Le Corbusier’s apartment in Paris opens to public after reconstruction
Le Corbusier’s apartment in Paris, where he lived from 1934 to 1965, has opened to the public following an extensive reconstruction. It was led by the Le Corbusier Foundation that now allows people to experience his private studio, personal objects, bespoke design solutions and living conditions during a time when he was at peak productivity on his architectural projects with his cousin and business partner Pierre Jeanneret.
On designing the apartment building Immeuble Molitorat at 24 rue Nungesser et Coli, located on the outskirts of Paris near Boulogne, for a private developer, Le Corbusier negotiated the whole of the 7th and 8th floors for himself, undertaking to build the roof of the property at his own expense where he designed a rooftop garden.
In his new home, Le Corbusier was looking for a family environment for himself and his new wife, Yvonne Gallis, whom he met in 1922, plus his housekeeper and dog, Pinceau, as well as a studio space where he could paint, write and be creative. They all took up residence from 1934 – with Yvonne staying until her death in 1957, and Le Corbusier until 1965.
The design of the building and its reinforced frame structure allowed a ‘free plan’ to be devised within each apartment, so while there were two or three apartments per floor equipped with sanitary facilities, each household could individually design their partitions to define how they wanted to live.
Following Le Corbusier’s Cité Radieuse theories and ideas, the Immeuble Molitorat had many progressive amenities for its time; it was double glazed, which meant it could be filled with light, through the façade, skylights, and Saint-Gobain Nevada glass bricks, while remaining warm inside. There were personal and service lifts, central heating, a laundry and drying room, cellars, garages and servants rooms on the ground floor.
Radical for its time, it was the world’s first building with an entirely glazed façade, therefore joining a group of 17 works by Le Corbusier that are UNESCO World Heritage Site protected. Owned by the Le Corbusier Foundation, the apartment-studio also holds a ‘Maison des Illustres’ seal of approval and was listed as a historic monument in 1972, with the entire building following in 2017.
The reconstruction brings the apartment to life with its original coloured walls and grid-pattern tiles on the floor. Furniture pieces have been returned to their place with the sofa and Grand Confort armchair, co-designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand in the living room, and artworks by Fernand Léger, Alberto Magnelli, Henri Laurens and Jacques Lipchitz, as well as personal collections of shells, bones, pebbles displayed across the apartment. In the dining room, the marble table designed by Le Corbusier and surrounded by four Thonet armchairs sits upon a red woollen rug, woven in Tlemcen, Algeria.
In the studio, architectural details such as the 12-metre-long curving arch and exposed brick wall, that inspired le Corbusier on a daily basis can be seen, and the folding wooden panels he designed to reduce the amount of light entering the studio, which often dazzling him.
Many parts of the apartment are distinctly unique and designed or commissioned by Le Corbusier. A geometric stained-glass window made in Reims and designed by the artist Brigitte Simon and added in 1949, and Le Corbusier was inspired by an ocean liner cabin for his bedroom, where the bed was raised to be able to see the view of Boulogne over the balcony balustrade. The apartment is a chance to understand how Le Corbusier’s vision, from interior to exterior played out personally for him at home and in his studio.
INFORMATION
For more information, visit the Le Corbusier Foundation website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
‘Just beneath the surface there’s another world’: How David Lynch used hair and make-up to create his singular universe
From Blue Velvet and Mulholland Drive to Twin Peaks, David Lynch used hair and make-up in his films as a narrative device, writes Laura Havlin
By Laura Havlin Published
-
Burns Night 2025: where to celebrate in London
It is time to raise a wee dram to Scotland’s national poet Robert Burns on Burns Night (25 January). Here is our pick of places to enjoy an evening of generous speechmaking, toasting, and drinking around London
By Tianna Williams Published
-
Tag Heuer unveils sporty new collections at LVMH Watch Week 2025
Tag Heuer has announced a series of new watches at LVMH Watch Week, including Formula 1 and Carrera editions
By Chris Hall Published
-
Tour 21 lesser-known modernist houses in Europe
Take a tour of some of Europe's lesser-known modernist houses; architectural writer and curator Adam Štěch leads the way, discussing the 20th-century movement's diversity under a single vision
By Adam Štěch Published
-
Frank Lloyd Wright’s Weisblat House, a Usonian modernist Michigan gem, could be yours
Frank Lloyd Wright’s Weisblat House in Michigan is on the market – a chance to peek inside the heritage modernist home in the countryside
By Audrey Henderson Published
-
The case of the Ontario Science Centre: a 20th-century architecture classic facing an uncertain future
The Ontario Science Centre by Raymond Moriyama is in danger; we look at the legacy and predicament of this 20th-century Toronto gem
By Dave LeBlanc Published
-
Alvar Aalto: our ultimate guide to architecture's father of gentle modernism
Alvar Aalto defined midcentury – and Finnish – architecture like no other, creating his own, distinctive brand of gentle modernism; honouring him, we compiled the ultimate guide
By Vicky Richardson Published
-
Design Awards 2025: Alvar Aalto's Finlandia Hall is a modernist gem reborn through sustainability and accessibility
Helsinki's Finlandia Hall, an Alvar Aalto landmark design, has been reborn - highlighting sustainability and accessibility in a new chapter for the modernist classic
By Ellie Stathaki Published
-
The three lives of the Edith Farnsworth House: now, a modernist architecture icon open to all
The modernist Edith Farnsworth House has had three lives since its conception in 1951 by Mies van der Rohe; the latest is a sensitive renovation, and it's open to the public
By Audrey Henderson Published
-
A revamped Edinburgh apartment combines Californian-style modernism with modern craft
Archer + Braun have transformed an apartment in a historic house with finely tuned contemporary additions and sympathetic attention to detail
By Jonathan Bell Published
-
A look inside the home of George Homsey, one of the fathers of pioneering California modernist community Sea Ranch
George Homsey's home opens for the first time since his death, in 2019; see where the architect behind some of the designs for Sea Ranch, the pioneering California modernist community, lived
By Ellie Stathaki Published