Decked out: Hong Kong’s M+ Pavilion launches with inaugural exhibition

Although the Herzog & de Meuron-designed M+ visual arts museum is still three years from completion, that hasn’t stopped its curatorial team from delivering a series of innovative exhibitions across the city. This week, however, marks the first permanent venue for the institution, launching alongside its inaugural exhibition; a new solo commission entitled ‘Nothing’ by the Hong Kong-based artist Tsang Kin-wah.
Co-curated by M+ deputy director and chief curator Doryun Chong and the lead curator of learning and interpretation, Stella Fong, the small-scale exhibition is a ‘return’ response to Tang’s immersive video installation at the 56th Venice Biennale in 2015, an exploration of the significance of human life while noting the futility of such efforts.
‘Building a museum of the scale and ambition of M+ isn't something you can pull together overnight, so the M+ Pavilion is an exciting step for us programmatically in terms of trying and testing things out – a foothold on the way to the final destination,’ says M+ design and architecture curator Aric Chen.
The site-specific exhibition makes the most of the new low slung two-storey pavilion designed by a trio of young Hong Kong architects: VPANG Architects Ltd, JET Architecture, and Lisa Cheung. The building spans around 878 sq m, including a 310 sq m main gallery space and a dramatic elevated outdoor deck that frames views over Victoria Harbour. According to VPANG Architects’ managing director Vincent Pang, the platform also creates a sense of floating above the surrounding landscape, a metaphor about distancing oneself from busy city life to appreciate art in a quieter space.
Although a striking futuristic form, the pavilion’s mirrored steel façade ‘elegantly dissolves into its park setting’, says Chen. While inside, a minimalist blend of polished concrete floors and pure white walls offers a flexible backdrop to accommodate a wide range of small-scale exhibitions and performances.
The low slung two-storey pavilion was designed by a trio of young Hong Kong architects: VPANG Architects Ltd, JET Architecture, and Lisa Cheung
The building spans around 878 sq m, including a 310 sq m main gallery space
A dramatic elevated outdoor deck frames views over Victoria Harbour
Display panels at the ground floor lobby of M+ Pavilion depicting the evolution of M+ over the past five years
INFORMATION
For more information on the M+ Pavilion visit the website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Catherine Shaw is a writer, editor and consultant specialising in architecture and design. She has written and contributed to over ten books, including award-winning monographs on art collector and designer Alan Chan, and on architect William Lim's Asian design philosophy. She has also authored books on architect André Fu, on Turkish interior designer Zeynep Fadıllıoğlu, and on Beijing-based OPEN Architecture's most significant cultural projects across China.
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
Zaha Hadid Architects reveals plans for a futuristic project in Shaoxing, China
The cultural and arts centre looks breathtakingly modern, but takes cues from the ancient history of Shaoxing
By Anna Solomon Published
-
The Hengqin Culture and Art Complex is China’s newest cultural megastructure
Atelier Apeiron’s Hengqin Culture and Art Complex strides across its waterside site on vast arches, bringing a host of facilities and public spaces to one of China’s most rapidly urbanising areas
By Jonathan Bell Published
-
The World Monuments Fund has announced its 2025 Watch – here are some of the endangered sites on the list
Every two years, the World Monuments Fund creates a list of 25 monuments of global significance deemed most in need of restoration. From a modernist icon in Angola to the cultural wreckage of Gaza, these are the heritage sites highlighted
By Anna Solomon Published
-
Tour Xi'an's remarkable new 'human-centred' shopping district with designer Thomas Heatherwick
Xi'an district by Heatherwick Studio, a 115,000 sq m retail development in the Chinese city, opens this winter. Thomas Heatherwick talks us through its making and ambition
By David Plaisant Published
-
Hong Kong brutalism explored: tour the island with this new architectural map
Hong Kong brutalism is brought into sharp focus through the launch of Brutalist Hong Kong Map, the latest of its kind in publisher Blue Crow Media’s 20th-century architecture series
By Yoko Choy Published
-
Raw, refined and dynamic: A-Cold-Wall*’s new Shanghai store is a fresh take on the industrial look
A-Cold-Wall* has a new flagship store in Shanghai, designed by architecture practice Hesselbrand to highlight positive spatial and material tensions
By Tianna Williams Published
-
Sun Tower is a new Chinese cultural attraction that draws on the celestial cycle
Sun Tower, an imaginative cultural attraction by Open Architecture, draws on the natural cycle and has just opened in China's seaside town of Yantai
By Ellie Stathaki Published
-
The Suzhou visitor centre in China is a perfect balance of contemporary innovation and cultural identity
The Suzhou visitor centre in China is designed by Tsing-Tien Making, a studio that designs to preserve cultural identity
By Tianna Williams Published