‘Visiting a sanatorium is like stepping back in time,’ writes Maryam Omidi in Holidays in Soviet Sanatoriums, in which she takes the reader on a health-conscious journey into a world of peeling wallpaper, statues of Lenin and alternative, new world medicine.
Part health-spa, part hospital, sanatoriums once offered a ubiquitous, ‘decidedly purposeful’ pastime, explains Omidi. Their function was ‘to provide rest and recuperation, so citizens could return to work with renewed diligence and productivity’. This rapidly developing need and popularity saw 1,829 new sanatoriums built across the USSR by 1939. Here, for the first time, is an architecturally-led account of what happened.
Jhoja Obi Garm, a hulking brutalist building nestled high in the Gissar mountain range, opened in 1934.
From Stalinist, neo-classical grandeur in Abkhazia to Khrushchyovka concrete blocks in Armenia, a bewildering array of styles is on display. There are examples of rare Soviet-era architectural flourishes – take the green-marbled walls of Tskaltubo in Georgia – which were only allowed, writes critic Diane Koenker, because sanatoriums ‘were intended to astonish, encouraging a “less traditional approach”’ to municipal building.
Despite these moments of ornamentation, cold-floored functionality prevails. This is reflected in the stoic attitude of a young Soviet Union, when every aspect of sanatorium life (from ‘sleep to sunbathing’) was strictly monitored. Since then, there’s been a gradual, century-long shift towards more relaxed sanatorium culture. Though many sanatoriums now sit in disrepair, the few that remain popular have modernised and developed to varying degrees. The pages of Holidays in Soviet Sanatoriums are populated by a cast of modern day visitors: elderly women undergoing magnetic therapy in Belarus; teenagers playing ping-pong in a working salt mine near Minsk; babies in bubbling bathtubs in Alyans.
The future of these time-warped hubs remains uncertain, and this book intends to be more than just a platform for Western-purview ogling. Rather, Omidi hopes it will act as a catalyst for the renovation and preservation of the sanatorium's singular architectural history: ‘in the hope that they will be protected and restored for future generations’.
Holidays in Soviet Sanatoriums explores sanatoriums of the USSR, some of which are still used today.
At the National Speleotherapy Clinic in Belarus, patients must be over ten years old to enter the salt mine, 420 metres underground. The air they breathe in the mine is specially moderated, containing sodium, potassium and magnesium ions. Children are kept occupied with activities, from table tennis to billiards.
Zori Rossii Sanatorium, Crimea
The White Nights sanatorium, Sochi, built in 1978.
From left, at the Bucuria Sind in Moldova, this irradiator uses ultraviolet light to disinfect noses and throats. Hirudotherapy treatment uses leeches to relieve vascular congestion by draining blood. This model of an ear shows points of needle insertion during acupuncture treatment. The sanatorium’s sweet-tasting foaming oxygen cocktail is very popular with guests.
The severity of the concrete buildings at Mishkor sanatorium, built in 1974 in southern Crimea, is relieved by decorative mosaics outside and artworks within.
Foros sanitorium, built in the early 1920s in southern Crimea, stands close to the sea and is surrounded by a nature reserve of over 70 hectares containing more than 300 plant species.
INFORMATION
Holidays in Soviet Sanatoriums, published by Fuel Design
-
Jaguar reveals its new graphic identity ahead of a long-awaited total brand rebootJaguar’s new ethos is Exuberant Modernism, encapsulated by a new visual language that draws on fine art, fashion and architecture
-
Olfactory Art Keller: the New York gallery exhibiting the smell of vintage perfume, blossoming lilacs and last night’s shameOlfactory Art Keller is a Manhattan-based gallery space dedicated to exhibiting scent as art. Founder Dr Andreas Keller speaks with Lara Johnson-Wheeler about the project, which doesn’t shy away from the ‘unpleasant’
-
Explore a barn conversion with a difference on the Isle of WightGianni Botsford Architects' barn conversion transforms two old farm buildings into an atmospheric residence and artistic retreat, The Old Byre
-
Soviet brutalist architecture: beyond the genre's striking imageSoviet brutalist architecture offers eye-catching imagery; we delve into the genre’s daring concepts and look beyond its buildings’ photogenic richness
-
'Tropicality' explored in Indonesian architect Andra Matin’s first monograph'Tropicality' is a key theme in a new book on Indonesian architect Andra Matin, whose work blends landscape, architecture and living
-
‘A Time ⋅ A Place’ is a lovingly compiled photographic portrait of cars and architecture‘A Time ⋅ A Place’ is a celebration of the European Car of the Year and changing perceptions of modern design, pairing the best buildings of the age with their automotive contemporaries
-
Álvaro Siza’s new monograph through the lens of Duccio Malagamba is impactful and immersiveÁlvaro Siza and photographer Duccio Malagamba collaborate on a new monograph by Phaidon; ‘Before / After: Álvaro Siza Duccio Malagamba’ celebrates the Portuguese architect's work
-
Modernist architecture: inspiration from across the globeModernist architecture has had a tremendous influence on today’s built environment, making these midcentury marvels some of the most closely studied 20th-century buildings; here, we explore the genre by continent
-
Marcio Kogan’s Studio MK27 celebrated in this new monograph from Rizzoli‘The Architecture of Studio MK27. Lights, camera, action’ is a richly illustrated journey through the evolution of this famed Brazilian architecture studio
-
‘Interior sculptor’ Christophe Gevers’ oeuvre is celebrated in new book‘Christophe Gevers’ is a sleek monograph dedicated to the Belgian's life work as an interior architect, designer, sculptor and inventor, with unseen photography by Jean-Pierre Gabriel
-
Flick through ‘Brutal Wales’, a book celebrating concrete architecture‘Brutal Wales’ book zooms into a selection of concrete Welsh architecture treasures through the lens of photographer Simon Phipps
