Milan is known for its treasures being tucked away behind iron-clad doors. That's why a new exhibition sponsored by Acqua di Parma comes as a particularly refreshing satisfaction. Entitled 'I'll be There Forever: The Sense of Classic' and curated by art critic Cloe Piccoli, the show features seven site-specific installations by seven Italian artists on the piano nobile of Palazzo Cusani.
Currently occupied and managed by Italy's national army, the 17th-century former residence is just one of Milan's many iconic buildings, with their stuccoed ceiling and magnificent marquetry, of which the public rarely catches sight. Piccoli, who was tapped by Acqua di Parma, chose the building for its very specific baroque mood.
'When I thought about locations for this exhibit I immediately knew I didn't want a white box,' says Piccoli. 'I love the contrast between the artworks that are super contemporary and the context that is very antique.'
Piccoli cherry picked her seven favourite Italian artists - Rosa Barba, Massimo Bartolini, Simone Berti, Alberto Garutti, Armin Linke, Diego Perrone and Paola Pivi - and asked them to reconsider classicism.
'In Italy, wherever you go, there are classic references,' Piccoli observes. 'As an artist, you really can't get away from it. So I asked each artist "What do you think about classicism today?" Diego Perone replied, "Please, let's not have a column show."' And in fact, it's not.
Indeed, large-scale film screens, new paintings, slick photographs and conceptual installations all mingle with the palazzo's pastel frescoes, its ornate trimming and gilded mirrors, creating a new playground of grandeur. Architectural studio Kuhen Malvezzi conceived the exhibition's design, covering walls with fabrics produced by the Venetian company Rubelli.
As expected, much of the artworks' classicism is little more than a mere allusion. Diego Perrone employed the antique technique of sculpture but applied it to massive hunks of colored and stamped transparent glass. 'The pieces have the weight and volume of sculpture but at the same time they're very ambiguous,' Piccoli remarks.
Alberto Garutti's lamp, which hangs from a richly stuccuoed ceiling, has its electrical current linked to a meteorological centre miles from Milan. Whenever a thunderstorm occurs anywhere in the country, the lamp illuminates itself. 'We're the first spectators of a cosmic event,' Piccoli enthuses. 'I love this!'
The 17th-century former residence is just one of the city's many iconic buildings whose stuccoed ceiling and magnificent marquetry the public rarely sees
'La fusione della campana' by Diego Perrone, 2007
'Giacometti Landscape' by Massimo Bartolini, 2014
A number of Simone Berti's works that were been commissioned specifically for the show
Pictured here is Berti's 'Untitled' of 2015
'Call Me Anything You Want' by Pp 2013
'Line 133 km Long: the distance from the door of my home in Milan to Piazza Garibaldi in Parma' by Alberti Garutti, 2015
Diego Perrone's 'Untitled' glass castings, 2015
Armin Linke's 'Carlo Scarpa' series of photographs
Rosa Barba's 'The Hidden Conference: About the Discontinuous History of Things We See and Don't See', 2010 (left) and 'The Hidden Conference: A Fractured Play', 2012
Garutti's 'Lightning' lamp of 2015, which flashes when a thunderstorm takes place
Address
Palazzo Cusani
Via Brera, 15
Milan
Italy
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and SoldierNew exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
-
What makes fashion and art such good bedfellows?There has always been a symbiosis between fashion and the art world. Here, we look at what makes the relationship such a successful one
-
Remembering Oliviero Toscani, fashion photographer and author of provocative Benetton campaignsBest known for the controversial adverts he shot for the Italian fashion brand, former art director Oliviero Toscani has died, aged 82
-
Distracting decadence: how Silvio Berlusconi’s legacy shaped Italian TVStefano De Luigi's monograph Televisiva examines how Berlusconi’s empire reshaped Italian TV, and subsequently infiltrated the premiership
-
Louis Fratino leans into queer cultural history in ItalyLouis Fratino’s 'Satura', on view at the Centro Pecci in Italy, engages with queer history, Italian landscapes and the body itself
-
Out of office: what the Wallpaper* editors have been doing this weekA snowy Swiss Alpine sleepover, a design book fest in Milan, and a night with Steve Coogan in London – our editors' out-of-hours adventures this week
-
Pino Pascali’s brief and brilliant life celebrated at Fondazione PradaMilan’s Fondazione Prada honours Italian artist Pino Pascali, dedicating four of its expansive main show spaces to an exhibition of his work
-
‘I just don't like eggs!’: Andrea Fraser unpacks the art marketArtist Andrea Fraser’s retrospective ‘I just don't like eggs!’ at Fondazione Antonio dalle Nogare, Italy, explores what really makes the art market tick
