Artist Nick Veasey unveils farm-inspired concrete X-ray studio and gallery in Kent

A dilapidated corrugated iron pig shed in a Kent field has been replaced with a gallery and studio for acclaimed artist Nick Veasey. He commissioned Guy Hollaway Architects to design the 265 sq m Process Gallery to hold his own work, which is created with X-ray imaging technology, and exhibitions by other artists.
‘As the X-rays emit radiation, you don’t really want me as your next door neighbour,' says Veasey of the setting outside the village of Lenham, adding that it was also ‘within our meagre budget'.
Veasey wanted to pick up on the site’s previous structure, and was inspired by the work of Australian Pritzker Prize-winner Glen Murcutt, ‘who has designed some sexy buildings with corrugated iron'.
The structure takes its cues from traditional Kent farm structures
Hollaway switched to poured concrete, creating an angular form that borrows from the oast house typology. This isn’t the first reimaging of Kent’s traditional farm building. In 2017, a modern take on the oast house, by James Macdonald Wright and Carmarthenshire-based Niall Maxwell, was named RIBA’s house of the year.
Just six miles down the road, Process Gallery’s pyramid chamber houses Veasey’s X-ray equipment, and is intended to ‘emulate the splay of the X-ray machine', says Hollaway. The concrete absorbs the radiation.
‘Having shown my work at galleries all over the world from the good, bad and indifferent, I have learnt what makes an engaging exhibition', claims Veasey, whose images were featured in the V&A’s show earlier this year, ‘Balenciaga: Shaping Fashion'. His works will make up the inaugural show.
As the landscape matures, the intention is to create a sculpture park, where artists can display their works. Just four miles away is the major cultural attraction of Leeds Castle, which was originally built in 1119 by a Norman baron. ‘Time will tell if there is a demand for a quality contemporary art gallery in this location', muses Veasey.
The structure is mostly made out of thick concrete, with timber details
The project houses the artist’s X-ray lab as well as exhibition spaces
Inside, gallery rooms are bright and look out towards the Kent countryside, interchanging with..
..enclosed spaces where Veasey works with X-ray imaging technology to produce his work
The X-ray equipment is located in the pyramid-like wing of the structure
INFORMATION
For more information visit the website of Guy Hollaway Architects
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Clare Dowdy is a London-based freelance design and architecture journalist who has written for titles including Wallpaper*, BBC, Monocle and the Financial Times. She’s the author of ‘Made In London: From Workshops to Factories’ and co-author of ‘Made in Ibiza: A Journey into the Creative Heart of the White Island’.
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and Soldier
New exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
By Hannah Silver Published
-
Surrealism as feminist resistance: artists against fascism in Leeds
‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
By Katie Tobin Published
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s Britain
The turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
By Anne Soward Published
-
Jasleen Kaur wins the Turner Prize 2024
Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
By Hannah Silver Last updated
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
By Caragh McKay Published
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
By Will Jennings Published
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture Park
Bharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park
By Will Jennings Published
-
‘Mental health, motherhood and class’: Hannah Perry’s dynamic installation at Baltic
Hannah Perry's exhibition ’Manual Labour’ is on show at Baltic in Gateshead, UK, a five-part installation drawing parallels between motherhood and factory work
By Emily Steer Published
-
Francis Alÿs plots child play around the world at the Barbican
In Francis Alÿs' exhibition ‘Ricochets’ at London’s Barbican, the artist explores the universality of play, even in challenging situations
By Amah-Rose Abrams Published