Carmody Groarke revives Victorian vaulted space for Manchester museum
Architects Carmody Groarke revive a vast, brick space for the flexible new Special Exhibitions Gallery at the Science and Industry Museum in Manchester
A flexible gallery has just been completed as part of the Science and Industry Museum in Manchester. The project, spanning an impressive 725 sq m and forming the institution's new Special Exhibitions Gallery, has been designed by London-based architects Carmody Groarke.
The new cultural space occupies a majestic Grade II-listed structure, dating back to the 1880s. Housed within a part of the museum's network of Victorian railway viaducts called New Warehouse, the design embraces the original architecture's historical character. High vaulted ceilings (at 5m tall) define the structure, which is largely made of cast iron and terracotta-coloured Victorian brick.
Clever additions, such as light, full-height, fibre-glass panelled walls at the entrance area (which have been coloured to match the period brick walls), bring the interior into the 21st century without overpowering the interior's original character. There is step-free access for visitors, while sustainability has been addressed through design decisions to reduce life-cycle costing, light pollution and carbon emissions.
‘We were inspired by the powerful presence and character of the Victorian engineering and architecture when designing the new Special Exhibitions Gallery,' says studio director Andy Groarke. ‘By counterpointing the carefully restored historic building fabric with bold new materials, our architectural interventions reframe and repurpose the already wonderful spaces within the New Warehouse as a backdrop for exhibitions and visitor welcome.'
The project is part of the Manchester museum's long-term refresh, aimed at future-proofing the much loved cultural institution and pairing great design with sustainability. This is only the grand scheme's first phase, with more to follow in the coming years. The new gallery is currently closed due to pandemic restrictions but it is ready to throw open its doors as soon as these are lifted.
INFORMATION
carmodygroarke.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
The most whimsical hotel Christmas trees around the world
We round up the best hotel Christmas tree collaborations of the year, from an abstract take in Madrid to a heritage-rooted installation in Amsterdam
By Tianna Williams Published
-
Stone dials are making a comeback: here are the watches doing it best
Watches with hard stone dials are enjoying a surge in popularity
By Chris Hall Published
-
These illuminating fashion interviews tell the story of style in 2024
Selected by fashion features editor Jack Moss from the pages of Wallpaper*, these interviews tell the stories behind the designers who have shaped 2024 – from Kim Jones to Tory Burch, Willy Chavarria to Martine Rose
By Jack Moss Published
-
Surrealism as feminist resistance: artists against fascism in Leeds
‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
By Katie Tobin Published
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s Britain
The turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
By Anne Soward Published
-
Jasleen Kaur wins the Turner Prize 2024
Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
By Hannah Silver Last updated
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
By Caragh McKay Published
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
By Will Jennings Published
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture Park
Bharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park
By Will Jennings Published
-
‘Mental health, motherhood and class’: Hannah Perry’s dynamic installation at Baltic
Hannah Perry's exhibition ’Manual Labour’ is on show at Baltic in Gateshead, UK, a five-part installation drawing parallels between motherhood and factory work
By Emily Steer Published
-
Francis Alÿs plots child play around the world at the Barbican
In Francis Alÿs' exhibition ‘Ricochets’ at London’s Barbican, the artist explores the universality of play, even in challenging situations
By Amah-Rose Abrams Published