Turin’s Museo Egizio gets an OMA makeover for its bicentenary

The Gallery of the Kings at Turin’s Museo Egizio has been inaugurated after being remodelled by OMA, in collaboration with Andrea Tabocchini Architecture

interior of the Museo Egizio
(Image credit: Photography by Marco Cappelletti for OMA and Andrea Tabocchini Architecture)

The Museo Egizio, dedicated to ancient Egyptian history, archaeology, and art, is a core attraction in Turin’s cultural landscape. As this historic institution celebrates its bicentenary, its renowned Gallery of the Kings has been remodelled by architects OMA in collaboration with Andrea Tabocchini Architecture.

interior of the Museo Egizio

(Image credit: Photography by Marco Cappelletti for OMA and Andrea Tabocchini Architecture)

Hosting ancient colossal sculptures and artefacts representing kings and gods, the Gallery of the Kings has been completely redesigned to offer a new, striking, and sophisticated experience. The main focus has been to create a gallery where visitors can connect with the original place and time of these ancient artefacts – Thebes, or modern-day Luxor.

As OMA managing partner, architect David Gianotten, said, 'The opportunity to design the Gallery of the Kings compelled us to explore how the contemporary museum experience and the historical context of artefacts can coexist through architecture.'

interior of the Museo Egizio

(Image credit: Photography by Marco Cappelletti for OMA and Andrea Tabocchini Architecture)

Aided by the curatorial and research efforts of the Museo Egizio, the gallery design revolves around a transition from darkness to light, a concept that historically symbolised the process of creation in ancient Egypt. Visitors are drawn through a dark entryway with digital projections on the history of Karnak – the artefacts’ original site – into the two main exhibition spaces.

Natural and artificial lighting fills the tall 17th-century halls where the ancient Egyptian sculptures are displayed. Soft reflections from the aluminum-covered walls lend an otherworldly ambience to the space while also displaying information about the artefacts.

interior of the Museo Egizio

(Image credit: Photography by Marco Cappelletti for OMA and Andrea Tabocchini Architecture)

The two halls are arranged to mirror the Temple of Karnak's progression from outer to inner sanctuaries. The first hall evokes the temple's exterior spaces, with two sphinxes facing each other at the centre, flanked by statues of the goddess Sekhmet, culminating with the statue of Seti II. The second hall represents the inner sanctuaries, featuring a chronological display of statues of kings and gods.

Diagrams of Museo Egizio

(Image credit: Courtesy of OMA and Andrea Tabocchini Architecture)

interior of the Museo Egizio

(Image credit: Photography by Marco Cappelletti for OMA and Andrea Tabocchini Architecture)

This redesign is part of the larger Museo Egizio 2024 initiative, which aims to transform the museum into a central civic space in Turin through a series of public urban rooms. Uncovered windows in the gallery now reveal the ancient statues to passersby on Piazza Egizia and Via Principe Amedeo, inviting the public to engage with the museum's treasures even from outside.

Diagrams of Museo Egizio

(Image credit: Courtesy of OMA and Andrea Tabocchini Architecture)

As Andrea Tabocchini expressed, ‘From the outset, we saw this project not just as an opportunity to redesign a unique exhibition space. Culture must honour the past while remaining alive, evolving, and inspiring the future.’ The collaboration between OMA, Andrea Tabocchini Architecture, and Museo Egizio's dedicated team has resulted in a space that bridges history and modernity, offering an immersive experience that honors the past while embracing contemporary design.

museoegizio.it

interior of the Museo Egizio

(Image credit: Photography by Marco Cappelletti for OMA and Andrea Tabocchini Architecture)
TOPICS

Smilian Cibic is an Italian-American freelance digital content writer and multidisciplinary artist based in between London and northern Italy. He coordinated the  Wallpaper* Class of '24 exhibition during the Milan Design Week in the Triennale museum and is also an audio-visual artist and musician in the Italian project Delicatoni.