Oceanus House is a reborn modernist gem in LA’s Mount Olympus

Oceanus House by Pierre De Angelis is a project that reimagines a Donald Luckenbill residential design in Los Angeles for the 21st century

white house Oceanus House by Pierre de Angelis in los angeles
(Image credit: Edmund Sumner)

Oceanus House is a sun-drenched Los Angeles home revived through a design by the architecture studio of Pierre De Angelis, Good Project Company. Originally created in the 1990s by Donald Luckenbill (repurposing a significantly smaller 1975 structure on site), who worked in the office of Paul Rudolph for many years, the home features modernist architecture influences and minimalist architecture lines, which have been reimagined for the 21st century by De Angelis and his team. 

nighttime shot of white house and colour lighting Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

Oceanus House by Pierre De Angelis

Oceanus House commands striking views of Los Angeles from the elevated Mount Olympus neighbourhood. As a result, the home is orientated towards the long vistas featuring large terraces and a swimming pool with lounge area that overlook the LA cityscape below. The refreshed home not only spans a striking 7,466 sq ft and four bedrooms, but also has an additional, fully independent (with its own kitchen and living space) pool house that adds 1,500 sq ft to the whole. 

Oceanus House by Pierre de Angelis exterior with pool

(Image credit: Edmund Sumner)

The pool was redesigned to accentuate minimalist lines, and through this, celebrate  the home’s original curves by Luckenbill. This approach was envisioned by the project's landscape architect Michael Fiore. This open area and the vistas towards Downtown Los Angeles and the Pacific Ocean were further accentuated by the architect's removing of the entrance-side windows on Oceanus Drive.

los angeles views from Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

'We took a risk by removing the street façade windows so that all views are focused away from the street and instead to Downtown Los Angeles and the Pacific Ocean,' the architect said. 'This move was a big bet and paid off by achieving the desired goal of heightened privacy, security, and a monolithic, horizontal façade facing Oceanus Drive articulated by bands of vertical steel louvers and without any interruption from windows apertures which (we believe) is both atypical and highly desirable for the potential owner.'

curves and white interiors at Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

The design team also worked hard to restore Luckenbill's original flow and improve circulation for 21st century standards. They addressed the interior arrangements everywhere with the same care and detail, negotiating old and new to achieve the best balance - not taking any of the changes lightly. 

curves and modernist minimalism atOceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

They said, when it came to the original architect's use of radii in the design: 'The original Luckenbill home included a very distinctive radius kitchen island echoed by a radius sitting area. As one can see, we revisited Luckenbill’s predominant use of radii by adjusting the island to a straight-line monolithic island in addition to an L-shaped bench seating area. We believe this important gesture provided balance and a sense of calm to the previously idiosyncratic Luckenbill kitchen.'

living space with a view at Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

mustard sofa and white interior against los angeles views at Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

open plan white living space at Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

dusk shot of entrance of minimalist Oceanus House by Pierre de Angelis

(Image credit: Edmund Sumner)

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Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).