Back to the future: Helsinki City Museum’s impressive new home

Last week’s party to celebrate the reopening of the Helsinki City Museum set the tone for the people’s cultural destination. The museum, which relates life in the old days in the Finnish capital, has just moved to a new, bigger premises designed by local firm Arkkitehdit Davidsson Tarkela.
With its free access, super-generous public spaces and user-friendly exhibits, the museum feels decidedly non-elitist. Likewise, the buzzy launch party comprised a broader spectrum of guests than most such events, with local families outnumbering city officials and art world professionals.
HCM’s new €11m home in the city's historic Tori Quarters is a collection of five buildings dating from the 1750s and positioned around a courtyard. Architect Aki Davidsson was tasked with providing as much exhibition and public space as possible. 'It was quite a headache to work out how the buildings would connect,' he says. Part of his solution was to replace a poorly built 1960s wing and remove a set of stairs, which allowed him to install a lift with access to all floors.
The museum’s entrance is an expression of accessibility, with the large lobby furnished by interiors agency Kakadu Oy to encourage visitors to dwell. Outsized carved wooden animals by artist Jasmin Anoschkin are interspersed with a melange of modern and vintage seating. The piece de resistance is Kakadu’s 15m-long ‘timeline’ sofa, a knitting together of different periods of banquette seating along the back wall.
Throughout the buildings, which had formerly been government offices, Davidsson Tarkela stripped the interiors of partition walls and false ceilings, working with 1960s additions put in by brutalist Aarno Ruusuvuori, the architect of Helsinki’s City Hall.
However, architect Taina Laine’s 1961 Falkman building remains, complete with its stylish spiral staircase and wall of hollow bricks. The disparate structures are further unified by a new identity with symbolic heart reference, and three smart bespoke typefaces created by local branding firm Werklig.
Designed by local firm Arkkitehdit Davidsson Tarkela, the new space sits within the city’s historic Tori Quarters
The complex is composed of a collection of five buildings dating from the 1750s and positioned around a courtyard
Throughout the buildings, which had formerly been government offices, Davidsson Tarkela stripped the interiors of partition walls and false ceilings
The museum was designed to be friendly and welcoming to visitors, encouraging them to explore and dwell
Different displays vary from life-sized reconstructions of homes and different Finnish interior typologies...
...to different objects and memorabilia exploring life in the Finnish capital in the past decades
INFORMATION
For more information on the design visit the Davidsson Tarkela website
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Clare Dowdy is a London-based freelance design and architecture journalist who has written for titles including Wallpaper*, BBC, Monocle and the Financial Times. She’s the author of ‘Made In London: From Workshops to Factories’ and co-author of ‘Made in Ibiza: A Journey into the Creative Heart of the White Island’.
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