Bridging Boyd is the rebirth of a modernist Melbourne home

Bridging Boyd by Jolson is a modernist Melbourne home reimagined for the 21st century

bridging boyd by jolson and its black framed glazed garden facade
(Image credit: Lucas Allen)

Bridging Boyd is a family home that addresses how to bring a valuable, but in-need-of-a-refresh, piece of modernist architecture into the 21st century. The home, originally named Richardson House, was designed in 1955 by renowned midcentury Australian architect Robin Boyd during his partnership with Grounds and Romberg. Situated in an inner Melbourne neighbourhood, the structure is now listed, having received a series of interventions by different past owners.

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

Bridging Boyd: modernism in the 21st century

Enter Melbourne-based architecture and design practice Jolson, the studio invited by the current residents to reimagine the precious home for their needs – yet still respecting Boyd's original principles and intention.

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

Stephen Jolson, practice founder and head, says: 'Boyd’s vision saw the limitations of the site as an opportunity to deliver a completely bespoke suburban home – a simple and clear design intent, embracing the landscape at all times. We harnessed the opportunity to pay homage to the influential design by adding a new but complementary architectural language that rehabilitates rather than compromises Boyd’s original intent.'

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

To that end, Jolson and his team looked at the existing structure, as well as Boyd's sense of simplicity, and stripped back some of the later additions that didn't work with the home's spirit – cleaning up the site to allow the property’s inherent minimalism to shine through.

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

The main entrance was moved and with it, a series of suspended entry bridges, decks and an entrance canopy were created, highlighting the way into the home and guiding visitors over the threshold. These elements and their curved shapes are juxtaposed against the historical structure's straight lines and boxy nature.

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

A three-storey 1982 renovation had transformed the interior, which has now been brought back closer to its original state. The large open-plan living space affords expansive views of a leafy garden through a glazed rear façade.

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

The heritage fabric was also updated. Ageing timber window frames were replaced with double-glazed, slim, steel-framed windows. Meanwhile, natural timber, stone and steel are the primary materials inside, giving a contemporary refresh to this 20th-century classic.

bridging boyd by jolson, a modernist house refreshed with white walls, black framing and details and a overgrown leafy garden seen through large glazing

(Image credit: Lucas Allen)

jolson.com.au

Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).