Alexandre da Cunha’s vast kinetic art for Battersea Power Station Tube
At the new Battersea Power Station London Underground station, Brazilian artist Alexandre da Cunha has unveiled Sunset, Sunrise, Sunset a public kinetic artwork inspired by the former power station control room, and the rhythms of urban life

Brazilian artist Alexandre da Cunha has just unveiled his largest work to date in London’s new Battersea Power Station Underground station. The vast kinetic sculpture, titled Sunset, Sunrise, Sunset, is a new permanent fixture for the new Northern Line Extension, to be viewed by millions passing through the station’s ticket hall.
The nearly-100m work, commissioned by Art on the Underground and conceived before the pandemic, comprises more than 3,500 individual panels and marks the first time the artist has used kinetics in his work. Da Cunha has utilised an outmoded advertising mechanism – the rotating billboard – to create two friezes inspired by the former Battersea Power Station control room and its system of vertical bars that regulated the output of electricity into London.
Sunset, Sunrise, Sunset will shift its shape throughout the day, with each of its three faces fading from one colour to another in response to London’s sunrises and sunsets. The piece reflects the rhythmic flow of daily life, routine, and the passing of time. ‘Although the core of this piece is colour and its reference to landscape, the work focuses on the idea of movement, cycle and repetition,’ says da Cunha, who is known for modernist works that imbue everyday objects and readymades with spiritual narratives. ‘The analogue aspect of the panels function as an antidote to our constant relationship with digital media, a counterpoint to screens acting as an extension of our bodies.’
RELATED STORY
‘This meditative sculpture brings a wholly different perspective to Battersea Power Station Tube station, far beyond the visual language of digital screens that surround us,’ says Eleanor Pinfield, head of Art on the Underground. ‘Da Cunha’s monumental kinetic frieze will become synonymous with the station, drawing people through its ticket hall with its rhythmic daily flow.’
Da Cunha’s work is the latest in a series of permanent commissions by Art on the Underground sited across the transport network, including Daniel Buren’s Diamonds and Circles, works in situ, at Tottenham Court Road station (2017). Details of new permanent artwork for Nine Elms station will soon be announced.
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
In search of a seriously-good American whiskey? This is our go-to
Based in Park City, Utah, High West blends the Wild West with sophistication and elegance
By Melina Keays Published
-
Esperit Roca is a restaurant of delicious brutalism and six-course desserts
In Girona, the Roca brothers dish up daring, sensory cuisine amid a 19th-century fortress reimagined by Andreu Carulla Studio
By Agnish Ray Published
-
Bentley’s new home collections bring the ‘potency’ of its cars to Milan Design Week
New furniture, accessories and picnic pieces from Bentley Home take cues from the bold lines and smooth curves of Bentley Motors
By Anna Solomon Published
-
Artist Qualeasha Wood explores the digital glitch to weave stories of the Black female experience
In ‘Malware’, her new London exhibition at Pippy Houldsworth Gallery, the American artist’s tapestries, tuftings and videos delve into the world of internet malfunction
By Hannah Silver Published
-
Ed Atkins confronts death at Tate Britain
In his new London exhibition, the artist prods at the limits of existence through digital and physical works, including a film starring Toby Jones
By Emily Steer Published
-
Tom Wesselmann’s 'Up Close' and the anatomy of desire
In a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
By Sam Moore Published
-
A major Frida Kahlo exhibition is coming to the Tate Modern next year
Tate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo
By Anna Solomon Published
-
A portrait of the artist: Sotheby’s puts Grayson Perry in the spotlight
For more than a decade, photographer Richard Ansett has made Grayson Perry his muse. Now Sotheby’s is staging a selling exhibition of their work
By Hannah Silver Published
-
From counter-culture to Northern Soul, these photos chart an intimate history of working-class Britain
‘After the End of History: British Working Class Photography 1989 – 2024’ is at Edinburgh gallery Stills
By Tianna Williams Published
-
Celia Paul's colony of ghostly apparitions haunts Victoria Miro
Eerie and elegiac new London exhibition ‘Celia Paul: Colony of Ghosts’ is on show at Victoria Miro until 17 April
By Hannah Hutchings-Georgiou Published
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time
‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
By Sofia Hallström Published