MoDus Architects designs a tree-hugging tourist office in Northern Italy
A new, sculpturally concrete tourist office in the northern Italian town of Bressanone wraps itself around an existing Platanus tree to a design by South Tyrol based architecture practice MoDus Architects
In the tiny northern Italian town of Bressanone, just outside the medieval city walls, a new concrete structure can be found attempting to hug a tree. The building is in fact a tourism office, designed by local studio MoDus Architects.
Situated between Innsbruck, Lake Garda and the mountain range of Cortina d'Ampezzo, Bressanone, with a population of less than 22,000, serves as a convenient location for tourists destined for the Dolomites. Prior to MoDus’ intervention, a tourist pavilion from the beloved, late, local architect Othmar Barth occupied the site from the 1970s and before that a modernist structure from the 1930s and before that, a 19th Century loggia.
The destruction of these three precursors, is, according the architects, a series of ‘architectural homicides to which their building is the latest episode of. ‘Historical images reveal a collection of eccentric and rather remarkable pavilions that have met their unfortunate demise through their demolition in order to make way for the next ‘victim',' Sandy Attia, co-founder of MoDus says.
This pessimistic view hasn’t hampered the architects, though. Instead, the new tourism office takes cues from all three predecessors and its locale. ‘The building [was] first conceived as a pavilion, or more specifically as a kind of folly, drawing from the small Chinese and Japanese pavilions that mark the corners of the Bishop Palace gardens nearby,' added Attia.
The biggest influence on the design, however, is arguably the large Platanus tree, which the building wraps its concrete form around and gives the project its quirky name: TreeHugger. Using the tree as a fulcrum, five arches span the building’s perimeter and support the structure. Inset windows and a large, if somewhat ominous cantilever, protrudes out to a new town square, marking the building’s entrance.
The ground floor is almost entirely glazed and here tourist information booths and large media screens can be found along with an internal public space used mainly for coordinating tourist groups. Offices for tourist association employees have also been tucked into the back of the ground floor plan, while the top floor hosts a conference room, kitchen and more offices for the tourist association, the tourism office’s director and others, which can be rented.
To encase this program in an unorthodox plan — totalling 430 sqm — the architects opted for concrete, a material fellow co-founder Matteo Scagnol argues was able to collapse the ‘structure and facade into one, single architectural element.'
Furthermore, the concrete is a bush-hammered, blast furnaced concrete made with aggregates and crushed stone from the nearby Brenner Base Tunnel project (an Austria-Italy railway tunnel due for completion in 2021). While the architects talk tongue-in-cheek about ‘victims' and ‘architectural homicides' one hopes, for the sake of sustainability at least, that TreeHugger lasts a good deal longer than what came before it.
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
These eight on-the-rise fashion designers are set to define 2025
Wallpaper* looks ahead to a new vanguard of designers set to shift the fashion needle in 2025, each chosen for the way they are not just shaping how to dress, but how to be
By Orla Brennan Published
-
Year in review: top 10 culture fixes of 2024, as chosen by art & culture editor Hannah Silver
It's been a bumper year on the Wallpaper* culture desk – here are some of the highlights, as reported in 10 culture stories, from body horror to the Blitz club revisited
By Hannah Silver Published
-
The three lives of the Edith Farnsworth House: now, a modernist architecture icon open to all
The modernist Edith Farnsworth House has had three lives since its conception in 1951 by Mies van der Rohe; the latest is a sensitive renovation, and it's open to the public
By Audrey Henderson Published
-
The brutal harmony of Villa Caffetto: an Escheresque Italian modernist gem
The Escheresque Italian Villa Caffetto designed by Fausto Bontempi for sculptor Claudio Caffetto
By Adam Štěch Published
-
Turin’s Museo Egizio gets an OMA makeover for its bicentenary
The Gallery of the Kings at Turin’s Museo Egizio has been inaugurated after being remodelled by OMA, in collaboration with Andrea Tabocchini Architecture
By Smilian Cibic Published
-
A floor made of tomato skins? Welcome to the Mutti Canteen by Carlo Ratti in Parma
Mutti Canteen by Carlo Ratti is a new, environmentally friendly foodie piece of architecture within Parma's green countryside
By Ellie Stathaki Published
-
Naples Central Station boasts a wavy, wooden signature roof that is dramatic and sculptural
Naples Underground Central Station by Benedetta Tagliabue is a work of art that’s inviting and vibrant, matching its dynamic context
By Ellie Stathaki Published
-
Remembering Alexandros Tombazis (1939-2024), and the Metabolist architecture of this 1970s eco-pioneer
Back in September 2010 (W*138), we explored the legacy and history of Greek architect Alexandros Tombazis, who this month celebrates his 80th birthday.
By Ellie Stathaki Published
-
‘Carlo Scarpa: The Complete Buildings’ is an essential tour of the Italian master’s works
‘Carlo Scarpa: The Complete Buildings’ is the perfect book for architecture enthusiasts
By Jonathan Bell Published
-
New Aesop Milan store is a haven of beauty and tranquillity
The latest Aesop Milan store to open is a hub of wellness, beauty and tranquillity in the Italian metropolis
By Ellie Stathaki Published
-
A new water mirror casts a misty veil over ancient Roman baths
Architect Hannes Peer reveals a water mirror in Rome – an immersive architectural installation at the heart of the ancient Baths of Caracalla
By Ellie Stathaki Published