'De Ida y Vuelta': a new show in Mexico City brings together the work of 60 young designers

Tucked away in the colourful Centro Nacional de las Artes in Mexico City, a small and neatly curated show sheds light on a thriving contemporary design scene. De Ida y Vuelta (which loosely translates as 'Back and Forth') consists of 250 prototypes and finished objects by 60 Mexican designers, most of who have only been in operation since 2010.
'The premise of the show is that ideas, skills and traditions go back and forth between designers and craftspeople,' explains Mexican curator Ana Elena Mallet. New works by established names such as Emiliano Godoy, Hector Esrawe, Ariel Rojo and Oscar Hagerman are present, but Mallet has purposefully sought out young designers working alone and in collectives.
Bi Yuu is a young brand created by textile designer Marisol Centeno, who works with artisans in Oaxaca to make handcrafted rugs. Also in the younger crew are collectives such as Rehilete, Pentagono and 1050o (degrees), which have reinterpreted traditional wooden stools, chairs and ceramics in new ways.
'Most exhibitors are industrial designers (with an average age of 30) who are working with craftspeople. They are conscious of their context, and are reinterpreting their Mexican roots in new ways,' says Mallet. The majority are based in Mexico but Mallet has cast her net wide to include a handful of expats creating cross-collaborations back home. Among them are London-based Valentina Gonzalez Wohlers and Jose de la O, who after graduating from the Eindhoven Design Academy, headed to Yucatan to reinterpret the wooden rocking chairs specific to the region.
A highlight is the hefty, hand-carved cookware by Julio Martinez Barnetche. Bowls pot and trivets are carved from the black volcanic rock ubiquitous to Mexico, while the vasija fermetadora is a giant vessel in which to store and ferment agave sap in order to make pulque, the local hooch.
Bacaanda II (Pejel)' rug, by Marisol Centeno, 2014
A detail of 'Bacaanda II (Pejel)'
Double chair with side table (Oaxaca Line) by Ariel Rojo, 2013
Small pewter lamp (Oaxaca Line) by Ariel Rojo, 2013
Fin' by FOAM, 2012
A detail of 'Fin
The premise of the show is that ideas, skills and traditions go back and forth between designers and craftspeople,' explains Mexican curator Ana Elena Mallet
Ala A bench', by Alexander Díaz Andersson, 2012
Basalt mezcal jar with three cups and wooden base, by Julio Martínez Barnetche, 2013
Bowl, chopping board and knife, by Julio Martínez Barnetche, 2011
Pyramid' desk, by Alexander Díaz, 2012
Hacienda' armchair, by Héctor Esrawe Murad, 2012
Basalt Stool' (Materiality collection), by Panorámica, 2013
The majority of exhibitors are based in Mexico, but Mallet has cast her net wide to include a handful of expats creating cross-collaborations back home
Left: 'Mestiza 03' lamp by Aitor Garrido, 2013. Right: 'Rectangular pulque fermenting jar' by Julio Martínez Barnetche, 2013
Primer Objeto' by Jorge Diego Etienne and Savvy Studio, 2012
I' by Marisol Centeno, 2013
Left: 'Three Little Pigs' by Ana Gómez, Alberta Mateo Sánchez and Diego Mier y Terán, 2011. Right: 'Iroi-Iroi' teapot by Kythzia Barrera and Elia Mateo,
2013
Big Firefly' lampshade, by Gerardo and Mariana Arzate, 2012
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Emma O'Kelly is a freelance journalist and author based in London. Her books include Sauna: The Power of Deep Heat and she is currently working on a UK guide to wild saunas, due to be published in 2025.
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