Watch Universal Everything's audio-visual installation unfold in the Science Museum's new Media Space galleries
It can be difficult to describe digital artworks, because they often need to be seen to be understood. But Matt Pyke hopes that when people do see the newest, extraordinary installation by his design collective, Universal Everything, they will feel 'the sensation of witnessing a new form of life, never felt before'. And the brilliant thing is, they probably will. Even if that's hard to imagine right now.
The huge, two-part audio-visual installation is the first exhibit to be shown in the Science Museum's new Media Space galleries, which opened to the public this month. Designed to bring together photographers, artists and curators to explore the relationship between photography, science, art and technology, the Media Space is a collaboration between the Science Museum and the National Media Museum in Bradford.
Within the newly opened space, Universal Everything has created a curved chamber comprising two concentric 360º video projection walls immersing the visitor. Running on the outside of the chamber, 'Presence' is a 24-minute, four-screen film of a contemporary dance performance, clothed in Universal Everything's customary abstract digital costumes and choreographed by Benjamin Millepied and his LA Dance Project (soon to be on at Sadler's Wells Theatre). The inner screen shows '1000 Hands', a living, evolving digital environment, consisting of visitor-generated drawings made through a touch screen app.
Since we covered his exhibition at Paris' Gâité Lyrique two years ago, Pyke has been busy working on installations and experiences for Intel, Nike and Hyundai (who are also partnering for the Media Space show). For this exhibition the plan was to bring it all together. 'We wanted to create a grand cumulative mix of the processes we have been exploring; architecture, sound, choreography, CGI and touch screen interaction,' he explains. 'The essence of the work is about revealing a living, emotional presence within digital forms, leading us to develop abstracted, digital costumes for the dancers of "Presence"'.
Continues Pyke: 'With "1000 Hands", we wanted to involve the visitors in the creation of the work, to challenge the traditional role of audience versus artists. The work only exists because of the audience contributions.' The installation is the studio's biggest collaboration yet, involving architects, fabricators, projectionists, musicians, dancers, choreographers, CGI animators and programmers.
Within the newly opened space, Universal Everything has created a curved chamber comprising two concentric 360º video projection walls immersing the visitor.for Media Space
A still from 'Presence', a 24-minute, four-screen film of a contemporary dance performance, which runs on the outside of the chamber.
The performers - choreographed by Benjamin Millepied - appear clothed in Universal Everything's signature abstract digital costumes.
Universal Everything founder Matt Pyke explains, ''We wanted to create a grand cumulative mix of the processes we have been exploring; architecture, sound, choreography, CGI and touch screen interaction. The essence of the work is about revealing a living, emotional presence within digital forms.'
The installation is the studio's biggest collaboration yet, involving architects, fabricators, projectionists, musicians, dancers, choreographers, CGI animators and programmers.
ADDRESS
Virgin Media Studio
Media Space
Exhibition Rd
London SW7 2DD
-
Brazilian designer Guilherme Wentz’s new collection creates sanctuary at homeHis stunning new pocket collection of home accessories was designed for a market of one, but luckily, the covetable Objects for Silence are available to all
-
Van Cleef & Arpels light up London with the Dance Reflections festivalVan Cleef & Arpels are celebrating their ties with the world of choreography with the second edition of the Dance Reflections festival across London
-
Pretty on the inside: the BMW X3 M50 is a characterful but confrontational SUVThe flagship of the fourth generation X3 range, the M50 xDrive model showcases BMW’s skills at making SUVs that are delightful to drive
-
Celia Paul's colony of ghostly apparitions haunts Victoria MiroEerie and elegiac new London exhibition ‘Celia Paul: Colony of Ghosts’ is on show at Victoria Miro until 17 April
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
-
Sylvie Fleury's work in dialogue with Matisse makes for a provocative exploration of the female form'Drawing on Matisse, An Exhibition by Sylvie Fleury’ is on show until 2 May at Luxembourg + Co
-
What to see at BFI Flare film festival, 'a rich tapestry of queer experience'As one of the only film festivals to explicitly profile LGBTQI+ cinema, BFI Flare Film Festival remains a unique and beloved event. Here's what to see as it makes its return to London from 19 - 30 March
-
The enduring appeal of Transport for London’s seat designsFrom artist Rita Keegan’s new collage to fashion designer Adam Jones’ Overground suit, TfL moquettes continue to enjoy a cult status
-
‘There's a lot to fear and a lot to love in this world’: Penny Goring unveils new work in LondonA new collection of large-scale collages takes centre stage at 'Penny Goring: Cold Hunt Corsage' at Arcadia Missa, London
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellionThe new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
-
‘Yay, To Have a Mouth!’: a London show explores our oral fixation, from Freud to fairytalesThis group show at Rose Easton gallery in east London, created in collaboration with Ginny on Frederick, uncovers our fascination with the mouth
