Model wears a navy V-neck blouse with exaggerated balloon sleeves, another wears an oversized light-blue teddy coat
Roksanda A/W 2018
(Image credit: Jason Lloyd-Evans)

Scene setting: Roksanda Ilincic enlisted contemporary Swiss artist Caroline Denervaud to create a wistful, painterly set for her A/W 2018 show. Denervaud, who studied contemporary dance before becoming a painter and performance artist, creates lines and spontaneous blocks of colour based upon her exploration of movement and emotion. Slim canvases were hung like sails from the ceiling of the runway, giving the collection – which comprised fluid silk dresses, colour-blocked parkas and swing dresses with sculptural panels – a greater sense of movement.

Mood board: The notion of clothing as protection first emerged during New York Fashion Week and has carried through to London. At Roksanda, the sentiment was expressed through long quilted coats (elegant, rather than bulky), thick shearling jackets, oversized scarves and even blankets, which the models clutched onto tightly or threw over their shoulders as they descended the runway. Colours, however, veered towards the calmer end of the spectrum, as though to pacify the wearer – think pale yellow, camel and duck-egg blue.

Best in show: While the finale dresses exemplified Ilincic’s masterful use of silk, iridescent sequins and tufts of tulle, there was no denying the perennial elegance of her outerwear. The oversized camel coat that opened the show, for example, is something that many women would enjoy revisiting season after season.

Models wear heavy silk blouses and dresses in navy and cream, with a colourful paint-like pattern

(Image credit: Jason Lloyd-Evans)

Model wears a high-neck silk dress in blue and maroon, whilst another wears a tailored dark-red trench coat

(Image credit: Jason Lloyd-Evans)

Models wear tulle sheer dresses in pink, yellow and blue, with high-neck bloom collars

(Image credit: Jason Lloyd-Evans)

Model wears an electric-blue vest dress with exaggerated folds

(Image credit: Jason Lloyd-Evans)