The new V&A show on the work of legendary engineer Ove Arup may appear fairly modest at first glance, occupying a single room at the Porter Gallery – yet spanning two levels in a clever design by Dyvik Kahlen Architects, it really packs a punch. The exhibition, titled 'Engineering the World: Ove Arup and the Philosophy of Total Design' and opening to the public this weekend, is part of the London museum’s ongoing Engineering Season and aims to celebrate the oft-unsung heroes of building design: engineers. And for this, Arup’s work is a perfect case study.
The show, curated by the V&A’s Maria Nicanor and Zofia Trafas White, is a fascinating exploration of the 20th century engineer’s life and work, and how it has influenced today’s practices in his field. Arup, fittingly argue the curators, was a true pioneer, championing real collaboration with architects, using a computer for the first time during the Sydney Opera House project in the 1960s – a hefty but fascinating machine called 'Pegasus', on display at the show – and spanning multiple applications of Arup’s creative approach using all kinds of materials – concrete, metal or wood.
Taking a chronological journey, the curators also aimed to tackle any misconceptions of what being an engineer means. Arup’s myriad hand drawings, sketches and clever manifestos, his sense of humour and his multidisciplinary background – the British-born Dane studied philosophy and mathematics before moving on to his degree in engineering – testify to that.
Displays take the visitor through early works, such as the London Zoo’s Penguin Pool – Arup’s landmark breakthrough project with architect Berthold Lubetkin – and his significant contribution during World War II – his fenders for Mulberry Harbour were a crucial element towards the Allied invasion of Normandy’s success. Exhibits also touch upon key later projects, realised prior to Arup’s passing – such as the Centre Pompidou in Paris and the Menil Collection. Kingsgate Bridge is one of the very last projects the engineering master was involved in. His ashes were scattered from it in 1988.
Of course, Arup’s legacy lives on, through his ongoing world famous engineering firm, which now counts thousands of employees around the globe, spanning not only civil engineering but also lighting and acoustics – an international and truly multidisciplinary approach firmly set from the very beginning by its founder.
Contemporary and ongoing work by the office offers a fitting ending to the show, hinting towards the future; facades using algae? Auralisation tools that help you understand how architecture affects sound? You name it – Arup is probably working on it.
Presenting Arup’s story through a chronological journey, the curators aimed to tackle any misconceptions of what being an engineer means; covering Arup’s myriad hand drawings, sketches and clever manifestos, his sense of humour and his multidisciplinary background. Pictured: a colour lithograph portrait of Ove Arup by Le Corbusier. Photography: Courtesy of Private Collection. FLC, ADAGP, Paris and DACS, London 2016
The Penguin Pool in London’s Zoo was the engineer’s breakthrough project, created with architect Berthold Lubetkin. Photography: ZSL
Exhibits also touch upon key later projects, realised prior to Arup’s passing – such as the Centre Pompidou in Paris and the Menil Collection. Photography: Victoria and Albert Museum
The Sydney Opera House was another project Arup famously worked on – the building was designed by Jørn Utzon. Photography: Robert Baudin for Hornibrook Ltd. Courtesy of Australian Air Photos
This particular project was the first Arup worked on, where he used a computer for the calculations. Pictured here, the machine itself in 1957, called ’Pegasus’. Photography: Museum of Science and Industry
Arup’s legacy continues to live on through his ongoing world famous engineering firm, which now counts thousands of employees around the globe, spanning not only civil engineering but also lighting and acoustics. Photography: Victoria and Albert Museum
Stress distribution testing on a 160 Perspex roof model of the Sydney Opera House at Southampton University in 1960. Photography: Henk Snoek. Courtesy of Arup
Bas relief on blueprint depicting a section of the Menil Collection in Houston, Texas, a project by Piano & Fitzgerald. Photography: Francesco Pino Fondazione Renzo Piano, 2009. Courtesy: Fondazione Renzo Piano
INFORMATION
‘Engineering the World: Ove Arup and the Philosophy of Total Design’ is on show at the V&A 18 June – 6 November 2016. For more information visit the V&A website
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