Tane Garden House at Vitra Campus brings together nature and memory
Tane Garden House by Atelier Tsuyoshi Tane Architecture launches at the Vitra Campus in Weil am Rhein, Germany
Tane Garden House is the latest addition to be revealed at the Vitra Campus in Weil am Rhein. The building, created by French-based, Japanese architect Tsuyoshi Tane (a participant in the 2018 Wallpaper* Architects Directory), was inaugurated this week during Art Basel 2023 and represents an immersive garden structure that draws on ideas of nature and memory.
Tane Garden House at Vitra Campus: the origins
‘Like archaeologists, we begin a long process of exploration and digging up the memory of a place. It is a process of surprise and discovery, a quest to encounter things we did not know, what we had forgotten, what has been lost through modernisation and globalisation. I believe that a place will always have memories deeply embedded in the ground and in history. And that this memory does not belong to the past, but is the driving force that creates architecture. Through this process of thinking about the future from the memory of a place, archaeology gradually becomes architecture,’ said Tane.
Tane Garden House: making and materials
The project was realised using sustainable and environmentally friendly materials wherever possible. It also predominantly uses locally sourced elements and was constructed by local craftsmen. The resulting design features, for instance, stone and wood – the former is granite from a quarry some 28km away, and the latter was retrieved from the local forest, about 50km from the Vitra factory.
The compact structure measures a mere 15 sq m. It can hold up to eight people and acts as both a workshop and a tool shed for the upkeep and maintenance of the surrounding Oudolf Garden in the Vitra Campus. It includes an observation platform that offers 360-degree vistas of the surrounding planted expanses, as well as the Umbrella House and the rest of the Vitra site.
'It took three years to design the Garden House. We had many conversations and talks and at the end of the day, it just needed time. We were not only using local materials, but also learning to express the local grammar, patterns, details and techniques, as if learning to pronounce a local language. The final result is a unique, primitive and warm form of architecture,' said Tane.
'When Rolf [Fehlbaum, chairman emeritus at Vitra] picked us up by car and drove us to the Vitra Campus, he told me about his childhood, about his memories, recounting how he used to come here with his grandmother when it was only a large field. The Vitra Campus came into being over a number of years. He was thinking of bringing nature back in the next phases of the Vitra Campus, guided by the idea of sustainability. In support of this goal, he had already commissioned the Oudolf Garden. Then suddenly, Rolf asked me: “Tsuyoshi, would you be interested in designing a garden house that can serve as a symbol of sustainability?”‘ the Japanese architect recalls.
'He is such a visionary person and has given me a lot of inspiration. During the process, I had many great conversations with him. He knows how to work with architects and designers. His words and inputs give a clear direction and you can see that throughout the Vitra Campus.'
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
A special exhibition on Tane's work will follow at the Vitra Design Museum Gallery in autumn 2023.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Clocking on: the bedside analogue timepieces that won’t alarm your aesthetic
We track down the only tick-tocks that matter, nine traditional alarm clocks that tell the time with minimum fuss and maximum visual impact
By Jonathan Bell Published
-
Architecture, sculpture and materials: female Lithuanian artists are celebrated in Nîmes
The Carré d'Art in Nîmes, France, spotlights the work of Aleksandra Kasuba and Marija Olšauskaitė, as part of a nationwide celebration of Lithuanian culture
By Will Jennings Published
-
‘There is more work to be done in the garden’: Dries Van Noten on deciding to grow his burgeoning beauty line
For Dries Van Noten, 2024 has been a landmark year. After stepping down from fashion in June, the designer speaks to Wallpaper* about a new focus on nurturing the brand’s beauty line and spending more time in his beloved garden
By Hannah Tindle Published
-
Visit Khudi Bari: a 'little house' by Marina Tabassum, joining the Vitra Campus of architectural marvels
Khudi Bari by Marina Tabassum has been unveiled at Vitra Campus, its installation adding to the site’s collection of architectural marvels
By Ellie Stathaki Published
-
Modernist architecture: inspiration from across the globe
Modernist architecture has had a tremendous influence on today’s built environment, making these midcentury marvels some of the most closely studied 20th-century buildings; here, we explore the genre by continent
By Ellie Stathaki Published
-
Iwan Baan exhibition travels the world through 'moments in architecture'
Iwan Baan: Moments in Architecture is a panoramic view of global architecture on display at the Vitra Design Museum
By Ellie Stathaki Published
-
Minimalist architecture: homes that inspire calm
These examples of minimalist architecture place life in the foreground – clutter is demoted; joy promoted
By Ellie Stathaki Published
-
The iconic British house: key examples explored
New book ‘The Iconic British House’ by Dominic Bradbury explores the country’s best residential examples since 1900
By Ellie Stathaki Published
-
Loyle Carner’s Reading Festival 2023 stage presents spatial storytelling at its finest
We talk to Loyle Carner and The Unlimited Dreams Company (UDC) about the musical artist’s stage set design for Reading Festival 2023
By Teshome Douglas-Campbell Published
-
The Leaf is a feat of engineering and an ode to the Canadian Prairies
The Leaf in Winnipeg, Canada, is the first interactive horticultural attraction of its kind: a garden and greenhouse complex promoting a better understanding of how people can connect with plants
By Adrian Madlener Published
-
Behind the V&A East Museum’s pleated façade
Behind the new V&A East Museum’s intricate façade is a space for the imagination to unfold
By Ellie Stathaki Published