Family ties: Unsangdong Architects improve familial bonds through architecture

Chronotope Wall House is located in the suburbs of Seoul in Gyeonggi do
Designed by Unsangdong Architects, the Chronotope Wall House is located in the suburbs of Seoul in Gyeonggi-do.
(Image credit: Sergio Pirrone)

Family life can be challenging – we’ve all slammed doors, we were all teenagers once. And designing for family life can be even more challenging – balancing privacy with communal living, considering the diverse requirements of different generations, and their relationships with each other.

Interested to play with the concept of the ‘wall’, Unsangdong Architects has employed a diplomatic programme for a large family living in the suburbs of Seoul in Gyeonggi-do, which uses the wall as a device for encouraging inter-familial communication. Who would have thought building a wall (Donald Trump’s foreign policy aside) could actually help to build relationships?

This scheme was a response to the requirement of the client to house three generations under one roof. ‘As a large family, they requested the first floor to be divided by a main space for grandmother and a shared space for the family and the second floor to be a space for the couple and their two daughters, but have it be made so they are independent yet together,’ says YoonGyoo Jang, principal architect at Unsangdong Architects.

The architects were interested to recast the prototype of a traditional house

Using walls as a device, the architects were interested to recast the prototype of a traditional house.

(Image credit: Sergio Pirrone)

Responding to these different purposes of space was important and rooms are clearly delineated as autonomous boxes, yet Jang also designed moments that would integrate circulation and create diagonal sightlines inside the two-storey house. Connecting spaces join private rooms with communal areas and on the upper floor a courtyard opens the rooms up to the landscape.

The exterior of the red-brick house is quite severe geometrically, with extending wings that are reminiscent of how steel or glass are often used. ‘It was the client’s request to use bricks and they asked us to choose the color and texture freely. Though brick as a material has advanced in size, color and texture we wanted to return to the basis of the image of a house and chose the basic size and color of red bricks to create Wall House,’ says Jang.

Disrupting the classic red-brick house prototype, the architects exposed the brick inside the house too, using its materiality as a design feature to create unity between indoor and out, while adding exposed concrete, black steel and birch wood to balance the heaviness of the brick with more materiality.

The client was a large family of three generations looking to live together under one roof

The client was a large family of three generations looking to live together under one roof

(Image credit: Sergio Pirrone)

House interiors with red brick walls and wooden flooring

Exposed red brick is used as a design feature inside as well as outside

(Image credit: Sergio Pirrone)

A terrace on the second floor of the two-storey home

A terrace on the second floor of the two-storey home

(Image credit: Sergio Pirrone)

Exterior views of Chronotope Wall House

The structure of the house is built from reinforced concrete structure

(Image credit: Sergio Pirrone)

The house is geometrically bold and challenges the surrounding suburban environment

The house is geometrically bold and challenges the surrounding suburban environment

(Image credit: Sergio Pirrone)

INFORMATION
For more information, visit the Unsangdong Architects website

Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.