Casa Morandi, by Studio d’Architettura Iosa Ghini

Casa Morandi - a tiny museum in the centre of Bologna - has recently opened its doors. Housed within the very apartment where the twentieth century Italian painter Giorgio Morandi lived and worked for most of his life, the space has never before been open to the public.
Re-designed by architect Massimo Iosa Ghini, of Studio d'Architettura Iosa Ghini, the adaptation of the 250-square-metre Renaissance style space was sponsored by both Comune di Bologna and Unindustria Bologna - whilst the museum itself is run under the auspices of the Museo d’Arte Moderna di Bologna
Known for his early minimalist approach, Morandi's spare and outwardly simple paintings of day-to-day objects play on recurring domestic themes, with ceramic still lives, bottle tableaux and kitchen utensil scenes featuring frequently. Painting intricately and methodically, Morandi's repetitive approach and pared-down use of colour only pays testament to his unwavering artistic discipline.
Paying Homage to this hue-based element of Morandi's work was essential in the re-design of the Casa Morandi, as Iosa Ghini explains 'The concept of the renovation followed the chromatic preferences of the artist by using ochre, brown and grey tones, and at the same time using contemporary materials like resin'.
Featuring smooth stucco walls in hues of soft beige rendered with the cross tiling technique, 'spatolato nuvolato', Iosa Ghini has complimented the effect with a light ochre finish on the epoxy resin floor.
The reception and exhibition areas, both elegant and modern, employ extra-clear tempered white glass on the surfaces, whilst lacquered aluminum boxes display Morandi's work.
Juxtaposed with several rooms that appear exactly as they did when Morandi inhabited the space, the modernised areas are compelling in their contradiction. The studio-atelier is a particular triumph of restoration on the part of Iosa Ghini - it’s almost as if Morandi may walk in at any moment, pick up a brush and start painting. One can only wish.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
A glass reception desk and interactive glass wall, by Iosa Ghini Associates. Bologna, Italy, 2009
A modernised corridor within Casa Morandi, by Iosa Ghini Associates. Bologna, Italy, 2009
The exhibition system wall and photos of Morandi with other artists, by Iosa Ghini Associates. Bologna, Italy, 2009
Morandi’s original studio-atelier, by Iosa Ghini Associates. Bologna, Italy, 2009
Morandi’s sisters bedroom - now a new conference hall with old artworks which belonged to the Morandi, by Iosa Ghini Associates. Bologna, Italy, 2009
An aisle between the old main entrance and Morandi’s sister bedroom, by Iosa Ghini Associates. Bologna, Italy, 2009
Detail of photo’s hall wall and Morandi’s studio-atelier, by Iosa Ghini Associates. Bologna, Italy, 2009
Detail of Morandi’s objects, these were everyday items that he used for his inspiration, by Iosa Ghini Associates. Bologna, Italy, 2009%A%A
ADDRESS
Casa Morandi
via Fondazza, 36
40125 Bologna
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published