Cinema architecture redefined in Teatro Vivo in São Paulo
Teatro Vivo is a cinema that brings a bit of magic to a central São Paulo mixed-use building
Going to the cinema is an unrivalled experience of delving into a different world – a parallel reality of magic and fantasy. This is exactly the atmosphere that the Teatro Vivo, a brand new cinema architecture project in São Paulo, is aiming to achieve with its fresh design led by architect Greg Bousquet (who was with Triptyque Architecture before setting up his current practice AO-SP).
Bousquet’s architecture team, which is currently based between Brazil and Portugal, had to work with an existing structure, as the movie theatre is located within Vivo, a mixed-use commercial building in the centre of São Paulo. ‘The challenge was to create a concept-theatre where we sought to value construction from pre-existing structures, which were left in evidence [while we provided] innovation through coatings, colours, textures, and lighting,’ the architects recall.
At the same time, the designers made sure to take into account the experience of visitors – the cinema-goers – and employees, who enter the space daily to help operate the cinema. Bousquet and his team chose to make the necessary distinctions between these uses through the clever lighting, differently illuminating areas according to their distinct functions.
In fact, lighting and colour were key elements in the design development throughout. Textures (the velvet curtains encountered in the foyer area, and the 272-seat screen room’s acoustic boards, for example) helped build the desired effect too.
Cinema architecture with a touch of magic
‘The theatre itself is divided into two universes,’ say the architects. ‘Above, acoustic boards in a reinterpretation of anechoic chambers, historically used for various purposes, have their use as a sound insulator re-established, and their graphic and aesthetic potential explored in the concert hall. The authenticity of the composition reveals the extensive research into acoustic techniques. The lower area of the room is covered in wood to reflect the sound and bring a feeling of comfort to spectators.’
The design combines powerful geometries, colour and a touch of magic, balancing the existing structure's pragmatic realities and demands with the thrill of the cinema screen. It is an example of how cinema architecture can elevate and transform, ‘demonstrating how art and technique meet’, the architects say.
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Wallpaper* checks in at W Hollywood: ‘more polish and less party’
The W Hollywood introduces a top-to-bottom reimagining by the Rockwell Group, capturing the genuine warmth and spirit of Southern California
By Carole Dixon Published
-
Book a table at Row on 5 in London for the dinner party of dreams
Row on 5, the first restaurant ever to open on Savile Row, emerges as a perfectly tailored fit for fans of fan dining
By Ben McCormack Published
-
How a bijou jewellery salon in Monaco set the jewellery trends for 2025
Inside the inaugural edition of Joya, where jewellery is celebrated as miniature works of art
By Jean Grogan Published
-
Restoring São Paulo: Planta’s mesmerising Brazilian brand of midcentury ‘urban recycling’
Brazilian developer Planta Inc set out to restore São Paulo’s historic centre and return it to the heyday of tropical modernism
By Rainbow Nelson Published
-
All aboard Casa Quinta, floating in Brazil’s tropical rainforest
Casa Quinta by Brazilian studio Arquipélago appears to float at canopy level in the heart of the rainforest that flanks the picturesque town of Paraty on the coast between São Paulo and Rio de Janeiro
By Rainbow Nelson Published
-
Feel like a movie? The top 50 films of all time according to Marcio Kogan
Marcio Kogan's top 50 films of all time; the architect taps into his passion for the moving image and shares with us his recommendations
By Ellie Stathaki Published
-
Studio mk27 and Marcio Kogan’s greatest hits: from voluptuous villas to relaxing retreats
Studio mk27, led by Wallpaper* guest editor Marcio Kogan, is behind buildings that make us swoon; here are the best of the best
By Ellie Stathaki Published
-
Wallpaper* Architects’ Directory 2024: meet the practices
In the Wallpaper* Architects Directory 2024, our latest guide to exciting, emerging practices from around the world, 20 young studios show off their projects and passion
By Ellie Stathaki Published
-
How guest editor Marcio Kogan, during a visit to the movies, ‘discovered that something else exists in the world, real poetry’
Marcio Kogan is a guest editor of Wallpaper* October 2024. In his dedicated section, we discover how the world of cinema’s loss was architecture’s gain when a feature film failed but a dream space creator rose from the ashes
By Rainbow Nelson Published
-
Brazilian modernism finds its latest expression in Studio Porto’s AG House
Studio Porto, an emerging Brazilian practice, joins the Wallpaper* Architects’ Directory 2024
By Ellie Stathaki Published
-
A modernist São Paulo apartment finds a new lease of life
A spacious modernist São Paulo apartment in the neighbourhood of Higienópolis gets a thorough renovation by Brazilian architects Bloco Arquitetos
By Léa Teuscher Published