It is increasingly hard to ignore that travel is taking over a huge chunk of our daily lives – the Wallpaper* jet-setting bunch’s sense of mobility is renowned. So why shouldn’t architecture join the fun?
Both Japan-based Atelier Bow-Wow, and Fantastic Norway showcased their take on the subject with great enthusiasm in this year’s Biennale, coordinating with the 'Beyond Building' theme – certainly building beyond fixed foundations.
Yoshi Tsukamoto of Atelier Bow-Wow proudly showed us around his Furnivehicle, a type of mobile garden furniture in the shape of a train, displayed in Betsky’s Arsenale show. Such a shame the original plan, which had it going up and down the Arsenale, didn’t work out!
On the Giardini front we saw Erlend Blakstad Haffner and Håkon Matre Aasarød’s Fantastic caravan, parked near the entrance, and their contribution to the Padiglione Italia exhibition explaining their work recipe, which delightfully includes, among other things, a red caravan and waffles.
From trains and caravans, to the nautical theme of the IUAV University of Venice ‘Architecture of the ship and yacht’ exhibition, and even MVRDV’s Skycar City in the Arsenale, presenting a digital future of a flying-car-flooded city, a sense of movement was certainly present in this year’s Biennale.
The debate’s result, about whether or not a bright new architectural world relies on mobile solutions, was left yet uncertain, as energy and sustainability issues were unavoidably present, but the shows still offered a welcoming platform for interesting voices to be heard.
After all, Venice’s concentration of architects from around the word for a single event is concrete proof that everybody is on the move; which is a good thing for us, because otherwise we wouldn’t have had the chance to speak to Tsukamoto, or to one half of the Fantastic Norway duo. Fighting through Venice’s torrential downpour last weekend, we caught up with both and talked about their work, and their perception of a mobile world.
-
‘I wanted to create a sanctuary’ – discover a nature-conscious take on Balinese architectureUmah Tsuki by Colvin Haven is an idyllic Balinese family home rooted in the island's crafts culture
-
‘Concrete Dreams’: rethinking Newcastle’s brutalist pastA new project and exhibition at the Farrell Centre in Newcastle revisits the radical urban ideas that changed Tyneside in the 1960s and 1970s
-
Mexican designers show their metal at Gallery Collectional, Dubai‘Unearthing’ at Dubai’s Gallery Collectional sees Ewe Studio designers Manu Bañó and Héctor Esrawe celebrate Mexican craftsmanship with contemporary forms
