Eileen Gray’s E-1027 launches crowdfunding campaign for restoration of original interiors

A crowd-funding campaign has been launched to raise money for important restorations to Eileen Gray’s modernist villa E-1027 in the south of France. The house, which reopened in 2015 after crucial structural restoration saved it from falling into complete disrepair, now aims to restore the unique fixed and free-standing furnishings in the dining alcove, using Gray’s original materials and methods and to create disabled access to the villa.
There is much to celebrate about Gray, a contemporary of Le Corbusier, Gray was a tour de force of her time – unbounded in her creative output and a powerful, entrepreneurial female in an era dominated by men.
In 1926, architect Jean Badovici commissioned Gray to design his summer retreat in Roquebrune-Cap-Martin on the coast overlooking the Mediterranean sea. They had met in Paris, and Badovici encouraged Gray to express her creative vision through the design of the house, now an icon of modernist architecture.
The restored and landscaped garden at E-1027.
Badovici was known for his passion for entertaining so Gray designed a unique dining alcove that combined all his cocktail-making needs into one clever piece. The foldable table transformed the corridor into a bar, while a bespoke container for slices of lemon was placed in convenient reach. No original furnishings exist in the dining room and bar, except Le Corbusier’s colourful mural, which is why the restoration is so important. Photographs, Gray’s drawings and surviving elements of her decoration and furniture that can be found in museums and private collections will provide the source material for the restoration.
A visit to E-1027 today consists of a guided tour around the villa within a group of 12 where a spoken history of the villa is complemented by archive photographs that show how the original interior looked. The planned restoration will help bring the interior back to life, so visitors can experience the true character of the house, how Gray intended it.
‘Eileen Gray was particular and precise in her materials, textures and colours in everything, hence our search for precision in our reconstructions. Her genius is in these details, and we seek to reproduce them precisely,’ says Michael Likierman, director at Cap Moderne, the non-profit association set up in 2014 to preserve the villa for the public.
Interiors in one of the bedrooms at E-1027.
E-1027 was rescued from dilapidation by the Cap Moderne association, set up by the Conservatoire du Littoral. Prior to 2014, and after Gray moved out in 1932, the house had experienced a tumultuous time falling into disrepair from neglect, used for target practice by German soldiers during the Second World War, and the site of a murder in the 1990s.
Thanks to the Cap Moderne, the Conservatoire du Littoral and the Friends of E-1027 group, the villa opened to the public in 2015 and since then visitor numbers have been on a steady and steep incline since the opening in 2015. They’re projected to double by the end of this year’s season which runs from May to October.
L’Étoile de Mer.
This month, creatives across the world are rallying together to help raise money towards the continuing restoration and improved facilities at E-1027. Designer Faye Toogood has joined the campaign in support, referencing Gray as an important inspiration to her: ‘As a female designer, I’ve long been inspired by her legacy as a rare female pioneer in the world of design. E-1027 is a radical modernist masterpiece and having suffered disrepair and near dereliction; this pertinent crowdfunding initiative will ensure its protection and is therefore crucial,’ she says.
Photographer François Halard has created some exclusive images of E-1027 and other rewards have been offered for those who contribute towards the campaign. Join Halard and Toogood to support the campaign before it ends on Saturday 10 November 2018.
INFORMATION
For more information, visit the Cap Moderne website and the crowdfunding campaign website.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
Explore the Perry Estate, a lesser-known Arthur Erickson project in Canada
The Perry estate – a residence and studio built for sculptor Frank Perry and often visited by his friend Bill Reid – is now on the market in North Vancouver
By Hadani Ditmars Published
-
Take a deep dive into The Palm Springs School ahead of the region’s Modernism Week
New book ‘The Palm Springs School: Desert Modernism 1934-1975’ is the ultimate guide to exploring the midcentury gems of California, during Palm Springs Modernism Week 2025 and beyond
By Ellie Stathaki Published
-
Meet Minnette de Silva, the trailblazing Sri Lankan modernist architect
Sri Lankan architect Minnette de Silva is celebrated in a new book by author Anooradha Iyer Siddiq, who looks into the modernist's work at the intersection of ecology, heritage and craftsmanship
By Léa Teuscher Published
-
Palm Springs Modernism Week 2025: let the desert architecture party begin
Palm Springs Modernism Week 2025 launches on 13 February, marking the popular annual desert event’s 20th anniversary, celebrated this year through more midcentury marvels than ever
By Carole Dixon Published
-
Inside Bell Labs, the modernist vision behind Severance's minimalist setting
We explore the history of Bell Labs - now known as Bell Works - the modernist Eero Saarinen-designed facility in New Jersey, which inspired the dystopian minimalist setting of 'Severance'
By Jonathan Bell Published
-
We zoom in on Ontario Place, Toronto’s lake-defying 1971 modernist showpiece
We look back at Ontario Place, Toronto’s striking 1971 showpiece and modernist marvel with an uncertain future
By Dave LeBlanc Published
-
Tour 21 lesser-known modernist houses in Europe
Take a tour of some of Europe's lesser-known modernist houses; architectural writer and curator Adam Štěch leads the way, discussing the 20th-century movement's diversity under a single vision
By Adam Štěch Published
-
Frank Lloyd Wright’s Weisblat House, a Usonian modernist Michigan gem, could be yours
Frank Lloyd Wright’s Weisblat House in Michigan is on the market – a chance to peek inside the heritage modernist home in the countryside
By Audrey Henderson Published