STO.M.P on the architecture studio's work, love of craftmanship and 'the cinematic details'

We zoom into Indian architects STO.M.P from Madurai, exploring their growing portfolio and cinematic sensibility

 STO.M.P founders Vignesh Sekar and Shamini Vignesh
STO.M.P founders Vignesh Sekar and Shamini Vignesh
(Image credit: Devashish Gaur)

Husband-and-wife architect duo Vignesh Sekar and Shamini Vignesh love to relax with a good movie, but their weekly routine doesn’t always involve a Coke apiece and a giant tub of popcorn. ‘We love to lean into the cinematic details—the camera angles, the quality of light, the artistic sensibility,’ says Vignesh.

STO.M.P's Western Valley House façade

Western Valley House façade

(Image credit: Courtesy of STO.M.P)

We profile STO.M.P: Studio for Modernism & Practical Aesthetics

The founders and principals of STO.M.P (short for Studio for Modernism & Practical Aesthetics), based in the southern Indian city of Madurai, approach a site in much the same way a cinematographer would a set, meticulously framing spaces, playing with light and shadow, and ensuring every element tells a story. ‘Like in films, it’s all about creating an experience,’ adds Shamini.

STO.M.P's Western Valley House interior layers

Western Valley House interior layers

(Image credit: Courtesy of STO.M.P)

The pair, who met at university and established their architecture practice after graduating in 2016, don’t see themselves as architects. ‘We’re facilitators,’ Vignesh says. ‘We craft environments that are deeply functional, profoundly personal, and sensitive to the cultural context; we are merely mediums between the earth and the built environment.’

STO.M.P's  Western Valley House western façade

 Western Valley House western façade

(Image credit: Courtesy of STO.M.P)

This explains why each of their projects has an artisanal quality, embodied by thoughtful craftsmanship, timeless materials, and unexpected moments of wonder. ‘It’s a process,’ Shamini concedes, ‘one that wouldn’t be possible without collaboration with other studios and artisans.’

STO.M.P's House of Two Realities interior

House of Two Realities interior

(Image credit: Courtesy of STO.M.P)

STO.M.P’s work is driven by a student-like curiosity and backed by the experience of seasoned craftsmen, meaning no project — no matter how complex — is off-limits. They set the bar high with their first residential contract in 2018, in Tirupattur, India, designing a climate-responsive home with a façade of terracotta jali, skylights, and light-wells. Materials, including marble plaster and Athangudi tiles, were sourced from within a 50-kilometre radius.

STO.M.P architecture's Billy O'Tea House exterior

Billy O' Tea House exterior

(Image credit: Courtesy of STO.M.P)

Vignesh and Shamini regard architecture and interior design as two sides of the same coin. ‘The two grow out of each other, and we don’t really treat them separately,’ Vignesh explains, referencing the ship-shaped dwelling the studio designed in Thoothukudi, India, in 2023. The home features a hull-inspired amphitheatre, seashell motifs on the roof, and various marine-inspired treatments—a tribute to the town’s rich history as a port city.

STO.M.P's Billy O'Tea House Amphitheatre

Billy O' Tea House amphitheater

(Image credit: Courtesy of STO.M.P)

Recently, STO.M.P has embarked on a new journey, working with the Indian Railways to reimagine three stations in South India. ‘This project serves as a foundation for our broader aspirations, which now extend to multi-family residences, homesteads, and boutique hotels,’ Shamini explains.

STO.M.P's House of Two Realities exterior at night

House of Two Realities exterior at night

(Image credit: Courtesy of STO.M.P)

‘Each endeavour reflects our commitment to creating spaces that resonate with their surroundings while catering to the diverse needs of the community.’

STO.M.P's Western Valley House at night

STO.M.P's Western Valley House at night

(Image credit: Courtesy of STO.M.P)

www.stomparchitects.com

TOPICS