Malian artist Abdoulaye Konaté is known for creating enormous works from textiles, including one the size of a football pitch. Fifteen of his more modestly sized, but equally impressive, brightly coloured textile tableaux will hang in London for the first time next week at Blain|Southern, having made the journey across continents from the artist’s studio base in Bamako.
The exhibition’s title – 'Symphonie en couleur' ('Symphony in colour') – illustrates the artist’s ongoing interest in music. His compositions in thread allude to the traditional capes worn by Senufo musicians from areas of southwestern Mali and the north of the Ivory Coast. Looking at the large-scale fabric pieces, with their subtle gradients of coloured ribbons and strips of hand-embroidered cotton, you can almost hear the mellifluous sounds of the marimba and the drums. Konaté understands hue as a master musician understands his instrument.
Music has a fundamental place across West Africa and in Malian culture and custom; it is both a way to preserve tradition and ancestral roots and an animated part of contemporary life – represented too in Konaté’s art, that combines a laborious, long-established technique and traditional materials with a modern visual language that is in dialogue with the history of painting.
Elsewhere in the exhibition, which focuses exclusively on works created this year, Konaté draws inspiration from his local natural environment. L'oiseau rouge, for example, is named after a bird he used to see as a child; while Composition vert émeraude et rouge uses a polychromatic pattern that refers to the region’s geology – rocks and minerals such as amethyst, epidote, garnet and quartz.
The exhibition’s title – which translates as 'Symphony in colour' – illustrates the artist’s ongoing interest in music. Fifteen of his more modestly sized brightly coloured textile tableaux have made the journey all the way from his studio base in Bamako.
Papillon (violet, jaune et ocre), 2016
His compositions find inspiration in the traditional capes worn by Senufo musicians from areas of southwestern Mali and the north of the Ivory Coast
Konaté understands hue as a master musician understands his instrument – his canvas becomes his score by using subtle gradients of coloured ribbons and strips of hand-embroidered cotton.
Composition vert émeraude et rouge, 2016
As a way to preserve tradition and ancestral roots, music has a fundamental place across West Africa and in Malian culture and custom, acting as an animated part of contemporary life
The exhibition focuses exclusively on works created this year, in which Konaté draws inspiration from his local natural environment and childhood.
Composition bleue (2 points rouges), 2016
Konaté’s art combines a laborious technique and traditional materials with a modern visual language that is in dialogue with the history of painting
INFORMATION
’Symphonie en couleur’ is on view from 2 September – 24 September. For more information, visit the Blain|Southern website
Photography courtesy BlainSouthern. Copyright Todd White
ADDRESS
Blain|Southern
4 Hanover Square
Mayfair
London, W1S 1BP
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