A Hamptons home by Bates Masi + Architects takes a nautical turn

A Hamptons home by Bates Masi + Architects
Loacted in the low dunes of the Hamptons, this residence has been designed by Bates Masi + Architects.
(Image credit: Bates Masi + Architects)

Inspired by the architecture of a century-old Life-Saving Station nearby, Bates Masi + Architects has infused local maritime history into the design of this residence in Amagansett, New York. The single family home was designed for a West Coast-based young entrepreneur with a penchant for the character of New England. ‘He wanted something to fit the beach lifestyle that is tactile and responds to the landscape and history of the area,' says the firm's owner and principal, Paul Masi.

Shifting the large living space to the first floor, with the bedrooms on the ground level and an upper roof deck above, the residence echoes the typology of the Life-Saving Station, which was used as a look-out for shipwrecked sailors in the 20th century.

The large living space

(Image credit: Bates Masi + Architects)

The house's designers were conscious of its architectural and environmental context

The plan intentionally reduces the footprint of the house, minimising the environmental impact on the low dunes. This was one of the key challenges for the architects, who had to work with five regulatory agencies, on ‘everything from flood zones to max height restrictions’, says Masi.

‘This made for an exploratory design process during which we went through several revisions to satisfy each [agency's] restrictions, while framing the incredible views available on the property and creating a design that tied in with the historic Life-Saving Station.’

The main volume of the house, which draws on the post-and-beam style of the Life-Saving Station, is constructed of an exposed vintage steel frame and strong cedar beams. The lower volume contains cedar siding boards within a bronze grid, allowing the timber to expand and contract with the varying temperature and humidity of the dunes.

The stairway treads are suspended from the frame of the house by rods

(Image credit: Bates Masi + Architects)

The stairway treads are suspended from the frame of the house by rods

Materials used were all chosen for their durability against the rough coastal climate and to react naturally to the environment. The cedar will gradually lighten in the sun and the bronze bars will turn dark brown, then eventually green from exposure to the salty wind. The house is raised above the flood plane, its elevation marked by a wrapping of steel, already developing an intense orange, textured rust.

Interior details are inspired by the language of the Life-Saving Station, wherein boats are stored hanging from the beams. Black hanging rods support the treads of the main staircase, also functioning as a vertical hand guide and outside on the deck a wicker egg chair hangs from the cantilever, drifting in the breeze.

The deck opens up into a stepped seating plaform positioned to catch sunshine and the Atlantic sea breeze

The deck opens up into a stepped seating plaform positioned to catch sunshine and the Atlantic sea breeze

(Image credit: Bates Masi + Architects)

Outside on the deck, a swinging chair hangs from the cantilever

Outside on the deck, a swinging chair hangs from the cantilever

(Image credit: Bates Masi + Architects)

Light fixtures hang from the flanges using standard beam clamps

Light fixtures hang from the flanges using standard beam clamps

(Image credit: Bates Masi + Architects)

A Hamptons home exterior

The materials used were chosen for their durability, given the coastal climate

(Image credit: Bates Masi + Architects)

Exterior view of Hamptons home

They will eventually develop unique patinas in reaction to the sea air

(Image credit: Bates Masi + Architects)

INFORMATION

For more information, visit the Bates Masi + Architects website

Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.