Frank Lloyd Wright’s Bachman-Wilson House gets a new lease of life at Crystal Bridges
'With this house, we have a second story, and that's unusual,' says Scott Eccleston, director of operations at Crystal Bridges Museum of American Art in Bentonville, Arkansas. He's gesturing to the upstairs level of the Frank Lloyd Wright-designed Usonian house that now sits on two acres of the museum's vast Ozark woodland site, but could just as easily be speaking metaphorically. Having been transplanted - in trucks full of carefully catalogued pieces - some 1,250 miles from its original site in Millstone, New Jersey and meticulously reconstructed in Bentonville, Wright's Bachman-Wilson house has started a second life nearly sixty years after it was first built.
'We've had continuous questions about architecture since we opened,' says Niki Stewart, who serves as chief engagement officer at Crystal Bridges. Conceived by Walmart heiress Alice Walton and endowed mightily by the Walton Family Foundation, the museum debuted in November 2011 in a stunning building designed by Moshe Safdie. The 201,000 sq ft structure, with cedar-limned concrete walls and two glass-walled bridges capped by carapaces of copper, unfolds among ponds and sculpture-studded trails at the base of a natural ravine. 'Now we have a direct line from Frank Lloyd Wright to his protégé Fay Jones [an Arkansas native] to Safdie - his design for Crystal Bridges was inspired by Jones,' notes Stewart. 'It creates a new layer of what we do here.'
That layer began two years ago with a call to the museum from Lawrence and Sharon Tarantino, the architect couple who were the fourth owners of the house, designed by Wright in 1954 for Abraham and Gloria Wilson (née Bachman). After acquiring it in 1988, the Tarantinos restored the 1,700 sq ft, open-floor-plan structure to its original splendor - Philippine mahogany woodwork, clerestory windows framed by perforations of stylized Sycamore pods, concrete in Wright's signature 'Cherokee red,' nautically scaled hallways and bedrooms that give way to expansive, double-height living spaces - but were endlessly challenged by their beautiful yet menacing next-door neighbour: the Millstone River.
'The house had flooded a few times, all the way up to the second story, so it was a matter of preservation, and a pretty urgent one,' says Eccleston, who led the reconstruction project with architect Ron Shelby and contractor Bill Faber. In putting the house back together, opportunities to take shortcuts emerged around every mitered corner. All were eschewed, down to the decision to thread nails through the original 1956 holes and to bring a local mason out of retirement to match Wright's old-school concrete mix for the block wall that fronts the home in a cool contrast to the open-to-nature back, now positioned to overlook the natural water source of Crystal Spring.
'People always emphasize horizontality when they describe Wright's work, but he punctuates it with vertical elements,' says Dylan Turk, a curatorial assistant at Crystal Bridges. 'He reveals his structure so wonderfully.' That process of revelation - gradual, deliberate, and with a distinctive flair - has been embraced by Crystal Bridges. When the house opens to the public on 11 November (tickets are free, but reservations are required), visitors will reach the elevated site by passing through a pavilion designed by fifth-year students at the Fay Jones School of Architecture at the University of Arkansas. One exits the structure primed to experience the house and positioned as if at the end of its beautifully landscaped driveway.
'As you walk up, you're walking back in time, into a neighborhood,' says Eccleston. 'It's about how we can inspire people. That's the great thing about Crystal Bridges-many come for the art. Some come for the nature. Think about the new group that is coming for the architecture.'
INFORMATION
The Bachman-Wilson House will be open to visitors from 11 November 2015
Photography: Nancy Nolan. Courtesy of the Crystal Bridges Museum of American Art, Bentonville, Arkansas
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Stephanie Murg is a writer and editor based in New York who has contributed to Wallpaper* since 2011. She is the co-author of Pradasphere (Abrams Books), and her writing about art, architecture, and other forms of material culture has also appeared in publications such as Flash Art, ARTnews, Vogue Italia, Smithsonian, Metropolis, and The Architect’s Newspaper. A graduate of Harvard, Stephanie has lectured on the history of art and design at institutions including New York’s School of Visual Arts and the Institute of Contemporary Art in Boston.
-
Year in review: the top 10 cars of 2024, selected by transport editor Jonathan Bell
What are our cars of the year? We’ve scoured the archives to unveil the machines that most impressed us over the past 12 months, from retro revivals to high-tech EVs
By Jonathan Bell Published
-
An Indian mud house - and more, on Sketch Design Studio's natural material wonders
Sketch Design Studio in Rajasthan, India does wonders with the simplest ingredients
By Vaishnavi Nayel Talawadekar Published
-
Experience this Singapore apartment’s Zen-like qualities and cocooning urban haven
Welcome to Singapore apartment The Rasidence, a spacious, Zen-like interior by Right Angle Studio
By Daven Wu Published
-
A vacant Tribeca penthouse is transformed into a bright, contemporary eyrie
A Tribeca penthouse is elevated by Peterson Rich Office, who redesigned it by adding a sculptural staircase and openings to the large terrace
By Léa Teuscher Published
-
We walk through Luther George Park and its new undulating pavilion
Luther George Park by Trahan Architects and landscape architects Spackman Mossop Michaels opens to the public, showcasing a striking new pavilion installation – take a first look
By Ellie Stathaki Published
-
A vibrant new waterfront park opens in San Francisco
A waterfront park by leading studio Scape at China Basin provides dynamic public spaces and coastal resilience for San Francisco's new district of Mission Rock
By Léa Teuscher Published
-
Tekαkαpimək Contact Station: a building ‘as inspiring as the endless forest and waterways of the land’
The new Tekαkαpimək Contact Station by Saunders Architecture with Reed Hilderbrand and Alisberg Parker Architects, opens at Katahdin Woods and Waters National Monument in the USA
By Beth Broome Published
-
Entelechy II: architect John Portman's majestic beach home hits the market
Entelechy II, architect John Portman's beach residence in Georgia, USA, goes on the market; roll up, roll up for a home that is as grand as it is playful
By Ellie Stathaki Published
-
First look: Honolulu's Victoria Place blends cosmopolitan living with Hawaii life and nature
Victoria Place is a new residential tower at Honolulu's Ward Village; take a first look at its interiors
By Ellie Stathaki Published
-
A look inside the home of George Homsey, one of the fathers of pioneering California modernist community Sea Ranch
George Homsey's home opens for the first time since his death, in 2019; see where the architect behind some of the designs for Sea Ranch, the pioneering California modernist community, lived
By Ellie Stathaki Published
-
Step inside a Brooklyn Brownstone that bridges old and new
'Brooklyn Brownstone' has been refreshed by Jon Powell Architects (JPA) and the result is a contemporary design rooted in modern elegance
By Ellie Stathaki Published