Architect Junya Ishigami's on this year's Serpentine Pavilion

There's one event that signals beyond a shadow of a doubt that the summer is here; the annual launch of the Serpentine Gallery's Pavilion. And the time has now arrived, with this year's offering, designed by Japanese architect Junya Ishigami, now complete and launching this week in London's Kensington Gardens.
Drawing inspiration from one of the most common architectural feats – the roof – the Serpentine Pavilion this year appears like a grey cloud, shifting weightlessly in the breeze. In reality, the structure is made by (probably rather weighty) dark coloured slates, arranged in a single canopy, which stands on slim, ethereal columns; in keeping with the architect's signature style of delicate drawing and graceful forms.
Inside, a cave-like space offers room for resting and contemplation – as well as shelter from the elements during the unpredictable, weather-wise, British summer. Its use is inherently open ended, says Serpentine Galleries artistic director Hans Ulrich Obrist: ‘It’s an open situation, we never know how the public will use it, and it’s free and here for everyone'.
Through the design, Ishigami aims to juxtapose the man-made and the natural, he explains. ‘My design for the Pavilion plays with our perspectives of the built environment against the backdrop of a natural landscape, emphasising a natural and organic feel as though it had grown out of the lawn, resembling a hill made out of rocks', the architect said when he first revealed his design. ‘This is an attempt to supplement traditional architecture with modern methodologies and concepts, to create in this place an expanse of scenery like never seen before.'
RELATED STORY
Still, the project did not come without its challenges, and time and perfection in detailing and construction were key ones, as Ishigami admits. ‘I was very worried about completing this project in such a short time – most of my projects take a very long time to make. This year was the hardest in my life!' he says, probably only half-joking.
Ishigami's design follows last year's acclaimed edition by Mexican architect Frida Escobedo. With it, the Japanese architect earns a coveted membership at the club of select architects from around the world, who have worked on a Serpentine Pavilion before – including Zaha Hadid, Rem Koolhaas, Sou Fujimoto and Bjarke Ingels.
One of the project's goals has always been to promote great architecture, inspire and delight, and Ishigami aimed for his design to do just that. ‘I imagined it as a dark cloud in the sky', he says. ‘I would like people to also come here and imagine.'
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Nikos Koulis brings a cool wearability to high jewellery
Nikos Koulis experiments with unusual diamond cuts and modern materials in a new collection, ‘Wish’
By Hannah Silver
-
A Xingfa cement factory’s reimagining breathes new life into an abandoned industrial site
We tour the Xingfa cement factory in China, where a redesign by landscape specialist SWA Group completely transforms an old industrial site into a lush park
By Daven Wu
-
Put these emerging artists on your radar
This crop of six new talents is poised to shake up the art world. Get to know them now
By Tianna Williams
-
The art of the textile label: how British mill-made cloth sold itself to Indian buyers
An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion
By Aastha D
-
Artist Qualeasha Wood explores the digital glitch to weave stories of the Black female experience
In ‘Malware’, her new London exhibition at Pippy Houldsworth Gallery, the American artist’s tapestries, tuftings and videos delve into the world of internet malfunction
By Hannah Silver
-
Ed Atkins confronts death at Tate Britain
In his new London exhibition, the artist prods at the limits of existence through digital and physical works, including a film starring Toby Jones
By Emily Steer
-
Tom Wesselmann’s 'Up Close' and the anatomy of desire
In a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
By Sam Moore
-
A major Frida Kahlo exhibition is coming to the Tate Modern next year
Tate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo
By Anna Solomon
-
A portrait of the artist: Sotheby’s puts Grayson Perry in the spotlight
For more than a decade, photographer Richard Ansett has made Grayson Perry his muse. Now Sotheby’s is staging a selling exhibition of their work
By Hannah Silver
-
From counter-culture to Northern Soul, these photos chart an intimate history of working-class Britain
‘After the End of History: British Working Class Photography 1989 – 2024’ is at Edinburgh gallery Stills
By Tianna Williams
-
Celia Paul's colony of ghostly apparitions haunts Victoria Miro
Eerie and elegiac new London exhibition ‘Celia Paul: Colony of Ghosts’ is on show at Victoria Miro until 17 April
By Hannah Hutchings-Georgiou