Ai Weiwei's largest-ever Lego artwork revealed at London’s Design Museum
At London’s Design Museum, Ai Weiwei has unveiled Water Lilies #1, a new Lego recreation of Claude Monet’s iconic painting. We explore the vast new work ahead of the Chinese artist’s major show at the museum until 30 July
Ahead of his major show at London’s Design Museum, Chinese artist Ai Weiwei has unveiled a homage to Impressionist painter, Claude Monet, constructed entirely of Lego.
The piece, titled Water Lilies #1, is Ai’s largest Lego artwork to date, spanning 15m in length and comprising 650,000 studs of Lego bricks in 22 colours.
The new work will be on view as part of the Design Museum’s much-anticipated exhibition ‘Ai Weiwei: Making Sense’, which opens on Friday 7 April, and will be the artist’s first exhibition to focus on design and architecture, as well as his largest solo show in eight years.
In Water Lilies #1, Ai probes notions of reality and artifice. Although Monet’s word-famous painting represents the epitome of natural beauty, the pond and gardens he depicts were in fact a man-made construct, designed and created by Monet himself at the turn of the 20th century. In Ai’s work, the Lego bricks eliminate the humanistic gesture of Monet’s brushstrokes in favour of a simplified, depersonalised language of pixel-like parts and colours. Through this, Ai comments on contemporary modes of digital image consumption, and all that might be lost in the process.
As Ai Weiwei commented, ‘Our world is complex and collapsing towards an unpredictable future. It's crucial for individuals to find a personalised language to express their experience of these challenging conditions. Personalised expression arises from identifying with history and memories while creating a new language and narrative. Without a personal narrative, artistic narration loses its quality. In Water Lilies #1 I integrate Monet's Impressionist painting, reminiscent of Zenism in the East, and concrete experiences of my father and me into a digitised and pixelated language. Toy bricks as the material, with their qualities of solidity and potential for deconstruction, reflect the attributes of language in our rapidly developing era where human consciousness is constantly dividing.’
Ai Weiwei first deployed Lego bricks as an art medium in 2014 when he used them to create portraits of political prisoners. Now a key element of his practice, Lego will also feature heavily in the Design Museum show, most notably in Untitled (Lego Incident) which will see thousands of Lego blocks fill the gallery floor. Ai sourced the materials for the work (seen fully assembled for the first time at the Design Museum) via public donations from around the world, in response to Lego briefly refusing to sell their products to him in 2014.
Justin McGuirk, Chief Curator at the Design Museum and curator of ‘Ai Weiwei: Making Sense’ said: ‘Several of the works in this exhibition capture the destruction of urban development in China over the last two decades. With Water Lilies #1, Ai Weiwei presents us with an alternate vision – a garden paradise.’ McGuirk also describes how Ai has embedded a more poignant narrative into the piece: a dark portal on the right-hand side, representing the door to the underground dugout in Xinjiang province where Ai and his father, the acclaimed poet Ai Qing, lived in forced exile in the 1960s. ‘On the one hand, he has personalised it by inserting the door of his desert childhood home, and on the other, he has depersonalised it by using an industrial language of modular Lego blocks. This is a monumental, complex and powerful work and we are proud to be the first museum to show it.’
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
‘Ai Weiwei: Making Sense’ runs at the Design Museum from 7 April-30 July 2023. designmuseum.org
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Rio Kobayashi’s new furniture bridges eras, shown alongside Fritz Rauh’s midcentury paintings at Blunk Space
Furniture designer Rio Kobayashi unveils a new series, informed by the paintings of midcentury artist Fritz Rauh, at California’s Blunk Space
By Ali Morris Published
-
New York restaurant Locanda Verde’s second outpost will transport you to a different time and place
Locanda Verde’s expansive new Hudson Yards osteria exudes a sophisticated yet intimate atmosphere overflowing with art treasures
By Adrian Madlener Published
-
LVMH watch week 2025: everything we know so far
Our guide to LVMH Watch Week 2025, taking place in New York and Paris, starting 21 January; keep an eye out for our updates
By James Gurney Published
-
When galleries become protest sites – a new exhibition explores the art of disruption
In a new exhibition at London's Auto Italia, Alex Margo Arden explores the recent spate of art attacks and the 'tricky' discourse they provoke
By Phin Jennings Published
-
'It's a metaphor for life': rising star and 'Queer' poster artist Jake Grewal on his new London exhibition
British artist Jake Grewal speaks to Simon Chilvers about 'Under the Same Sky' as it opens at Studio Voltaire in London
By Simon Chilvers Published
-
Wallpaper* Design Awards 2025: Tate Modern’s cultural shapeshifting takes the art prize
We sing the praises of Tate Modern for celebrating the artists that are drawn to other worlds
By Hannah Silver Published
-
Inside the distorted world of artist George Rouy
Frequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form
By Hannah Silver Published
-
‘I'm endlessly fascinated by the nude’: Somaya Critchlow’s intimate and confident drawings are on show in London
‘Triple Threat’ at Maximillian William gallery in London is British artist Somaya Critchlow’s first show dedicated solely to drawing
By Zoe Whitfield Published
-
Looking forward to Tate Modern’s 25th anniversary party
From 9-12 May 2025, Tate Modern, one of London’s most adored art museums, will celebrate its 25th anniversary with a lively weekend of festivities
By Smilian Cibic Published
-
Out of office: what the Wallpaper* editors have been doing this week
A week in the world of Wallpaper*. Here's how our editors have been entertaining themselves in the run up to Christmas
By Hannah Tindle Published
-
Love, melancholy and domesticity: Anna Calleja is a painter to watch
Anna Calleja explores everyday themes in her exhibition, ‘One Fine Day in the Middle of the Night’, at Sim Smith, London
By Emily Steer Published