The myriad of patterns in this design is the result of hacking traditional stone methods. On view at Alcova, the project is a collaboration between stone tailor Manuel Coltri and DWA Design Studio, and curated by Paolo de Vivo. A cocktail of Carrara, lava stone, green onyx and more form the stripes, graphic shapes, and contrasting tones of these vases and trays, giving classic materials and methods a new edge
The results of a collaboration between students of the Master of Advanced Studies in Design for Luxury & Craftsmanship course at ECAL and Italian marble brand Marsotto LAB were on view in Brera. Following a tour of its Verona factory, the students were able to get to grips with Marsotto’s meticulous methods with marble and under the guidance of French designer Pierre Charpin, they produced a collection of kitchenware that includes a champagne bucket, containers and trays.
Student Nabhadr Apiwanopas created a poetic vase titled ‘Vortex’ that is a marble disk harbouring a gentle water flow (left), while Lorenzo Giovannoni created trays inspired eroded landscapes (right). Courtesy, ECAL/Younès Klouche
Two collaborations came to fruition for Hem’s Salone spectacle. In Brera, the brand coined the ‘Hem Gallery and Garden’ where it presented the monolithic ‘Max Table’ by Max Lamb, stretching three metres and made from Douglas Fir. The Swedish brand also launched its first collaboration with Modern Design Review – an ornamental ceramics project with John Booth and Ian McIntyre that was both playful and experimental.
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Shine on: Yaber brightens home entertainment with two new compact projectorsYaber showcased new projectors at CES 2025 – its first ultra-short-throw device, as well as an ongoing collaboration with the estate of Keith Haring
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The case of the Ontario Science Centre: a 20th-century architecture classic facing an uncertain futureThe Ontario Science Centre by Raymond Moriyama is in danger; we look at the legacy and predicament of this 20th-century Toronto gem
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Van life with an eco edge – this mobile wooden cabin is designed for getting away from it allThe Cocoon-Freelancer is Attia Design’s alternative to the van life aesthetic, a plastic- and chemical-free timber structure that makes a virtue of simplicity
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Louis Fratino leans into queer cultural history in ItalyLouis Fratino’s 'Satura', on view at the Centro Pecci in Italy, engages with queer history, Italian landscapes and the body itself
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Out of office: what the Wallpaper* editors have been doing this weekA snowy Swiss Alpine sleepover, a design book fest in Milan, and a night with Steve Coogan in London – our editors' out-of-hours adventures this week
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Pino Pascali’s brief and brilliant life celebrated at Fondazione PradaMilan’s Fondazione Prada honours Italian artist Pino Pascali, dedicating four of its expansive main show spaces to an exhibition of his work
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‘I just don't like eggs!’: Andrea Fraser unpacks the art marketArtist Andrea Fraser’s retrospective ‘I just don't like eggs!’ at Fondazione Antonio dalle Nogare, Italy, explores what really makes the art market tick
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Miranda July considers fantasy and performance at Fondazione Prada‘Miranda July: New Society’ at Fondazione Prada, Milan, charts 30 years of the artist's career
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Juergen Teller’s ‘i need to live’ explores beauty and fragility at Triennale MilanoJuergen Teller’s ‘i need to live’ is on show at Triennale Milano, following its Paris debut, and spans shots of Yves Saint Laurent and Björk, as well as quirky self-portraits
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Triennale Milano exhibition spotlights contemporary Italian artThe latest Triennale Milano exhibition, ‘Italian Painting Today’, is a showcase of artworks from the last three years
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Walls, Windows and Blood: Catherine Opie in NaplesCatherine Opie's new exhibition ‘Walls, Windows and Blood’ is now on view at Thomas Dane Gallery, Naples
