In an up-and-coming district of central Budapest, passers-by wouldn't be able to miss the solemn presence of a set of dark twin towers linked at high level by a shimmering Star of David, emerging from the site of the former Józsefváros railway station. Commissioned by the state to mark the 70th anniversary of the Holocaust in Hungary, the towers announce the presence of the new holocaust museum and education centre of Budapest, by architect Attila F. Kovács.
The scale of the existing 19th century railway station and flanking ancillary buildings presented a challenge for conversion to 21st century exhibition standards. A new underground exhibition hall, located in front of the main station on the site of the old tracks, provided the solution and formed the new museum entrance. Accessed by a grand external stairway, the funnel-like space houses the main exhibition and unites the basements of the existing buildings, establishing a circulatory artery for the museum complex.
F. Kovács saw the station building as a statue sinking into ‘a sea of stones,’ becoming a monument itself. The station has been carefully restored, accommodating a 200-seat conference room, flexible exhibition space, café and bookshop. Accessed from below, gigantic basalt stones on the roof of the new exhibition hall lend the impression that the station is indeed sinking.
The facades of the identical flanking buildings were remodelled with exposed concrete walls wrapped in a patterned cage of iron reinforcement rods, symbolic of imprisonment. The 20m high towers, drawing on an earlier installation by F. Kovács for the Holocaust Museum of the southeastern Hungarian city of Hódmezővásárhely, are angled to form a powerful optical illusion. From certain perspectives, the blocks converge and The Star of David shines out, but moving on from this perspective, the towers are torn apart.
The palette of materials pays homage to the railway route along which Jews were transported to Auschwitz during the Second World War, seeking to express the raw emotion a building of this nature provokes. ‘I was enchanted by the scale and the effect of the materials, how they work together, and the sensation of time, and loneliness,’ said F. Kovács.
The raw palette of materials including basalt stones, railway sleepers, freight carriages, old railway tracks and iron reinforcement bars symbolise the past. Corten steel was favoured by the architect for the new exhibition hall as it was symbolic of survival despite destruction
A bridge forming the Star of David is clad in finely perforated metal that permits daylight to spill into the interior, illuminating the pathway between towers
The former station has been restored to its original industrial style, also accommodating a 200-seat conference room, flexible exhibition space, café and bookshop. A central staircase links it to the main exhibition hall below
INFORMATION
Photography: Tamás Bujnovszky
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQIn the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellionThe new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and SoldierNew exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
-
Gulbenkian Foundation's new art centre by Kengo Kuma is light and invitingLisbon's Gulbenkian Foundation reveals its redesign and new contemporary art museum, Centro de Arte Moderna (CAM), by Kengo Kuma with landscape architects VDLA
-
National Portrait Gallery reopens its refreshed homeLondon’s National Portrait Gallery reopens with a design by leading architect Jamie Fobert and conservation specialist Purcell
-
The Museum of Amazonian Science offers global hope and sustainabilityAn environmentalist’s ambitious project includes the Museum of Amazonian Science in Brazil and fulfils his vision of powering up the local bioeconomy and saving humanity
-
Sydney Modern opens its doors and reveals immersive SANAA architectureSANAA’s Sydney Modern opens its doors to the public in Australia
-
Refreshed Gainsborough House in Suffolk gears up for reopeningThomas Gainsborough House in Suffolk reopens to a design by architecture studio ZMMA
-
Etruscan Galleries at Fondazione Luigi Rovati by Mario Cucinella just flowIn Milan, the Etruscan Galleries at the Fondazione Luigi Rovati, designed by architect Mario Cucinella, open to the public
-
Morphosis unveils flowing Orange County Museum of ArtExplore the curved shapes and expressive interiors of the Orange County Museum of Art by Morphosis, now open in California
-
Buffalo AKG Art Museum by OMA looks to the futureThe Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery) is reborn with a striking OMA-designed extension, site-specific installations, and a new focus on the local community
