MoreySmith designs a global HQ for Dunhill that embodies the brand through the details
MoreySmith has smoothly embedded a contemporary global headquarters for British luxury goods brand Dunhill into the layered fabric of the historic Mayfair neighbourhood – just a stone’s throne from Selfridges on North Audley street. Staged across two floors of a heritage building with a decorative red-brick façade, the office brings Dunhill’s showrooms, creative studios and head offices together, all connected by a generous statement staircase and wrapped up with bespoke detailing – think leather, horsehair and delicately patterned glazing.
No stranger to the charming cobbled streets lined with grand entrances and jolly doormen, Linda Morey-Burrows, founder and principal at MoreySmith, has five projects in the neighbourhood, all in walking distance. While practically a resident, she was fully prepared to make some drastic changes to the previously cramped office space with low suspended ceilings tiles and a warren of plasterboard cladding.
At first perplexed as to exactly how she could make a difference to the environment which lacked volume or height, Morey-Burrows came up with one bold solution and presented it singularly with confidence to the Dunhill team, headed up by Andrew Maag, CEO of Dunhill, who was closely involved at each stage. Compromise was not an option.
Morey-Burrows’ plan included structural changes that required planning permission, including the new statement staircase – a feature that has become requisite among any well-standing retail brands in design cities across the world – and a 180 sq m outdoor terrace that brought walls of floor-to-ceiling glazing and a new skylight with it. Both of these elements are seamless additions to the original building.
The outdoor terrace floats like a platform floating amongst Mayfair’s turreted spires, contemporary extensions, and secret balconies, extending the interior space and opening up a covetable spot for parties.
These ambitious changes created the volume and space Morey-Burrows had been searching for. Now the core of the office is flooded with light to create open-plan, collaborative meeting places, a central hub with two smart Stellar Works’ Ren tables in black ash for lunches and informal catch ups, and neat meeting rooms delineated by iron framed glazing. Carefully engineered pockets of double-height space allows for glimpses into different parts of the office – a pattern-cutting table strewn with cuts of fabric and tape measures can be seen below from the boardroom entrance above.
As well as a distinctly bespoke home, flexibility was top of the agenda for Dunhill, as the company is expanding with seven new outposts opening over the next year. Morey-Burrows finds that flexibility is the priority in the brief for most of MoreySmith’s workspace design clients who range from Sony Music to Argent.
Working with Dunhill was a delight for Morey-Burrows who found it refreshing to work with a client who really understood and cared about design. Her challenge was to embody the qualities of tradition and quality synonymous with the Dunhill brand, founded in 1893. It was through the details that she achieved this: the cricket ball stitching, crafted brass work tops, bespoke handles and patterned glazing that harness the masculine qualities of the British brand, combined with exposed concrete columns and steel balustrades of the staircase, that bring warmth and texture to the polished flooring by White & White, London.
In the fourth floor entry space black porcelain tiles are layered above horsehair upholstered walls, Stellar works Ren lounge chairs, McColin Bryan-Lens amber-topped coffee table and a custom leather reception desk – creating a very Dunhill welcome to clients and employees alike.
The office has dramatically changed how the team works, after previously working from two separate spaces for the office and showroom. Now united beneath one roof, the activities, creativity, aesthetics and energy are streamlined and the lucky 170 employees are all breathing the Dunhill brand through design.
INFORMATION
For more information, visit the MoreySmith website and the Dunhill website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
A revamped Edinburgh apartment combines Californian-style modernism with modern craft
Archer + Braun have transformed an apartment in a historic house with finely tuned contemporary additions and sympathetic attention to detail
By Jonathan Bell Published
-
Formafantasma’s biodiversity-boosting installation in a Perrier Jouët vineyard is cross-pollination at its best
Formafantasma and Perrier Jouët unveil the first project in their ‘Cohabitare’ initiative, ‘not only a work of art but also a contribution to the ecosystem’
By Henrietta Thompson Published
-
Gingerbread City: architects sculpt London out of the season's favourite treat
Until December 29 in Chelsea, see London brought to life in a seasonal-appropriate medium by leading architects and designers
By Ellen Himelfarb Published
-
Gingerbread City: architects sculpt London out of the season's favourite treat
Until December 29 in Chelsea, see London brought to life in a seasonal-appropriate medium by leading architects and designers
By Ellen Himelfarb Published
-
This listed house in London is transformed through a contemporary celebration of the arch
Segmental House, a listed house transformation by Dominic McKenzie Architects, taps into the playful powers of the contemporary arch
By Ellie Stathaki Published
-
Ebb and flow: Tidal House is a harmonious retreat on the Solway Coast
Tidal House by Brown & Brown Architects redefines coastal living with a design that balances privacy, openness, and harmony with nature
By Ali Morris Published
-
Farshid Moussavi’s new house in Hove is about ‘what you need and nothing more’
A new house in Hove, designed by Farshid Moussavi for her parents, hits the right notes between functional and minimalist in the British seaside town
By Ellie Stathaki Published
-
A Corten-clad extension creates a prominent Peckham landmark: tour Rusty House on the Rye
Studio on the Rye’s radical overhaul of a 1950s house in south London pairs robust materials with expansive new interior spaces
By Jonathan Bell Published
-
The RIBA House of the Year 2024 winner is a delightful work in progress
The winner of the RIBA House of the Year 2024 is Six Columns in south London – the home of architect and 31/44 studio co-founder William Burges
By Ellie Stathaki Published
-
Dip into Wyld sauna: Liverpool's floating Finnish-style destination for lovers of extreme heat
Wyld sauna has opened in Liverpool, offering the perfect excuse to take a dive into the Nordic wellness tradition
By Emma O'Kelly Published
-
RIBA International Prize 2024 goes to 'radical housing' in Barcelona
RIBA International Prize 2024 has been announced, and the winner is Modulus Matrix: 85 Social Housing in Cornellà, designed by Peris + Toral Arquitectes in Barcelona
By Ellie Stathaki Published