Eileen Gray’s E-1027 launches crowdfunding campaign for restoration of original interiors
A crowd-funding campaign has been launched to raise money for important restorations to Eileen Gray’s modernist villa E-1027 in the south of France. The house, which reopened in 2015 after crucial structural restoration saved it from falling into complete disrepair, now aims to restore the unique fixed and free-standing furnishings in the dining alcove, using Gray’s original materials and methods and to create disabled access to the villa.
There is much to celebrate about Gray, a contemporary of Le Corbusier, Gray was a tour de force of her time – unbounded in her creative output and a powerful, entrepreneurial female in an era dominated by men.
In 1926, architect Jean Badovici commissioned Gray to design his summer retreat in Roquebrune-Cap-Martin on the coast overlooking the Mediterranean sea. They had met in Paris, and Badovici encouraged Gray to express her creative vision through the design of the house, now an icon of modernist architecture.
Badovici was known for his passion for entertaining so Gray designed a unique dining alcove that combined all his cocktail-making needs into one clever piece. The foldable table transformed the corridor into a bar, while a bespoke container for slices of lemon was placed in convenient reach. No original furnishings exist in the dining room and bar, except Le Corbusier’s colourful mural, which is why the restoration is so important. Photographs, Gray’s drawings and surviving elements of her decoration and furniture that can be found in museums and private collections will provide the source material for the restoration.
A visit to E-1027 today consists of a guided tour around the villa within a group of 12 where a spoken history of the villa is complemented by archive photographs that show how the original interior looked. The planned restoration will help bring the interior back to life, so visitors can experience the true character of the house, how Gray intended it.
‘Eileen Gray was particular and precise in her materials, textures and colours in everything, hence our search for precision in our reconstructions. Her genius is in these details, and we seek to reproduce them precisely,’ says Michael Likierman, director at Cap Moderne, the non-profit association set up in 2014 to preserve the villa for the public.
E-1027 was rescued from dilapidation by the Cap Moderne association, set up by the Conservatoire du Littoral. Prior to 2014, and after Gray moved out in 1932, the house had experienced a tumultuous time falling into disrepair from neglect, used for target practice by German soldiers during the Second World War, and the site of a murder in the 1990s.
Thanks to the Cap Moderne, the Conservatoire du Littoral and the Friends of E-1027 group, the villa opened to the public in 2015 and since then visitor numbers have been on a steady and steep incline since the opening in 2015. They’re projected to double by the end of this year’s season which runs from May to October.
This month, creatives across the world are rallying together to help raise money towards the continuing restoration and improved facilities at E-1027. Designer Faye Toogood has joined the campaign in support, referencing Gray as an important inspiration to her: ‘As a female designer, I’ve long been inspired by her legacy as a rare female pioneer in the world of design. E-1027 is a radical modernist masterpiece and having suffered disrepair and near dereliction; this pertinent crowdfunding initiative will ensure its protection and is therefore crucial,’ she says.
Photographer François Halard has created some exclusive images of E-1027 and other rewards have been offered for those who contribute towards the campaign. Join Halard and Toogood to support the campaign before it ends on Saturday 10 November 2018.
INFORMATION
For more information, visit the Cap Moderne website and the crowdfunding campaign website.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
Milan Fashion Week Men’s A/W 2025 highlights: Dolce & Gabbana to Emporio Armani
Despite a reduced schedule, Milan Fashion Week Men’s arrives this weekend with plenty of intrigue, beginning with high-wattage shows from Dolce & Gabbana and Emporio Armani. Wallpaper* fashion features editor Jack Moss reports from Milan
By Jack Moss Published
-
Rio Kobayashi’s new furniture bridges eras, shown alongside Fritz Rauh’s midcentury paintings at Blunk Space
Furniture designer Rio Kobayashi unveils a new series, informed by the paintings of midcentury artist Fritz Rauh, at California’s Blunk Space
By Ali Morris Published
-
New York restaurant Locanda Verde’s second outpost will transport you to a different time and place
Locanda Verde’s expansive new Hudson Yards osteria exudes a sophisticated yet intimate atmosphere overflowing with art treasures
By Adrian Madlener Published
-
Frank Lloyd Wright’s Weisblat House, a Usonian modernist Michigan gem, could be yours
Frank Lloyd Wright’s Weisblat House in Michigan is on the market – a chance to peek inside the heritage modernist home in the countryside
By Audrey Henderson Published
-
The case of the Ontario Science Centre: a 20th-century architecture classic facing an uncertain future
The Ontario Science Centre by Raymond Moriyama is in danger; we look at the legacy and predicament of this 20th-century Toronto gem
By Dave LeBlanc Published
-
Alvar Aalto: our ultimate guide to architecture's father of gentle modernism
Alvar Aalto defined midcentury – and Finnish – architecture like no other, creating his own, distinctive brand of gentle modernism; honouring him, we compiled the ultimate guide
By Vicky Richardson Published
-
Design Awards 2025: Alvar Aalto's Finlandia Hall is a modernist gem reborn through sustainability and accessibility
Helsinki's Finlandia Hall, an Alvar Aalto landmark design, has been reborn - highlighting sustainability and accessibility in a new chapter for the modernist classic
By Ellie Stathaki Published
-
The three lives of the Edith Farnsworth House: now, a modernist architecture icon open to all
The modernist Edith Farnsworth House has had three lives since its conception in 1951 by Mies van der Rohe; the latest is a sensitive renovation, and it's open to the public
By Audrey Henderson Published
-
A revamped Edinburgh apartment combines Californian-style modernism with modern craft
Archer + Braun have transformed an apartment in a historic house with finely tuned contemporary additions and sympathetic attention to detail
By Jonathan Bell Published
-
A look inside the home of George Homsey, one of the fathers of pioneering California modernist community Sea Ranch
George Homsey's home opens for the first time since his death, in 2019; see where the architect behind some of the designs for Sea Ranch, the pioneering California modernist community, lived
By Ellie Stathaki Published
-
Soviet brutalist architecture: beyond the genre's striking image
Soviet brutalist architecture offers eye-catching imagery; we delve into the genre’s daring concepts and look beyond its buildings’ photogenic richness
By Edwin Heathcote Published