ZHA attempts to save its Tokyo Olympic Stadium from the scrapheap

After a challenging year for Zaha Hadid Architects that has seen the firm's design for the £1.3 billion Tokyo Olympic Stadium scaled back over concerns about spiralling costs (before being scrapped altogether by the Japanese government), the firm have hit back with a 23 minute-long film arguing the case for the controversial design to go ahead.
Spelling out the practicalities of its vision, the firm's movie promises that the design, which has been in development for two years already and cost the Japanese government ¥1.47 billion in fees, is ready to start construction on site this year and will be completed for the 2019 Rugby World Cup, as well as the test events before the summer Olympics in 2020. 'To start the design from scratch is an unnecessary risk that we think the government should reconsider if its aim is to achieve a lower price than ¥252 billion,' the firm says.
The architects suggest that introducing more competition between the contractors could help to reduce costs further, as well as allow for the implementation of a time-saving and cost-cutting parallel construction approach. '¥252 billion is the current price in Tokyo for a basic 80,000 [seater] stadium on that site,' the video states. 'It should also be understood that the immovable deadlines [for events] such as the Olympics, combined with a limited competition in the market place create inflated prices. The determining factor in the price is the market and the demand on materials and labour. The design is not the determining factor in these circumstances. The design should be seen as the only way to achieve value for money in the market.'
As well as the practicalities, the film confronts the criticism it has received for being at odds with its context by offering enticing new renders and fly-throughs while detailing its references to Japanese culture – a silhouette inspired by traditional Japanese landscape bridges, flower petal geometry, and Japanese timber louvres and pedestrian walkways are just a few that are highlighted. Design decisions and details are explained in depth, from lighting to roof dimensions and shape, and how they will impact upon the surrounding environment.
The firm hopes that the video, accompanied by an explanatory booklet, will 'help the public understanding of the project and debate on the next steps for the New National Stadium'. Whether this last ditch effort can reverse the government's decision remains to be seen.
The film highlights the scheme's practicalities, stating that the design is ready to start construction on site this year and will be ready for the 2019 Rugby World Cup, as well as the test events before the summer Olympics in 2020
The new stadium design has been in development for two years already and cost the Japanese government ¥1.47 billion in fees to ZHA
In the film, the firm states, 'To start the design from scratch is an unnecessary risk that we think the government should reconsider if its aim is to achieve a lower price than ¥252 billion'
The architects suggest that introducing a new contractor bidding process could help to reduce costs further, as well as allow for the implementation of a time-saving and cost-cutting parallel construction approach
Defending itself against the criticism of spiralling costs, ZHA explains, 'The determining factor in the price is the market and the demand on materials and labour. The design is not the determining factor in these circumstances. The design should be seen as the only way to achieve value for money in the market'
As well as highlighting the practicalities of going ahead with the proposed design, the film confronts the criticism the scheme has received for being at odds with its context
While enticing renders and fly-throughs provide new perspectives, the film also highlights the scheme's references to Japanese culture
Design decisions are explained in great detail – from lighting to roof dimensions and shape, and how they will impact upon the surrounding environment
The firm hopes that the video, accompanied by an explanatory booklet, will 'help the public understanding of the project and debate on the next steps for the New National Stadium'
INFORMATION
Imagery courtesy Methanoi
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ali Morris is a UK-based editor, writer and creative consultant specialising in design, interiors and architecture. In her 16 years as a design writer, Ali has travelled the world, crafting articles about creative projects, products, places and people for titles such as Dezeen, Wallpaper* and Kinfolk.
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
Zaha Hadid Architects reveals plans for a futuristic project in Shaoxing, China
The cultural and arts centre looks breathtakingly modern, but takes cues from the ancient history of Shaoxing
By Anna Solomon Published
-
And the RIBA Royal Gold Medal 2025 goes to... SANAA!
The RIBA Royal Gold Medal 2025 winner is announced – Japanese studio SANAA scoops the prestigious architecture industry accolade
By Ellie Stathaki Published
-
Zaha Hadid Architects’ new project will be Miami’s priciest condo
Construction has commenced at The Delmore, an oceanfront condominium from the firm founded by the late Zaha Hadid, ZHA
By Anna Solomon Published
-
Architect Sou Fujimoto explains how the ‘idea of the forest’ is central to everything
Sou Fujimoto has been masterminding the upcoming Expo 2025 Osaka for the past five years, as the site’s design producer. To mark the 2025 Wallpaper* Design Awards, the Japanese architect talks to us about 2024, the year ahead, and materiality, nature, diversity and technological advances
By Sou Fujimoto Published
-
AI in architecture: Zaha Hadid Architects on its pioneering use and collaborating with NVIDIA
We talk to ZHA about AI in architecture, its computational design advances, and its collaboration with NVIDIA on design, data and the future of AI and creativity
By Jonathan Bell Published
-
Tadao Ando: the self-taught contemporary architecture master who 'converts feelings into physical form’
Tadao Ando is a self-taught architect who rose to become one of contemporary architecture's biggest stars. Here, we explore the Japanese master's origins, journey and finest works
By Edwin Heathcote Published
-
Omniyat launches The Alba, new Zaha Hadid Architects-designed residences in Dubai
Developer Omniyat announces The Alba, ultra-luxury residences managed by Dorchester Collection and designed by Zaha Hadid Architects to blend ‘nature and cutting-edge design’
By Simon Mills Published
-
The Kumagaya House in Saitama is a modest family home subdivided by a soaring interior
This Kumagaya House is a domestic puzzle box taking the art of the Japanese house to another level as it intersects a minimal interior with exterior spaces, balconies and walkways
By Jonathan Bell Published