Bindloss Dawes Architects’ Autobarn houses a collection of Porsches
The Autobarn by Bindloss Dawes Architects provides serene space to store and service a clutch of classic Porsches

Bindloss Dawes’ ‘Autobarn’ states its function pretty clearly, but the ‘loose-fit’ steel and timber structure is intended to be ultra-flexible from the outset.
Autobarn: a home for cars
The site is in the grounds of a Grade II-listed 18th-century house in southern England, and the brief called for a home for the client’s classic car collection, a structure that went above and beyond a conventional garage and became something more akin to a gallery, albeit a place where work could still be undertaken.
The 165 sq m project is split into two components, set at right angles to each other. Pitched roofs acknowledge the existing house and the local vernacular, but the façade treatment is very different. The five-bay garage adjoins the two-car workshop space, complete with car lift, storage for tools and parts, and a utility area.
All the spaces are top lit, with a precisely detailed steel frame emphasising the pitch and coming together beneath the apex. Access is via large sliding doors, all the way to a 7m, three-bay timber screen on the garage structure, which is joined by a sliding glass door for added security.
The client’s passion is classic Porsches, with several generations of the iconic 911 represented, alongside a 1970s-era 914. ‘Our aim was to create a building that appeared elegant and familiar at first glance, but then opened up to reveal something surprising and unexpected,’ says architect Oliver Bindloss. ‘Using the barn typology helped us to achieve this, creating simple timber forms that you might expect to find throughout the countryside, but then introducing some theatre with the big sliding doors, opening up the building to reveal the car collection inside.’
The barn analogy is furthered by the use of straightforward, quasi-agricultural materials like concrete and recycled wood strand board, as well as a zinc roof. The sweet-chestnut cladding and meticulous interior joinery reflect the timeless details of the cars themselves.
The adaptability of the structure is guided by futureproof design elements, like the underfloor heating and air source heat pump that could be switched on if needed, with additional services concealed within the panelling, should the Autobarn’s future use change.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Bindloss and George Dawes founded their Somerset-based studio in 2018, following working together at Jamie Fobert Architects. The client describes the Autobarn project as a ‘close collaboration’ with architects, a way of realising a ‘long-term dream to bring my car collection together under one roof, and to start all the restoration projects I’ve been planning’.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
‘Nothing just because it’s beautiful’: Performance artist Marina Abramović on turning her hand to furniture design
Marina Abramović has no qualms about describing her segue into design as a ‘domestication’. But, argues the ‘grandmother of performance art’ as she unveils a collection of chairs, something doesn’t have to be provocative to be meaningful
By Anna Solomon Published
-
A local’s guide to Los Angeles by defiant artist Fawn Rogers
Oregon-born, LA-based artist Fawn Rogers gives us a personal tour of her adopted city as it hosts its sixth edition of Frieze
By Sofia de la Cruz Published
-
A Danish twist, compact architecture, and engineering magic: the Don’t Move, Improve 2025 winners are here
Don’t Move, Improve 2025 announces its winners, revealing the residential projects that are rethinking London living
By Ellie Stathaki Published
-
This Hampstead house renovation in London transcends styles and periods
The renovation of a Hampstead house in London by Belgian architect Hans Verstuyft bridges the classic and the contemporary
By Harriet Thorpe Published
-
New book takes you inside Frinton Park Estate: the Essex modernist housing scheme
‘Frinton Park Estate’, a new book by photographer James Weston, delves into the history of a modernist housing scheme in Essex, England
By Ellie Stathaki Published
-
Conran Building's refresh brings a beloved London landmark into the 21st century
Conran Building at 22 Shad Thames has been given a new lease of life by Squire & Partners, which has rethought the London classic, originally designed by Hopkins, for the 21st century
By Ellie Stathaki Published
-
Sadler’s Wells East opens: ‘grand, unassuming and beautifully utilitarian’
Sadler’s Wells East by O’Donnell and Tuomey opens this week, showing off its angular brick forms in London
By Tom Seymour Published
-
2025 Serpentine Pavilion: this year's architect, Marina Tabassum, explains her design
The 2025 Serpentine Pavilion design by Marina Tabassum is unveiled; the Bangladeshi architect talks to us about the commission, vision, and the notion of time
By Ellie Stathaki Published
-
We celebrate the emerging London architects to be excited about
These emerging London architects are some of the capital's finest ground-breakers, movers and shakers; heralding a new generation of architecture
By Ellie Stathaki Published
-
A library in a London telephone box? This is a charming reading nook full of surprises
Set in a restored London telephone box, Upper Street Little Library is a cosy beacon to encourage reading to the wider community
By Tianna Williams Published