There’s nary an Anish Kapoor to be found at the 35th edition of Art Brussels. It’s an unusual observation for such an established fixture on the art fair calendar – but Art Brussels has proven itself to be no ordinary fair. With only a handful of blue-chip galleries present, Art Brussels has carved out a role as one of Europe’s leading discovery fairs, attracting collectors from countries further afield, including Australia and Turkey.
Bolstered by a fresh new visual identity by Base Design, Art Brussels has returned to the sun-drenched confines of an early 20th century customs house for the second year running. The quietly opulent Tour & Taxis building lends itself well to an art fair, eschewing the traditionally claustrophobic setting of a convention centre.
Bringing together 144 galleries from 28 countries, this year’s edition sees a particularly strong outing from exhibitors in the Discovery section, which spotlights recently created work from lesser-known artists, including Erika Hock (Cosar HMT), Amadou Sanogo (Kristin Hjellegjerde Gallery), and Jean Denant (Galerie Anne de Villepoix).
In the main fair, Berlin-based Jahn and Jahn presents a particularly memorable diptych by Thomas Arnolds, while Cortesi pays homage to the square with works by Gianfranco Pardi, Enrico Castellani, and more. Dedicated to art from 1917 to 1987, the Rediscovery section brings under-recognised and forgotten artists to the fore, including Ryuji Tanaka (Axel Vervoordt Gallery) and José Pedro Costigliolo (Galería de las Misiones).
There’s also an emphasis on individual presentations, with 15 galleries including Xavier Hufkens and Meessen De Cleroq presenting a single artist in the SOLO section. Other notable SOLO highlights include New York artist Steve Gianakos’ twisted cartoons, staged by Paris-based Semiose; Josh Sperling at Brussels gallery Sorry We’re Closed; and a phenomenal display of Niki de Saint Phalle by Galerie Mitterand. Meanwhile, Benoît Maire – shown by Meessen de Clercq – scooped this year’s SOLO Prize, worth €10,000.
Elsewhere, exhibition maker Jens Hoffmann and curator/critic Piper Marshall have pieced together the fair’s flagship project, a sort of Wunderkammer of 75 artists’ mementos and personal curios. Jenny Holzer lured us in with her morbidly beautiful iron-meat hook; Joseph Kosuth shared a printed card signed by Hillary Clinton as a thank-you – a reminder, he says, ‘of all that we lost in the US presidential election’.
At the Belfius Lounge, visitors can peruse a selection of works from the Belfius Art Collection, which comprises entirely Belgian artists. There’s also a taster of the Belgian Pavilion ahead of the Venice Biennale, as artist Dirk Braeckman presents a large range of works from his Sisyphus (2005) series.
With 260 material fairs on the art world’s calendar each year – virtual editions notwithstanding – the scene is crowded. It may not be as bombastically blue-chip as Basel, but Art Brussels is, quite refreshingly, a fair that doesn’t leave you indifferent.
On the bench, 1972, by Ugo La Pietra. Courtesy of Laura Bulian Gallery
Shave and a haircut – two bits, 2016, by Roman Štětina. Courtesy of Polansky Gallery
Left, Woman portrait with lipstick, by Hans-Peter Feldmann. Courtesy of Galleria Minini. Right, The daily catch was fresh and local, 2005, by Steve Gianakos. Courtesy of Semiose Galerie, Paris. Photography: A Mole
Left, Film Noir Staircase, 1989/2016, by Isaac Julien. Courtesy of Galerie Ron Mandos Amsterdam. Right, Untitled (Lefa), 2016, by Mohau Modisakeng. Courtesy of Galerie Ron Mandos Amsterdam
Left, Jerga, 2010, by Daniela Libertard. Courtesy of Marso, Mexico City. Right, Untitled, Série Empire, 2012-2014, by Samuel Gratacap. Courtesy of Galerie Les filles du Calvaire
Tiger by the Tail, 2017, by Josh Sperling. Courtesy of SWAC
INFORMATION
Art Brussels runs from 21–23 April. For more information, visit the Art Brussels website
ADDRESS
Tour & Taxis
Avenue du Port 86C
1000 Brussels
-
Why Hodakova is the label that has everyone in fashion talkingPart of a new monthly series, ‘Uprising’ – highlighting fashion’s new vanguard of designers – Orla Brennan meets LVMH Prize winner Ellen Hodakova Larsson, whose intriguing Stockholm-based label will be 2025’s one to watch
-
Dhammada Collective brings participatory design and cultural preservation to the fore in IndiaDhammada Collective, in India's Bhopal, combines participatory design with cultural preservation to foster sustainable growth
-
Year in review: top 10 design stories of 2024Wallpaper* magazine's 10 most-read design stories of 2024 whisk us from fun Ikea pieces to the man who designed the Paris Olympics, and 50 years of the Rubik's Cube
-
Artist Emmanuelle Castellan’s textural takeover in BrusselsLa Verrière gallery in Brussels and Fondation d’entreprise Hermès present ‘Spektrum’, infused with colour and texture by the works of Emmanuelle Castellan
-
The ageing female body and the cult of youth: Joan Semmel in BelgiumJoan Semmel’s ‘An Other View’ is currently on show at Xavier Hufkens, Belgium, reimagining the female nude
-
‘Heaven ’N’ Earth’: Sayre Gomez blurs the reality and illusion of Los AngelesSayre Gomez’s ‘Heaven ‘N‘ Earth’ at Xavier Hufkens in Brussels explores the contrasts between wealth and poverty, reality and illusion in Los Angeles
-
Antony Gormley interview: ‘We’re at more than a tipping point. We’re in a moment of utter crisis’We visit the London studio of British sculptor Antony Gormley ahead of his major new show ‘Body Field’ at Xavier Hufkens Brussels
-
Food, sexuality and domesticity: Anthea Hamilton reconsiders the familiar in AntwerpSubversive and playful, Anthea Hamilton’s first survey exhibition, ‘Mash Up’ has opened at the Museum of Contemporary Art Antwerp
-
Rachel Eulena Williams weaves poetry and abstraction in BrusselsIn ‘Joy & Rain’ at Xavier Hufkens, Brussels, New York-based artist Rachel Eulena Williams presents new hybrid works that are bold, subversive and steeped in complex histories
-
New Hope is Brussels’ treasure trove of 20th century designOlivier Dwek creates gallery New Hope, a treasure trove of 20th-century design in Brussels
-
Step inside Chiharu Shiota’s doll’s houseIn ‘Living Inside’ at Galerie Templon, Brussels, the Japanese artist cocoons dolls houses and miniature furniture in her signature thread
