Orchid Pavilion channels Japanese philosophy for blossoming flowers in Puerto Escondido

Orchid Pavilion by CCA Centro de Colaboración Arquitectónica provides fitting shelter for flower conservation in Mexico's Casa Wabi

aerial of Orchid Pavilion in its setting in casa wabi in the mexican nature
(Image credit: Jaime Navarro, courtesy CCA Centro de Colaboración Arquitectónica)

Orchid Pavilion – a new piece of timber architecture dedicated to the conservation of the eponymous flower in the Oaxaca region of Mexico – is set against a fittingly idyllic backdrop of blue skies and lush foliage. The structure, which has just been inaugurated at Puerto Escondido's Casa Wabi Foundation, was designed by Mexico City's Bernardo Quinzaños and his team at CCA Centro de Colaboración Arquitectónica. 

aerial close up of Orchid Pavilion among trees

(Image credit: Jaime Navarro, courtesy CCA Centro de Colaboración Arquitectónica)

Orchid Pavilion: a thoughtful timber pavilion for flower conservation

The Orchid Pavilion is an exciting addition to the non-profit art and community organisation campus' rich and growing collection of architecture pavilions and buildings – from Tadao Ando's first commissions for the foundation’s founder, artist Bosco Sodi, to later additions such as Kengo Kuma's chicken coop.

Orchid Pavilion as soon from above with its timber structure

(Image credit: Jaime Navarro, courtesy CCA Centro de Colaboración Arquitectónica)

'As we approached the design of the Orchid Pavilion at Casa Wabi, our research pointed toward some clear technical features, components, and facts. It became evident that in order to grow, reproduce, and collect orchids, we needed to create the right environment for them to thrive: humid, partially shaded, and well-ventilated,' the architects write. 

Orchid Pavilion exterior from narrow end

(Image credit: Rafael Gamo, courtesy CCA Centro de Colaboración Arquitectónica)

Responding to these needs, the studio crafted a structure that is light and permeable, yet provides shade and protection for the delicate flowers. 

The Japanese philosophy of Wabi-Sabi, a belief that 'beauty and harmony are found in simplicity, imperfection, and unconventionality', influences the entire foundation's approach, and this, as well as the Japanese concept of Ikigai (生き甲斐, ‘a reason for being'), was also a key driver here.

inside the timber structure of Orchid Pavilion in mexico

(Image credit: Rafael Gamo, courtesy CCA Centro de Colaboración Arquitectónica)

Quinzaños and his team worked with local artisans and craftspeople to create a sustainable pavilion that would reflect these values not only through its physical presence – its respect towards the environment, its lightness and handmade, timber nature – but also by providing a purpose-built home for both plants and people working to preserve them. 

side view of timber structure of Orchid Pavilion

(Image credit: Rafael Gamo, courtesy CCA Centro de Colaboración Arquitectónica)

'When you enter the pavilion, you breathe in the humidity, hear the gentle drops falling, feel the crossing winds, and hopefully, you will be able to remember who you are, what your reason for being is. What is your Ikigai,' the architects write. 

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Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).