Tom Lee Park reimagines Mississippi banks into a lush public space in Memphis
Tom Lee Park is a lush new public space that transforms the banks of the Mississippi river in Memphis
Tom Lee Park unfolds along the east bank of the Mighty Mississippi. Set to open officially on Labor Day 2023, this is an important, new, green space for downtown Memphis, as well as a place where nature and the city meet. Its creators, Chicago based Studio Gang (the project’s masterplanner and architect) and New York’s Scape (who acted as landscape architect and park designer), describe the old site as a ‘working waterfront’, a previously flat, inhospitable, landfill part of town used for anything between parking lot, dump site, commercial transport route and industrial facility. The team, led by respective founders Jeanne Gang and Kate Orff (both featured in the Wallpaper* USA 300), was called upon by client Memphis River Parks Partnership to reimagine this stretch of the riverside as a centrepiece riverfront green, an urban lung and open space to be shared among Memphis residents.
Tom Lee Park: the making
It was not an easy task. ‘Tom Lee Park is part of a much bigger plan for the city of Memphis,’ explains Gang. ‘The city was turning its back to the river, and we wanted to change that. It’s a very ambitious plan.’ The greater scheme involves a taskforce put together by city authorities in 2017 to transform some six miles of the riverfront into a network of public spaces; the park is just the first one of them to complete. It is surrounded by areas of very different use and character - from residential neighbourhoods to a mud island, an open air concert space, and a museum about the Mississippi. It sits on a bluff, with the water running just below it, so the team also had to negotiate potential flooding from what is North America’s largest river.
Thousands of Memphians were invited to participate in a series of consultation and public engagement activities to record the people’s needs, wishes and worries, in order to craft the space in the best way possible for its users. This project had to be as sustainable and resilient as possible as a key priority, in order to carve a strong sense of community in it. The design was further informed by the Youth Design Leadership program, which embedded local teens in the design process (in partnership with local nonprofit KnowledgeQuest).
The designers worked to add texture and articulation to the site, by creating sequences of open lawns and more enclosed garden sections, bringing grading and physical dynamism through form and an undulating terrain. Gang explains that they studied the aerial shape of the Mississippi, looking at its natural, winding body, and used it as a reference point for their design. Then, they began to overlay activities - from playgrounds to sheltered resting spots, and multi-use areas for sports and performances. Public amenities now include fitness stations; a playground created together with Denmark-based specialists, Monstrum; two passively cooled structures for food, drink and restroom facilities; and the park’s signature Sunset Canopy, a flexible shelter defined by a 2O,OOO sq ft floating timber roof placed upon a series of six steel ‘quadpods’ - their shape and arrangement, a nod to the historic site’s traditional cranes. Everything is made predominantly of wood (with some steel elements, due to the area’s earthquake prone nature), in particular simple logs. It included a few firsts for Gang, such as the studio’s first battered construction of its type and scape, and its largest ever canopy.
Additionally, hundreds of new trees were planted, ensuring the new park ‘replenishes soils to nurture native plantings that attract pollinators, enhance biodiversity and support the Mississippi River Flyway.’ The design hopes to bring back ‘wonder and wildness’ to this part of Memphis, and aims to share it with everyone. Orff explains that to this end, they developed a curriculum on citizen science that can be downloaded by Memphis teachers and used in high schools to promote education around nature and healthy cities.
‘My design process for the park was to pair dynamic Mississippi River land/water forms with public programs that we heard from our community outreach,’ says Orff. ‘So you’ll see jogging paths through some immersive “riffle” gardens, a playground in a raised area or “batture” and micro deltas bursting with native plants that welcome visitors to the many park entrances. SCAPE’s first encounter with the site was on a hot muggy afternoon. It was flat, with highly compacted soils, a few struggling trees and very exposed to sun and wind. SCAPE’s park design shapes a series of smaller community spaces and diverse landscapes along its 30 acres that feel like one holistic composition.’
Importantly, the park commemorates the life and actions of local resident Tom Lee, who in 1925 rescued 32 passengers from a capsized steamer ship crossing the river. Artist Theaster Gates is set to unveil a new artwork dedicated to Lee, titled ‘A Monument to Listening,’ upon the park’s official launch, adding another significant layer of creativity to the project.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
‘Memphis is one of the biggest cities on the Mississippi River and it has incredible grit, culture and character,’ says Orff. ‘Tom Lee Park is special because it creates an expansive, lush destination park along the riverbank - how many cities have that? Even more importantly, the park celebrates the legacy of Mr. Tom Lee, a hero who risked his own life to rescue over 30 people from the dangerous swirling river waters after a boat capsized. We were lucky enough to meet Tom Lee’s descendants and understand how they wanted his legacy to be honoured in the park. It keeps his story alive. It reminds us to try to find the “Tom Lee” in ourselves.’`Gang concludes: ‘We really want this to be a front yard for the people of Memphis. A place for everyone.’
This article appears in the August 2023 ‘Made in America’ issue of Wallpaper*, on sale 6 July, available in print, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
‘We created our own island’: a new exhibition sees discrete Belgian fashion label Jan-Jan Van Essche step into the spotlight
Dal Chodha travels to Belgium to meet Jan-Jan Van Essche, the subject of a new exhibition at Antwerp’s MoMu that sheds light on the under-the-radar designer, whose eponymous label marries subtle, discrete elegance with extraordinary fabrications
By Dal Chodha Published
-
Breaking bread: British designer Jasper Morrison creates a small but mighty bakery in Mallorca
Can Pa is a charming neighbourhood bakery that blends tradition, innovation, and community impact
By Ali Morris Published
-
'There were many radical nuns': Andrea Modica's photographs document 1980s all-girls Catholic schools in Brooklyn
Andrea Modica’s ‘Catholic Girls’ looks back to her own childhood
By Upasana Das Published
-
A Texas ranch house blends Californian charm and Asian minimalism in a 'balance in hybridity'
Pontious, a Texas ranch house designed by OWIU, is a home grounded in its owner's cultural identity, uniting Californian, Chinese and Japanese roots
By Tianna Williams Published
-
The three lives of the Edith Farnsworth House: now, a modernist architecture icon open to all
The modernist Edith Farnsworth House has had three lives since its conception in 1951 by Mies van der Rohe; the latest is a sensitive renovation, and it's open to the public
By Audrey Henderson Published
-
Year in review: the top 12 houses of 2024, picked by architecture director Ellie Stathaki
The top 12 houses of 2024 comprise our finest and most read residential posts of the year, compiled by Wallpaper* architecture & environment director Ellie Stathaki
By Ellie Stathaki Published
-
A vacant Tribeca penthouse is transformed into a bright, contemporary eyrie
A Tribeca penthouse is elevated by Peterson Rich Office, who redesigned it by adding a sculptural staircase and openings to the large terrace
By Léa Teuscher Published
-
We walk through Luther George Park and its new undulating pavilion
Luther George Park by Trahan Architects and landscape architects Spackman Mossop Michaels opens to the public, showcasing a striking new pavilion installation – take a first look
By Ellie Stathaki Published
-
A vibrant new waterfront park opens in San Francisco
A waterfront park by leading studio Scape at China Basin provides dynamic public spaces and coastal resilience for San Francisco's new district of Mission Rock
By Léa Teuscher Published
-
Tekαkαpimək Contact Station: a building ‘as inspiring as the endless forest and waterways of the land’
The new Tekαkαpimək Contact Station by Saunders Architecture with Reed Hilderbrand and Alisberg Parker Architects, opens at Katahdin Woods and Waters National Monument in the USA
By Beth Broome Published
-
Entelechy II: architect John Portman's majestic beach home hits the market
Entelechy II, architect John Portman's beach residence in Georgia, USA, goes on the market; roll up, roll up for a home that is as grand as it is playful
By Ellie Stathaki Published