Antwerp Royal Museum of Fine Arts reveals minimalist makeover
Royal Museum of Fine Arts in Antwerp (KMSKA) has just revealed its renovation, extension and new minimalist rooms by Dutch architecture office KAAN Architecten
Antwerp's majestic Royal Museum of Fine Arts – also known as KMSKA – is about to reopen its doors after a transformation and update by Dutch architecture practice KAAN Architecten. This includes a brand new wing with a series of minimalist rooms. Now, the building, a generous, historic late 19th century structure, has been thoroughly restored and extended, now offering more and better spaces to experience art.
The venue, which was originally designed by Jacob Winders and Frans van Dyck, was conceived as a ‘daylight museum', explains the team at KAAN. This means, it was a building to be experienced as ‘a promenade surrounded by stunning artworks as well as the external landscape, witnessed through its multiple lookouts over the city and the inner patios.'
Respecting the existing structure's intention, the architects hid all alterations and extension within the existing volumes. So, from the outside, one would never anticipate the heritage building was ever changed at all. Once stepping inside though, visitors encounter KAAN's masterful, minimalist signature style, which has been adapted to fit the 19th century building.
The museum's masterplan, the architects say, is now divided into three main areas. There is a public entrance area, the central exhibition spaces and offices (which the team dubs ‘feel, see and work' spaces, respectively). Old merges effortlessly with the new, respectfully blending periods and styles in a functional and appropriate manner. This allows the institution's rich art collection to take centre stage.
A brand new 21st century gallery space is located at the building's heart, replacing four patios. It consists of a series of bright, white halls composed of sharp plastered surfaces and bespoke marble furniture. The contrast between this wing's minimalist rooms and the existing galleries makes the addition clear and signifies the contemporary work to be displayed there. It also highlights and celebrates the museum's heritage value through juxtaposition
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Formafantasma’s biodiversity-boosting installation in a Perrier Jouët vineyard is cross-pollination at its best
Formafantasma and Perrier Jouët unveil the first project in their ‘Cohabitare’ initiative, ‘not only a work of art but also a contribution to the ecosystem’
By Henrietta Thompson Published
-
Gingerbread City: architects sculpt London out of the season's favourite treat
Until December 29 in Chelsea, see London brought to life in a seasonal-appropriate medium by leading architects and designers
By Ellen Himelfarb Published
-
New Revox B77 MK III reel-to-reel tape recorder, and more cassette tape-based trickery
The new Revox B77 MK III might be the ultimate analogue flex. In response, we’ve explored the outer reaches of cassette tape design
By Jonathan Bell Published
-
Gulbenkian Foundation's new art centre by Kengo Kuma is light and inviting
Lisbon's Gulbenkian Foundation reveals its redesign and new contemporary art museum, Centro de Arte Moderna (CAM), by Kengo Kuma with landscape architects VDLA
By Amah-Rose Mcknight Abrams Published
-
Green Ark, a new garden pavilion from modified softwood, is conceived for plant conservation
The Green Ark, set in the heart of Belgium's Meise Botanic Garden, is an ultra-sustainable visitor pavilion by NU Architectuur Atelier
By Jonathan Bell Published
-
Residence Norah is a modernist Belgian villa transformed to its owner’s needs
Residence Norah by Glenn Sestig in Belgium’s Deurle transforms an existing gallery space into a flexible private meeting area that perfectly responds to its owner’s requirements
By Ellie Stathaki Published
-
Bruges Triennial 2024 takes over the city with contemporary art and architecture
Bruges Triennial 2024, themed 'Spaces of Possibility', considers sustainability and liveability within cities, looking towards a greener future
By Ellie Stathaki Published
-
‘Interior sculptor’ Christophe Gevers’ oeuvre is celebrated in new book
‘Christophe Gevers’ is a sleek monograph dedicated to the Belgian's life work as an interior architect, designer, sculptor and inventor, with unseen photography by Jean-Pierre Gabriel
By Tianna Williams Published
-
A Belgian house in the fields blends subtle minimalism with family life
House in the Fields by Stef Claes is a family retreat in the green Belgian countryside sprinkled with a US modernist architecture twist
By Ellie Stathaki Published
-
House P’s linear, leafy composition aims for a ‘sensory architecture’
House P by Vandenborre Architecten is a family home conceived as a leafy sanctuary of minimalist elegance in suburban Belgium
By Ellie Stathaki Published
-
This 1970s brutalist house in Belgium has a new life as a designer’s home and studio
1970s brutalist house Villa Stuyven is now home to creative couple Bram Kerkhofs and Lore Baeyens, providing a concrete-lined backdrop to a life of design and collaboration
By Jonathan Bell Published