Freddy Mamani on Neo-Andean architecture and bringing a cruise ship to Bolivia
We catch up with Bolivian architect Freddy Mamani at Focus: Radical Repair, the conference curated by The World Around and Fondation Cartier in Milan, to talk about Neo-Andean architecture and his latest project, el Crucero de los Andes

It was a rerouted flight that led architect Freddy Mamani – best known as the inventor of the Neo-Andean architecture style – to the inspiration for his latest project in his home city of El Alto. Returning to his native Bolivia after a trip to Paris, his plane was unexpectedly forced to land in the Canary Islands, just off the coast of Africa. Suddenly afforded some free time on a foreign island, he spent a few hours wandering along the port where he found, to his delight, towering cruise ships bound for the mainland lined up along the water’s edge like floating cities.
'In that moment I felt like a child,' Mamani says of the experience, explaining that growing up in landlocked Bolivia, boats of that scale were something only glimpsed in photographs. 'I wanted to give to the children of the city the same feeling.'
Freddy Mamani and el Crucero de los Andes
The resulting eleven-storey building, el Crucero de los Andes, comprises function rooms, a boutique hotel and a restaurant. It’s the first of his projects to stray from the now-iconic style he invented two decades ago. He’s moved on from his famed ‘cholets’ (a portmanteau of chalet and Chola, which refers to women wearing traditional local dress) and their intensely colourful façades formed of patterns and symbols inspired by ancient Tiwanaku architecture and traditional Aymaran aguayos textiles, and instead, atop an otherwise conventional multistorey block, placed a gleaming silver and blue ship that seemingly floats above the sprawling low-rise city.
Mamani is explaining his ideas in a conference room at Milan’s Triennale Design Museum. We sit down to chat after slowly making our way through its permanent collection, Mamani stopping occasionally to snap photos of a vintage Fiat 500 and 1970s-eras chairs by Jo Colombo. He’s travelled to Italy to present his work at the event curated by The World Around and Fondation Cartier. That evening in the museum’s theatre, Mamani would share the stage with other architectural luminaries such as Junya Ishigami and Jeanne Gang (winner of the 2023 Charlotte Perriand Award) to discuss the topic ‘Radical Repair’.
'The concept of Radical Repair is so well represented by Freddy’s practice,' architecture curator and co-founder of The World Around Beatrice Galilee tells Wallpaper*. 'On one hand, Neo-Andean is an absolutely singular vision for a non-Western architectural style that is visually so exciting and is charged with an inner drive for visibility and space for Aymaran identity, but it also puts architecture into a conversation with lifting communities out of poverty through the innovative financing model of construction and the spectacular event of the building itself.'
This new building, Mamani says, is a celebration of his native Aymara culture, the indigenous group that makes up 25 per cent of Bolivia's population. In fact, it will function largely as a cultural centre aimed at educating visitors about local traditions. Each of the hotel’s three floors is dedicated to a different aspect of Aymaran culture: the nearby Tiwanaku ruins; local folkloric elements such as dance; and an entire storey given oven to ‘Alasitas’, the yearly fair honouring the Aymaran god of abundance, where visitors buy objects in miniature to ensure good luck for the year ahead.
But when asked about the departure from the style he invented, Mamani likens the switch up to a musician experimenting with a new sound. 'The concept of building cholets has now been around for years,' he says. 'I had to make another leap according to the needs of the users.' But like all of Mamani’s projects, the design is still rife with a deeper meaning and cultural weight. He cites the longstanding dispute between Bolivia and neighbouring Chile over access to the Pacific Ocean, a tract of land Bolivia lost in the War of the Pacific in 1879, as another source of inspiration. 'I believe architecture can give strength to political, cultural and economic issues,' says Mamani.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
As for the day-to-day, he sees el Crucero de los Andes as a place to gather, both for local residents and passing tourists who may be curious about the region’s culture and history. 'We built this,' he adds, 'so people will understand a little bit more of what Bolivia is.'
Laura May Todd, Wallpaper's Milan Editor, based in the city, is a Canadian-born journalist covering design, architecture and style. She regularly contributes to a range of international publications, including T: The New York Times Style Magazine, Architectural Digest, Elle Decor, Azure and Sight Unseen, and is about to publish a book on Italian interiors.
-
Extreme Cashmere reimagines retail with its new Amsterdam store: ‘You want to take your shoes off and stay’
Wallpaper* takes a tour of Extreme Cashmere’s new Amsterdam store, a space which reflects the label’s famed hospitality and unconventional approach to knitwear
By Jack Moss
-
Titanium watches are strong, light and enduring: here are some of the best
Brands including Bremont, Christopher Ward and Grand Seiko are exploring the possibilities of titanium watches
By Chris Hall
-
Warp Records announces its first event in over a decade at the Barbican
‘A Warp Happening,' landing 14 June, is guaranteed to be an epic day out
By Tianna Williams
-
Anni Albers' weaving magic offers a delightful 2-in-1 modernist showcase in Milan
A Milan Design Week showcase of Anni Albers’ weaving work, brought to life by Dedar with the Josef & Anni Albers Foundation, brings visitors to modernist icon, the BBPR-designed Torre Velasca
By Ellie Stathaki
-
Milan Design Week: ‘A Beat of Water’ highlights the power of the precious natural resource
‘A Beat of Water’ by BIG - Bjarke Ingels Group and Roca zooms in on water and its power – from natural element to valuable resource, touching on sustainability and consumption
By Ellie Stathaki
-
This Milan Design Week installation invites you to tread barefoot inside a palazzo
At Palazzo Litta, Moscapartners and Byoung Cho launch a contemplative installation on the theme of migration
By Ellie Stathaki
-
Milan Design Week: Dropcity challenges detention space design with 'Prison Times'
Dropcity's inaugural exhibition 'Prison Times – Spatial Dynamics of Penal Environments', opens a few days before the launch of Milan Design Week and discusses penal environments and their spatial design
By Ellie Stathaki
-
New Aesop Milan store is a haven of beauty and tranquillity
The latest Aesop Milan store to open is a hub of wellness, beauty and tranquillity in the Italian metropolis
By Ellie Stathaki
-
Milan’s 10 Corso Como revamp nods to the concept store’s industrial character
Milanese concept store 10 Corso Como unveils its new look by 2050+, a stripped-back design that nods to its 20th-century character
By Ellie Stathaki
-
WeWork Meravigli blends past and present in a 21st-century office space
WeWork Meravigli launches in Milan, bringing its ornate, historical new home to the 21st century
By Ellie Stathaki
-
Etruscan Galleries at Fondazione Luigi Rovati by Mario Cucinella just flow
In Milan, the Etruscan Galleries at the Fondazione Luigi Rovati, designed by architect Mario Cucinella, open to the public
By Ellie Stathaki