Interactive floor plan: Brighton House, Melbourne

This wide and leafy street in Brighton, a bayside suburb of Melbourne, is inhabited by an increasing array of large McMansions. However, among the faux French châteaux is a fine contemporary home designed by architect Robert Simeoni.
Devoid of superfluous embellishments, this house offers a sense of restraint in comparison to some of the more frivolous neighbouring homes. ‘Our clients didn’t want their house to scream for attention. We were also mindful of trying to build around the established oak tree in the front garden,’ says Simeoni, who received this commission by means of a limited competition held by the clients.
Constructed in steel, glass and concrete, and partially clad in specially refined titanium zinc, the two-storey house frames the oak tree. However, past the courtyard and large pivotal front door, the house reveals an impressive double height lobby, with views through to the rear garden. ‘It is a large house, but we’ve “fragmented” the building to create a sense of intimacy,’ says Simeoni.
Spread over three levels, the Brighton house features a car park, a media room and a wine cellar in the basement. On the ground floor are the living areas, with a partially covered central courtyard bridging the two wings. As the owners have four young boys, they were keen to delineate spaces, while still having a sense of transparency. ‘The courtyard, complete with an open fireplace, is the design’s linchpin. It not only allows for outdoor dining throughout the year, it also freed up space in the garden for the children to play,’ says Simeoni. The courtyard also delineates the casual living areas in the house from the formal dining and sitting areas.
The building is constructed in steel, glass and concrete, and is partially clad in specially refined titanium zinc
Spread over three levels, the house features a car park, a media room and a wine cellar in the basement
On the ground floor are the living areas, with a half-covered central courtyard bridging the two wings
‘The courtyard is the design's linchpin,' says Simeoni. 'It not only allows for outdoor dining throughout the year, it also frees up space in the garden for the children to play'
Simeoni included sheer curtains on almost every window to both diffuse the light and provide privacy
The courtyard also delineates the casual living areas in the house from the formal dining and sitting areas
Devoid of superfluous embellishments, this house offers a sense of restraint in comparison to some of the more frivolous neighbouring homes
The living room and kitchen area. ‘We have used a considerable amount of marble, but we’ve balanced this with softer materials, such as the American oak joinery,’ says Simeoni
Unlike the site's previous 1920s home, which was placed awkwardly on the block, this house takes advantage of natural light, as well as valuable pockets of shade for the warmer months
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Stephen Crafti started writing on Architecture & Design in the early 1990s after purchasing a modernist 1950s house designed by Neil Montgomery. Fast forward several decades, Crafti is still as passionate and excited about seeing and writing on contemporary architecture and design, having published 50 books to date as well as writing for leading newspapers and magazines.
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