.
Universal Everything founder Matt Pyke explains, ''We wanted to create a grand cumulative mix of the processes we have been exploring; architecture, sound, choreography, CGI and touch screen interaction. The essence of the work is about revealing a living, emotional presence within digital forms.'
The installation is the studio's biggest collaboration yet, involving architects, fabricators, projectionists, musicians, dancers, choreographers, CGI animators and programmers.
ADDRESS
Virgin Media Studio
Media Space
Exhibition Rd
London SW7 2DD
-
Put these emerging artists on your radarThis crop of six new talents is poised to shake up the art world. Get to know them now
-
Dining at Pyrá feels like a Mediterranean kiss on both cheeksDesigned by House of Dré, this Lonsdale Road addition dishes up an enticing fusion of Greek and Spanish cooking
-
Creased, crumpled: S/S 2025 menswear is about clothes that have ‘lived a life’The S/S 2025 menswear collections see designers embrace the creased and the crumpled, conjuring a mood of laidback languor that ran through the season – captured here by photographer Steve Harnacke and stylist Nicola Neri for Wallpaper*
-
Artist Qualeasha Wood explores the digital glitch to weave stories of the Black female experienceIn ‘Malware’, her new London exhibition at Pippy Houldsworth Gallery, the American artist’s tapestries, tuftings and videos delve into the world of internet malfunction
-
Ed Atkins confronts death at Tate BritainIn his new London exhibition, the artist prods at the limits of existence through digital and physical works, including a film starring Toby Jones
-
Tom Wesselmann’s 'Up Close' and the anatomy of desireIn a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
-
A major Frida Kahlo exhibition is coming to the Tate Modern next yearTate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo
-
A portrait of the artist: Sotheby’s puts Grayson Perry in the spotlightFor more than a decade, photographer Richard Ansett has made Grayson Perry his muse. Now Sotheby’s is staging a selling exhibition of their work
-
Celia Paul's colony of ghostly apparitions haunts Victoria MiroEerie and elegiac new London exhibition ‘Celia Paul: Colony of Ghosts’ is on show at Victoria Miro until 17 April
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
-
Sylvie Fleury's work in dialogue with Matisse makes for a provocative exploration of the female form'Drawing on Matisse, An Exhibition by Sylvie Fleury’ is on show until 2 May at Luxembourg + Co
