The Museum of Shakespeare set to open in east London
The Museum of Shakespeare puts the remains of the ancient Curtain Playhouse at the centre of 'The Stage', a new urban development in the heart of Shoreditch
The Museum of Shakespeare has been completed and is set to open in east London in 2025. The museum will showcase the archaeological remains of the Curtain Playhouse – the ancient theatre believed to have hosted Shakespeare’s first renditions of Romeo & Juliet and Henry V. Only five minutes from Liverpool Street station, the museum will be a new draw in the heart of Shoreditch.
The remains of the Curtain Playhouse were uncovered during work on a mixed-use development project for the area, designed by architects Perkins&Will and aptly named ‘The Stage’.
First opened in 1577, the playhouse was a vibrant cultural and social hub during Shakespeare’s lifetime, serving as the main venue for his plays before the Globe Theatre came into existence, with performances continuing up until 1624.
Following the archeological discovery, the new urban quarter has been reshaped to preserve and celebrate this historically significant site, which now stands at the centre of the project.
The design of the museum was influenced by the unusual rectangular shape of the ancient playhouse – the earliest example of its kind known in London. It features an ample below-ground-level space, allowing visitors to walk over glass viewing platforms at the height of the original stage.
The building seems to emerge from the ground with its gently flowing roof and an outdoor amphitheatre, blending into the surrounding plaza and buildings. The rippled stainless-steel façade evokes the folds of the stage curtains.
On the museum’s north façade, a bird-shaped cut-out allows visitors to gaze down into the museum space at the ancient remains. The cut-out nods to a ceramic bird-shaped whistle found during the excavations, thought to have been used for sound effects in the original Romeo & Juliet play. To highlight the significance of the discovery, a quote from Romeo & Juliet referencing a bird is engraved onto the museum entrance wall, using original fonts taken from Shakespeare’s First Folio.
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Developed by Cain International with joint venture partners McCourt, Galliard Homes, Vanke, and Investec, The Stage repurposes a previously inaccessible area into a lively public space. It introduces new pedestrian routes, a landscaped plaza, an amphitheatre, a pocket park, and a play area atop a restored Victorian railway viaduct. The project also features office buildings, homes, shops, restaurants, and bars.
Sunand Prasad, principal at Perkins&Will, speaks of the project’s significance: ‘The Stage project is a great example of the intelligent evolution of an urban quarter to create accessible, permeable, and attractive space for people’s use and enjoyment. Built layers from several centuries, now repurposed, have been woven together with substantial new flexible mixed-use space gathered around a public plaza, to create the largest public space ever in Shoreditch. The discovered remains of the 16th-century Curtain Playhouse bring a magical extra dimension to the making of this new place for the busy neighbourhood.’
Smilian Cibic is an Italian-American freelance digital content writer and multidisciplinary artist based in between London and northern Italy. He coordinated the Wallpaper* Class of '24 exhibition during the Milan Design Week in the Triennale museum and is also an audio-visual artist and musician in the Italian project Delicatoni.
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