New York’s iconic Walker Tower gets a new lease of life

Walker Tower
(Image credit: press)

The Walker Tower in Chelsea has been an icon of the New York skyline ever since its completion in 1929 to the design of Ralph Walker - named 'architect of the century' by the New York Times in 1957. 

More than half a century on and the Walker Tower has just been gloriously restored by developers Property Markets Group and JDS Development Group, who recently announced the completion of the building's iconic façade. The renovation, carried out by the architecture firm CetraRuddy, concentrated on maintaining the original building's spirit, but at the same time creating a state-of-the-art luxury residential building (the first apartments of which will be finished within weeks). 'Our goal was to ensure that the architecture remained committed to Ralph Walker's original design, and that the new elements we incorporated were based on existing decorative motifs found in the building's entrance and lobby,' said Michael Stern, founder of JDS Development Group.

Walker's work, often intricately embellished with ornaments and different textures, included collaborations with designers and artists, which illustrated his 'humanistic' design approach, aimed at creating a welcoming environment for residents. Following the architect's original vision, the building renovation features a mix of restored brick, new ornamental micro-linen bronze stainless steel panels, newly formed aluminum panels and new oversized tilt-and-turn windows.

Inside, the existing 24-storey building has been reconfigured into 47 residences, some featuring 360-degree views of the Manhattan harbour. More than half of the residences have private terraces, with existing openings enlarged to fully capture the breathtaking views. A 24-hour doorman, concierge, library lounge with bar, children's playroom, fitness centre, sauna and a common decked roof terrace are a few of the amenities the residents will be able to enjoy. It is no surprise that its 5,955-square-foot penthouse was snapped up after less than a month on the market. The penthouse will be ready in December and all the residents are expected to be able to move into the tower early next year.

Walker, also the architect behind the city's Barclay-Vesey Telephone Building and the financial district's art deco Irving Trust bank tower, tirelessly developed the skyscraper typology and also worked on the Chicago and New York World's Fairs in the 1930s. Perfectly timed to coincide with the Walker Tower renovation project, Rizzoli's new tome 'Ralph Walker: Architect of the Century' by Kathryn E. Holliday is the first monograph to fully present the architect's work and vision. 

Walker Tower

The building, located in Chelsea, has been an icon of the New York skyline ever since its completion in 1929. It was designed by Ralph Walker, named 'architect of the century' by the New York Times in 1957

(Image credit: press)

Walker Tower

The renovation, carried out by the architecture firm CetraRuddy, concentrated on maintaining the original building's spirit, while also creating a state-of-the-art luxury residential building

(Image credit: press)

Walker Tower bedroom

Inside, the existing 24-storey building has been reconfigured into 47 residences, some featuring 360-degree views of the Manhattan harbour

(Image credit: press)

Walker Tower residence living room

The tower's new residents are expected to be able to move in early next year

(Image credit: press)

Walker Tower terrace

More than half of the residences have private terraces. Existing openings in the facade were enlarged to fully capture the breathtaking views

(Image credit: press)

Walker Tower terrace

A 24-hour doorman, concierge, library lounge with bar, children's playroom, fitness center, sauna and a common decked roof terrace are a few of the amenities the lucky residents will be able to enjoy

(Image credit: press)

Ralph Walker book

The perfect accompaniment for the transformation of this landmark is Rizzoli New York's 'Ralph Walker: Architect of the Century' - the first monograph to fully present the architect's work and vision

(Image credit: press)

A spread from the book shows a rendering of the Western Union Building - designed by Voorhees, Gmelin & Walker - painted by Chester B Price. Price's artwork shows the original fade from deep red at the base to pink at the building's crown.

A spread from the book shows a rendering of the Western Union Building - designed by Voorhees, Gmelin & Walker - painted by Chester B Price. Price's artwork shows the original fade from deep red at the base to pink at the building's crown. 

(Image credit: Courtesy of Department of Drawings and Archives, Avery Architectural and Fine Arts Library, Columbia University)

Entrance to the Western Union building, by Ralph Walker, from Hudson Street.

Entrance to the Western Union building, by Ralph Walker, from Hudson Street. The most elaborate brick patterns in his buildings are located around the entrances.

(Image credit: Photography: Wurts Bros, 1930, Museum of the City of New York)

This archive image from the book shows the famous Beaux-Arts Ball of 1931, a 'fête moderne' held at the Hotel Astor for which architects dressed up as buildings they had designed. Pictured (from left): A Stewart Walker as the Fuller Building; Leonard Schultze as the Waldorf-Astoria Hotel; Ely Jacques Kahn as the Squibb Building; William Van Alen as the Chrysler Building; Ralph Walker as the Irving Trust; DE Ward as the Metropolitan Tower; and Joseph Freedlander as the Museum of the City of New York.

This archive image from the book shows the famous Beaux-Arts Ball of 1931, a 'fête moderne' held at the Hotel Astor for which architects dressed up as buildings they had designed. Pictured (from left): A Stewart Walker as the Fuller Building; Leonard Schultze as the Waldorf-Astoria Hotel; Ely Jacques Kahn as the Squibb Building; William Van Alen as the Chrysler Building; Ralph Walker as the Irving Trust; DE Ward as the Metropolitan Tower; and Joseph Freedlander as the Museum of the City of New York. 

(Image credit: Courtesy of Department of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University)

The top floor of the Irving Trust, by Ralph Walker, is a private observation lounge.

The top floor of the Irving Trust, by Ralph Walker, is a private observation lounge.. Courtesy HLW International LLP.

(Image credit: Photography: Nyholm-Lincoln)

The top floor of the Irving Trust, by Ralph Walker, is a private observation lounge.

The observation lounge's walls were originally covered in a red and buff 'war bonnet' print. Courtesy HLW International LLP.

(Image credit: Photography: Nyholm-Lincoln)

A spread from the book depicts various images from the General Electric Pavilion

A spread from the book depicts various images from the General Electric Pavilion - designed by Walker, Vorhees, and Foley & Smith - which was dedicated to displays about electricity. An enormous lightning bolt sculpture took pride of place outside the pavilion, while the Steinmetz Hall inside housed an indoor lightning field

(Image credit: press)

Study for the Barclay-Vesey Telephone Building, by Ralph Walker, 1921 or 1922.

Study for the Barclay-Vesey Telephone Building, by Ralph Walker, 1921 or 1922. 

(Image credit: Courtesy of Ralph T. Walker Papers, Special Collections Research Center, Syracuse University Library)
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Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).