Many of these cottages cascade down the hills of this once-working-class, harbour-side peninsula.
Over the years the two houses had become 'divorced' from each other with different materials used. So timber was chosen as the consistent material palette, which sits comfortably alongside the historic fabric of heritage Balmain.
Benn + Penna's idea was to create two houses that were part of a whole, yet separate family homes for Andrew and his wife, and Andrew's mother and her partner.
The dilapidated dwellings burdened with crude additions, once dark and introverted, now swell with light and life.
Though the design is lively, striking and geometric, it is also adaptable, offering shade from the sun, direct harbour views, and privacy from neighbours.
Inside, the use of timber and geometrics continue to play to the different characters and needs of the families.
One house has a contemporary aesthetic, with references to Scandinavian design using birch plywood joinery and lime-washed timber floors.
...the other uses a warmer palette of finishes with a focus on natural materials such as slate and recycled Australian timbers.
The aim was to create light, open-plan houses that were more 'semi-attached' than 'semi-detached', reassembled for family living.
Built-in storage and furniture increase the sense of space in both houses
Though constantly connected, the houses offer occasional moments alone.
The cottages take advantage of all the available light.
Each detail has been carefully considered, down to the hidden plumbing below a kitchen island.
The pair of dwellings create an intimate universe for the two families to grow together
There is flow and interconnectedness between the two houses: for example, the stone wall that divides them has in-built peep holes; and you can slink through a gap at the end.
This is self-described 'textured modernism'- homes that are clearly contemporary but with a layering and grain that speak to the historic area of Balmain.
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