An oasis of calm springs from Maggie’s Centre Oldham, designed by dRMM

Exterior view of the new dRMM-designed Maggie’s Centre
Exterior view of the new dRMM-designed Maggie’s Centre, which is the world’s first building made from hardwood cross-laminated timber
(Image credit: Alex de Rijke)

Alex de Rijke, founding director of dRMM, describes the latest Maggie’s Centre in Oldham as a straightforward box with a powerful void in the centre. Located near Manchester, the new cancer support centre has sunshine yellow flooring and corrugated-style timber cladding.

The single-storey building stands on legs over a gravelled garden area. One birch tree has been planted in the centre of the garden and is enveloped by the void’s asymmetrical glazing. ‘The idea was of a kind of treehouse in its wood,’ says de Rijke. ‘I knew that we didn’t need to do much more than bring the outside into the building.’

The firm sited the centre on a northerly corner site of The Royal Oldham Hospital – a space formerly occupied by a mortuary. From there, its north-facing glazed wall has inspiring views to the Pennines.

Frank Gehry-designed facility in Dundee

Explore the architecture of Maggie’s Centres in the UK, including this Frank Gehry-designed facility in Dundee.

(Image credit: Raf Makda)

On approaching the centre, the scent of tulipwood – a cross-laminated hardwood – wafts over a short footbridge. Timber is a key ingredient throughout, from the door handles and the slatted ceiling to the kitchen’s walnut-topped counter and large round table.

The wood is off-set by a poured resin floor, and the tall doors – all in an unexpectedly bright yellow. More warmth is expressed through grey felt, used to frame doorways and as a backing to the seating nooks. Meanwhile a full-height reversible curtain loop by Dutch designer Petra Blaisse can cordon off one part of the open plan space for privacy.

‘This is a reaction to hospital design and the reminder that it can be different from the depressing norms of the hospital environment,’ says de Rijke. Maggie’s Oldham is the latest in a string of centres by high-profile and interesting architects at hospitals across the UK and beyond.

London-based dRMM join Frank Gehry, the late Zaha Hadid, Rem Koolhaas, Snøhetta, Amanda Levete and Herzog & de Meuron, among others. The blockbuster line-up surely makes Maggie’s CEO (and former cancer nurse) Laura Lee one of the most significant commissioners of contemporary architecture.

The single-storey building stands on legs over a gravelled garden area.

The single-storey building stands on legs over a gravelled garden area.

(Image credit: Alex de Rijke)

Tulipwood is used widely throughout the project

Tulipwood is used widely throughout the project, chosen because of its warmth and positive health benefits.

(Image credit: Alex de Rijke)

The elevated building is open plan with exposed timber and glazing.

The elevated building is open plan with exposed timber and glazing.

(Image credit: Alex de Rijke)

Curved glazing brings nature into the interior from below.

Curved glazing brings nature into the interior from below.

(Image credit: Alex de Rijke)

An oasis of calm springs from Maggie’s Centre Oldham, designed by dRMM

Maggie’s is a charity that provides practical and emotional support to people living with cancer.

(Image credit: Alex de Rijke)

An oasis of calm springs from Maggie’s Centre Oldham, designed by dRMM

Tulipwood is one of the most sustainable timber species because of how fast it replenishes, through natural growth alone

(Image credit: Alex de Rijke)

A landscaped garden beneath the building grows up organically through the building.

A landscaped garden beneath the building grows up organically through the building.

(Image credit: Jasmine Sohi)

INFORMATION
For more information, visit the Maggie’s Centre website and the dRMM Architects website

Clare Dowdy is a London-based freelance design and architecture journalist who has written for titles including Wallpaper*, BBC, Monocle and the Financial Times. She’s the author of ‘Made In London: From Workshops to Factories’ and co-author of ‘Made in Ibiza: A Journey into the Creative Heart of the White Island’.

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