Frank Lloyd Wright’s Bachman-Wilson House gets a new lease of life at Crystal Bridges
'With this house, we have a second story, and that's unusual,' says Scott Eccleston, director of operations at Crystal Bridges Museum of American Art in Bentonville, Arkansas. He's gesturing to the upstairs level of the Frank Lloyd Wright-designed Usonian house that now sits on two acres of the museum's vast Ozark woodland site, but could just as easily be speaking metaphorically. Having been transplanted - in trucks full of carefully catalogued pieces - some 1,250 miles from its original site in Millstone, New Jersey and meticulously reconstructed in Bentonville, Wright's Bachman-Wilson house has started a second life nearly sixty years after it was first built.
'We've had continuous questions about architecture since we opened,' says Niki Stewart, who serves as chief engagement officer at Crystal Bridges. Conceived by Walmart heiress Alice Walton and endowed mightily by the Walton Family Foundation, the museum debuted in November 2011 in a stunning building designed by Moshe Safdie. The 201,000 sq ft structure, with cedar-limned concrete walls and two glass-walled bridges capped by carapaces of copper, unfolds among ponds and sculpture-studded trails at the base of a natural ravine. 'Now we have a direct line from Frank Lloyd Wright to his protégé Fay Jones [an Arkansas native] to Safdie - his design for Crystal Bridges was inspired by Jones,' notes Stewart. 'It creates a new layer of what we do here.'
That layer began two years ago with a call to the museum from Lawrence and Sharon Tarantino, the architect couple who were the fourth owners of the house, designed by Wright in 1954 for Abraham and Gloria Wilson (née Bachman). After acquiring it in 1988, the Tarantinos restored the 1,700 sq ft, open-floor-plan structure to its original splendor - Philippine mahogany woodwork, clerestory windows framed by perforations of stylized Sycamore pods, concrete in Wright's signature 'Cherokee red,' nautically scaled hallways and bedrooms that give way to expansive, double-height living spaces - but were endlessly challenged by their beautiful yet menacing next-door neighbour: the Millstone River.
'The house had flooded a few times, all the way up to the second story, so it was a matter of preservation, and a pretty urgent one,' says Eccleston, who led the reconstruction project with architect Ron Shelby and contractor Bill Faber. In putting the house back together, opportunities to take shortcuts emerged around every mitered corner. All were eschewed, down to the decision to thread nails through the original 1956 holes and to bring a local mason out of retirement to match Wright's old-school concrete mix for the block wall that fronts the home in a cool contrast to the open-to-nature back, now positioned to overlook the natural water source of Crystal Spring.
'People always emphasize horizontality when they describe Wright's work, but he punctuates it with vertical elements,' says Dylan Turk, a curatorial assistant at Crystal Bridges. 'He reveals his structure so wonderfully.' That process of revelation - gradual, deliberate, and with a distinctive flair - has been embraced by Crystal Bridges. When the house opens to the public on 11 November (tickets are free, but reservations are required), visitors will reach the elevated site by passing through a pavilion designed by fifth-year students at the Fay Jones School of Architecture at the University of Arkansas. One exits the structure primed to experience the house and positioned as if at the end of its beautifully landscaped driveway.
'As you walk up, you're walking back in time, into a neighborhood,' says Eccleston. 'It's about how we can inspire people. That's the great thing about Crystal Bridges-many come for the art. Some come for the nature. Think about the new group that is coming for the architecture.'
INFORMATION
The Bachman-Wilson House will be open to visitors from 11 November 2015
Photography: Nancy Nolan. Courtesy of the Crystal Bridges Museum of American Art, Bentonville, Arkansas
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Stephanie Murg is a writer and editor based in New York who has contributed to Wallpaper* since 2011. She is the co-author of Pradasphere (Abrams Books), and her writing about art, architecture, and other forms of material culture has also appeared in publications such as Flash Art, ARTnews, Vogue Italia, Smithsonian, Metropolis, and The Architect’s Newspaper. A graduate of Harvard, Stephanie has lectured on the history of art and design at institutions including New York’s School of Visual Arts and the Institute of Contemporary Art in Boston.
-
The world's most enticing new hotel openings
Explore the best new hotels in the world, from Saltmoore, a chic country retreat in north England, to Palm House, a retro-inspired Florida hotel
By Nicola Leigh Stewart Published
-
The new Frederic Church Center at Olana complements its leafy Upstate New York site
Tour the Frederic Church Center for Architecture and Landscape, now open at Olana, a historic site in Upstate New York, courtesy of architecture studio ARO
By Ellie Stathaki Published
-
Out of office: what the Wallpaper editors have been doing this week
A week of jetsetting has seen the editors in Tokyo, Milan, Vienna, Miami, New York and drinking Guinness with Jonathan Anderson in London
By Bill Prince Published
-
The new Frederic Church Center at Olana complements its leafy Upstate New York site
Tour the Frederic Church Center for Architecture and Landscape, now open at Olana, a historic site in Upstate New York, courtesy of architecture studio ARO
By Ellie Stathaki Published
-
On a sloped Los Angeles site, a cascade of green 'boxes' offers inside outside living
UnStack, a house by FreelandBuck, is a cascading series of bright green volumes, with mountain views
By Ellie Stathaki Published
-
This New York brownstone was transformed through the power of a single, clever move
Void House, a New York brownstone reimagined by architecture studio Light and Air, is an interior transformed through the power of one smart move
By Ellie Stathaki Published
-
A new Texas house transforms a sloping plot into a multi-layered family home
The Griggs Residence is a Texas house that shields its interior world and spacious terraces with a stone and steel façade
By Jonathan Bell Published
-
Light, nature and modernist architecture: welcome to the reimagined Longwood Gardens
Longwood Gardens and its modernist Roberto Burle Marx-designed greenhouse get a makeover by Weiss/Manfredi and Reed Hildebrand in the US
By Ian Volner Published
-
A bridge in Buffalo heralds a new era for the city's LaSalle Park
A new Buffalo bridge offers pedestrian access over busy traffic for the local community, courtesy of schlaich bergermann partner
By Amy Serafin Published
-
Tour this Bel Vista house by Albert Frey, restored to its former glory in Palm Springs
An Albert Frey Bel Vista house has been restored and praised for its revival - just in time for the 2025 Palm Springs Modernism Week Preview
By Hadani Ditmars Published
-
First look: step inside 144 Vanderbilt, Tankhouse and SO-IL’s new Brooklyn project
The first finished duplex inside Tankhouse and SO-IL’s 144 Vanderbilt in Fort Greene is a hyper-local design gallery curated by Brooklyn studio General Assembly
By Léa Teuscher Published