Design collective Rotor ventures 'Behind the Green Door' at the Oslo Architecture Triennale 2013

This year's Oslo Architecture Triennale, curated by Belgian collective Rotor, is centred around the theme of sustainability
This year's Oslo Architecture Triennale, curated by Belgian collective Rotor, is centred around the theme of sustainability. Pictured, an installation view of the triennale's flagship show 'Behind the Green Door'
(Image credit: Marte Garmann)

Those who visited the Belgian Pavilion at the 2010 Venice Architecture Biennale or the 2011 OMA show at the Barbican in London - two key Rotor-curated shows - might have an inkling as to what to expect at the Oslo Architecture Triennale this year. In-depth archival research, focus on materials and themes of reuse have slowly but surely been developing into some of the Belgian collective's key strengths. And they all unfailingly feature in this sustainability-driven festival. 

Selected to curate the fifth edition of 'the Nordic region's biggest architecture festival' (together with independent French publication Criticat), Rotor chose a theme that feels as familiar as ambiguous. 'Our mission was to reach out to a large audience. How to attract an audience that is not necessarily used to going to architectural exhibitions?' asks Rotor member Maarten Gielen, who reiterated the goal to create something tight and consistent around the main topic. 

Sustainability is a matter that's been close to Rotor's heart for years. 'The idea was born as early as our involvement with the OMA exhibition,' says Gielen. 'We didn't have the means to do it then but we knew it was a powerful theme.' And it has always been one of Rotor's core interests. 'We ask ourselves the same question that every practice asks - how can we push things forward, how can we make a difference? Reuse of materials is, for us among other strategies, a very interesting one.'

The triennale's flagship show 'Behind the Green Door' is a result of the curators' meticulous year-long research into the question of sustainability, and in particular what it means to key international architects. The items on display - collected from the archives of practices around the globe - are varied but carefully arranged. A timeline on one side highlights key sustainability-themed projects from the late 1960s until today, while several smaller thematic groupings on the other hone in on specific topics, such as materials.

Exhibits span projects such as Foster + Partners' Masdar City in Abu Dhabi and 2011 Wallpaper* Award-winner Villa Vals by Search and CMA. Non-architectural offerings - such as Uniqlo's proposal for a lightweight clothing range for warmer-than-usual office environments that don't use intense air-conditioning - complete the picture. 

Behind the Green Door is complemented by two further shows: one at the city's Sverre Fehn-designed Architecture Museum and a second at the Oslo School of Architecture and Design (AHO). The former, entitled 'Far-out Voices', creates a dialogue with the Rotor-created event, offering a historical backdrop through various expressions of sustainability in the US during the 1960s and 1970s, from Michael Reynolds' 'Earthships' to Buckminster Fuller's geodesic domes. The latter, titled 'Custom Made', focuses on the Norwegian architectural psyche and the nation's ever evolving relationship with nature, featuring work by Eriksen Skajaa, Rintala Eggertsson and Norwegian design heavyweights Snøhetta. 

Consciously aiming to distance itself from the exhibits and look into the notion of sustainability as 'outsiders', Rotor took on the role of historical investigator, delving into archives and texts pointing to the origins of sustainability. It's a term that derives - quite fittingly, as Rotor reminds us - from 'sustainable development', first defined by Norwegian Prime Minister Gro Harlem Brundtland in the 1987 Brundtland Commission report for the United Nations.

'This is a collection of projects that call themselves sustainable,' says Gielen. 'We are trying to work as historians, but in the present. And perhaps in 30 to 40 years, when the dust has settled, we will be able to see that there were, say, five different currents at that time.' Several talks, guided tours and collateral events will roll out throughout the three-month triennale, all elaborating on the main theme. 

Held at DogA (the Norwegian Centre for Design and Architecture), Behind the Green Door is a result of the curators' meticulous year-long research into the question of sustainability

Held at DogA (the Norwegian Centre for Design and Architecture), Behind the Green Door is a result of the curators' meticulous year-long research into the question of sustainability, and in particular what it means to key international architects.

(Image credit: Marte Garmann)

The exhibition features a timeline of key sustainability-themed projects from the late 1960s until today

The exhibition features a timeline of key sustainability-themed projects from the late 1960s until today, while several smaller thematic groupings on the other hone in on specific topics, such as materials. 

(Image credit: Marte Garmann)

Rotor took on the role of the historical investigator, delving into archives and texts pointing to the origins of sustainability

Rotor took on the role of the historical investigator, delving into archives and texts pointing to the origins of sustainability. The items on display - collected from the archives of practices around the globe - are varied but carefully arranged. 

(Image credit: Marte Garmann)

the Museum of Architecture is hosting an exhibition throughout the triennale creating further dialogue with the Rotor-curated event. '

Elsewhere, the Museum of Architecture is hosting an exhibition throughout the triennale creating further dialogue with the Rotor-curated event. 'Far-out Voices' offers a historical backdrop through various expressions of sustainability in the US during the 1960s and 1970s

(Image credit: Børre Høstland)

The exhibition is structured around three main themes: waste, experiment and tools.

The exhibition is structured around three main themes: waste, experiment and tools.

(Image credit: Børre Høstland)

The unusual Drop City settlement in Colorado forms a part of the exhibition's highlights

The unusual Drop City settlement in Colorado forms a part of the exhibition's highlights. 

(Image credit: Gilles Mahé / Centre Pompidou Mnam-CCI)

'Desert Cloud' installation, by Graham Stevens

 'Desert Cloud' installation, by Graham Stevens, 1972. Courtesy of the artist

(Image credit: TBC)

A self-sufficient turbine house and a dome crafted from beer cans, both designed by American architect Michael Reynolds

A self-sufficient turbine house and a dome crafted from beer cans, both designed by American architect Michael Reynolds, are also showcased in the exhibition. 

(Image credit: Earthship Biotecture)

Over at the Oslo School of Architecture and Design (AHO), the 'Custom Made' exhibition focuses on Norwegian architecture's relationship with nature.

Over at the Oslo School of Architecture and Design (AHO), the 'Custom Made' exhibition focuses on Norwegian architecture's relationship with nature. 

(Image credit: Espen Grønli)

Custom Made features work by practices such as Eriksen Skajaa, Rintala Eggertsson and Norwegian design heavyweights Snøhetta

Custom Made features work by practices such as Eriksen Skajaa, Rintala Eggertsson and Norwegian design heavyweights Snøhetta

(Image credit: Espen Grønli)

ADDRESS

Norwegian Centre for Design and Architecture
Hausmanns Gate 16
0182 Oslo

VIEW GOOGLE MAPS

Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).

Read more
design biennale rotterdam
Inside the Design Biennale Rotterdam 2025: how the Dutch underdog became a design capital
marche arboretum as part of the wallpaper* architecture awards 2025
Wallpaper* Design Awards 2025: celebrating architectural projects that restore, rebalance and renew
rendering of floating park and structure in rotterdam
Rotterdam’s urban rethink makes it the city of 2025
handmade laterite bricks building in Nigeria at artist residency building
Sustainable architecture: 46 innovative and inspiring building designs
DCA_Procuratie, Piazza San Marco, view of Venice as the venice architecture biennale 2025 approaches
Venice Architecture Biennale 2025: the ultimate guide
Portlantis, a Rotterdam visitor centre
Portlantis is a new Rotterdam visitor centre connecting guests with its rich maritime spirit
Latest in Architecture Events
AA show view Distillation of Architecture
From a mobile pub to a thatched canopy: Japanese architecture and craft explored at AA show in London
Killingworth Towers, c. 1980
‘Concrete Dreams’: rethinking Newcastle’s brutalist past
Installation view of Germane Barnes: Columnar Disorder at the Art Institute of Chicago, 2024. Left: Designed by Germane Barnes, fabricated by Quarra Stone Company. Labor Column, 2023. Courtesy of the artist. Right: Germane Barnes. Labor Column, 2023. Courtesy of Nina Johnson Gallery, Miami.
Germane Barnes exhibition explores notions of classical architecture and identity
park hill phase 2 is part of the 2024 riba reinvention award shortlist, seeing here its refurbished and reused exterior
The 2024 RIBA Reinvention Award, Muyiwa Oki, and making reuse ‘more special than ever’
the elizabeth line wins 2024 riba stirling prize
2024 Stirling Prize goes to the Elizabeth Line: we speak to the winners
I. M. Pei portrait
'Famous but understudied': IM Pei exhibition at M+ in Hong Kong is a deep dive into the architect's legacy
Latest in News
Syd Mead, Future Pastime, 534 West 26th Street, New York
A new exhibition in New York presents the visionary artwork of the late Syd Mead
riverrock frank lloyd wright house
Frank Lloyd Wright’s last house has finally been built – and you can stay there
Design Space LA art fair
Basic.Space launches its first IRL shopping event – in an empty West Hollywood mall
the lavery london restaurant review
At The Lavery, Anglo-Italian cooking caters to London’s design obsessive
perfume bottle archive Cristalleries de Nancy
This perfume bottle archive was nearly lost. Now, it offers a rare whiff of fragrance history
AMR-C01-R from Curv Racing Simulators
Curv teams up with a British sports car brand to create the ultimate luxury racing simulator