Taken in from Wallpaper* HQ, OMA's new home for Rothschild (the practice's first London building) seems the most exciting addition to the 'City-scape' in years. What makes New Court such a winner, perhaps surprisingly, is its restraint in scale and effect. A ten-storey mesh cube with various annexes, topped by a two-storey 'sky pavilion', it displays a lightness of touch that is certainly missing from the Walbrook Building, Foster's still unoccupied heavy-metal blob it overlooks.
Nathan Mayer Rothschild first moved to the St Swithin's Lane site, just round the corner from the Bank of England, in 1809. This fourth headquarters for the family firm, now a financial advisory company, opened its doors at the tail end of last year. Last week, lead architect Ellen van Loon took us on a tour.
Given the lane is a skinny medieval cut-through, it's hard to take in the façade at street level. What you do get is a marble forecourt and, for the first time in 200 years, views through to Wren's St Stephen Walbrook church.
On the right is an oak-panelled archive and, to the left, a large new lobby. OMA were also commissioned to design the building's interiors, a rare privilege on a big City development. Here in the lobby, and in various meeting rooms, they have had some fun with the company's history.
There is plenty of metal - mostly aluminium and brass as a nod to the bank's long association with cold, hard commodities (the price of gold was, until recently, fixed at New Court). Metal walls are embossed with abstract impressions of the oak panels that were central to the old decorative order. Meanwhile, family portraits and Queen Anne furniture are installed in glass-box meeting rooms.
As one architecture critic pointed out, this does give the building the feel of a boutique hotel in places. Armies of wait staff trundling to and from the large kitchens and the director's dining room add to the effect (Not to mention the whiff of beef Wellington and Eton mess in the air).
This is a building that makes the most of its position, with incredible views across the City and towards St Paul's. And the best views come from the 'sky pavilion', each of its two storeys double height. It is already a popular event space with its just-lofty-enough aspect. In fact, the whole building seems perfectly pitched.
The travertine of the courtyard extends inside the glazed reception area at New Court. The horizontal desk was designed by OMA
The view across the forecourt to Christopher Wren's St Stephen Walbrook
The view from the forecourt of the reception area, with its curtain made of metallic faux leather strips on voile, designed by Inside Outside
The structural steel façade with diagonal struts
New Court's glazed central cube
A look up the building from the churchyard
A bank of lifts in the lobby - only five in total travel up the building's core to the tenth floor. From there, specially appointed lifts bring visitors to each meeting room
Portrait's from the family's archive on a wall of the glazed tenth-floor meeting room. The Rothschild Archive has been rehoused in the new building, complete with a reading room for researchers
A tenth-level dining room furnished in the Queen Anne style
A portrait of Nathan Mayer Rothschild, the first of the family to occupy this site in St Swithin's Lane
A view of the glass-box meeting rooms, which house family portraits and Queen Anne furniture
-
Patek Philippe brings 15 new timepieces to Watches and Wonders 2025The Swiss manufacturer showcases its intricate complications and elegant designs at the annual trade show with a suite of new models
-
Watches & Wonders 2025: preview Richemont’s latest innovations, on show at the Geneva watch fairDiscover eight enticing timepieces from the luxury group, showcased this week at the Geneva fair
-
Masters of midcentury modern design and their creations spotlighted in new book‘Mid-Century Modern Designers’ is a new book from Phaidon celebrating those who shaped the period and their notable creations, from furniture to objects
