Whitechapel Gallery
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‘I am almost an anti-sculptor’: Dominique White on her Whitechapel Max Mara Art Prize show
The artist mines the ocean to explore Afrofuturism in ‘Deadweight’, opening at London’s Whitechapel and detailed in a new film
By Amah-Rose Abrams Published
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Elmgreen & Dragset take the plunge at Whitechapel Gallery
By Jessica Klingelfuss Last updated
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Tech-tonic: ’Electronic Superhighway’ charts the shifting landscape of computer-art
By Elly Parsons Last updated
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A tribe of Emma Hart's decapitated ceramic skulls swing into the Whitechapel gallery
By Elly Parsons Last updated
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Daniel Lie ignites the senses at Jupiter Artland
There’s something in the air as the Brazilian-Indonesian artist gears up with a new commission for the Edinburgh sculpture park and gallery
By Harriet Lloyd-Smith Last updated
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Sleepless in Shoreditch: London Art Night attracts the midnight masses
By Elly Parsons Last updated
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Artist Laure Prouvost's solo show at London's Whitechapel Gallery
By Ellen Himelfarb Last updated
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Iwona Blazwick on 120 years of Whitechapel Gallery
As Iwona Blazwick announces she will step down after 20 years as director of Whitechapel Gallery in April, we look back on our 2021 story to mark the gallery’s 120th anniversary, for which Blazwick shared her pick of its most influential shows
By Harriet Lloyd-Smith Last updated
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Is This Tomorrow? Artists and architects revisit Whitechapel Gallery’s seminal postwar exhibit
By Benoit Loiseau Last updated
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Emma Talbot explores Greek myth and femininity at Whitechapel Gallery
In ‘The Age/L’Età’, her Max Mara Art Prize show at Whitechapel Gallery, Emma Talbot imagines a reality where violence is overturned by resolution, nurtured by an elderly female protagonist
By Martha Elliott Last updated
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Ulla von Brandenburg recreates historic 1973 exhibition on European confectionery
By Harriet Lloyd-Smith Last updated
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Scottish painter Peter Doig named the 2017 Whitechapel Gallery Art Icon
By Elly Parsons Last updated
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Emma Talbot on optimism, feminism and reconfiguring the roots of power
The British artist and winner of the eighth Max Mara Art Prize for Women illuminates Piccadilly Circus with optimism and confronts perceived shame around female ageing
By Harriet Lloyd-Smith Published