What is hedonistic sustainability? BIG's take on fun-injected sustainable architecture arrives in New York

A new project in New York proves that the 'seemingly contradictory' ideas of sustainable development and the pursuit of pleasure can, and indeed should, co-exist

Copenhill Copenhagen, an example of BIG@s hedonistic sustainability
Copenhill Copenhagen, an earlier example of BIG's sustainability approach, hedonistic sustainability
(Image credit: Rasmus Hjortshøj – COAST - @coaststudio)

The term hedonistic sustainability doesn’t make immediate sense. Oxymoronic, mismatched and contradictory, it takes some time to get one’s head around. We all know that tackling climate change, for example through sustainable architecture, is one of the most important missions we have collectively faced as a modern society. It would be fair to say, however, that it is not one often associated with pleasure and self-indulgence. But, somehow, it is a combination that actually works. And there is a ten-mile mega-project currently under construction along the coastline of Lower Manhattan to prove it.

A continuous network of High-Line-nodding elevated parks, public lidos, covered walkways, cycle paths and sports facilities running from East 40th Street around The Battery and up to West 54th Street, this vast U-shaped ribbon of waterfront community space looks, first and foremost, like a masterclass in public placemaking.

But all is not as it seems. Those parks are actually flood plains populated with salt-tolerant flora, the canopies covering the walkways are designed to flip down to create instant storm barriers and every mile of public amenity is built on foundations that double up as towering, utilitarian flood defences. This is the BIG U, one of the most ambitious storm resiliency projects in the world.

BIG U renders of Bjarke Ingels Group's project in New York

Overview of the BIG U plans

(Image credit: Bjarke Ingels Group)

Designed by Danish architecture practice Bjarke Ingels Group (BIG) in the wake of Hurricane Sandy, the BIG U is also a prime example of hedonistic sustainability – a term coined by the group’s founder Bjarke Ingels to demonstrate how the 'seemingly contradictory' ideas of sustainable development and the pursuit of pleasure can, and indeed should, co-exist.

As the first phase of the $2.7bn BIG U gears up for completion next month, the project is setting a new standard when it comes to Ingels’ hedonistic take on futureproofing the built world.

‘Living in a sustainable city meant increasing people’s enjoyment, not sacrificing it’

Bjarke Ingels

BIG U renders of Bjarke Ingels Group's project in New York

BIG U – designed to protect New York against extreme storms

(Image credit: Bjarke Ingels Group)

Hedonistic sustainability: what is it?

Hedonistic sustainability has been part of BIG’s DNA since 2002, when the practice delivered the Copenhagen Harbour Bath project (together with JDS). 'We showed that by having a clean port, instead of driving hours to get to the beaches, the citizens of Copenhagen could jump into clean water in the heart of the city,' says Ingels. 'It was like a fantasy where living in a sustainable city meant increasing people’s enjoyment, not sacrificing it. For too long sustainability has been seen as this protestant idea of compromise.'

Copenhagen Harbor Bath seen from above

Copenhagen Harbour Bath

(Image credit: Rasmus Hjortshoj)

The same theory was applied to BIG’s CopenHill, a waste-to-energy plant in the Danish capital complete with a ski slope, a hiking trail and the world’s highest climbing wall running up and down the building’s exterior. 'The steam that comes out of the plant is cleaner than the air around it,' says Ingels. 'So why not turn it into somewhere you can also ski, hike and climb?'

Similar thinking went into Vestre's factory The Plus in Norway, where BIG created a production facility that is also part of a forest. Why not indeed? After all, hedonistic sustainability is about more than just injecting joy into design and development. It makes commercial sense, too.

The Plus Vestre factory opening

The Vestre factory by BIG

(Image credit: Einar Aslaksen)

The BIG U is a case in point. Far from being an example of style over substance, the project’s public realm component has been critical to overall delivery. 'It becomes easier to build consensus around taking major adaptive actions when you can deliver other social and environmental factors at the same time,' says Jeremy Alain Siegal, an associate at BIG. 'So many big, transformative projects are stopped based on local concerns and our approach helps to speed things up and get crucial resiliency projects over the line by delivering benefits for multiple stakeholders.'

It also makes it easier to attract investment. In fact, the federal government’s allocation of $335m to fund the first phase of the BIG U’s construction, otherwise known as the East Side Coastal Resiliency Project, was strictly contingent on the delivery of access improvements, community-orientated programming and ecological enhancement within the local area.

'It helps if you are profoundly convinced by what you are doing'

Bjarke Ingels

BIG U renders of Bjarke Ingels Group's project in New York

BIG U

(Image credit: Bjarke Ingels Group)

Rare or replicable?

As for the replicability of Ingels’ oxymoronic idea of hedonistic sustainability, BIG recognises this as an 'essential' part of its schemes and has created a toolkit based on lessons and learnings from the BIG U to help other cities apply similar strategies. Think of cities like Bangkok, Venice, Dhaka, and Miami – all of which are currently investigating flood and storm defence systems.

BIG U renders of Bjarke Ingels Group's project in New York

BIG U

(Image credit: Bjarke Ingels Group)

Other Danish architects are also working on similar projects, including design practice Tredje Natur’s floating car parks to prevent urban flooding and architecture studio CF Møller’s flood defence system that doubles up as a nature park.

Delivering any of these schemes requires doing things differently, says Ingels. 'It helps if you are profoundly convinced by what you are doing,' he adds. 'And, when you are trying to create something new, taking things from seemingly opposite sides of the fence to create a new hybrid is a good place to start.'

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