Shape shifter: artist Barbara Kasten dons an architect’s cap in a new body of work
She might be entering her eighth decade, but Barbara Kasten is still going strong. On Friday the American artist opens an exhibition at New York’s Bortolami gallery, showcasing new photographs, a sculpture, and the photo-sculpture hybrids she’s been working on of late, which relate to her freestanding sculptures and Amalgams of the 1970s.
As ever, architecture is at the heart of Kasten’s thinking as an artist. The show’s title, ‘Parti Pris’, refers to the common term for the big idea behind an architect’s design, usually presented as a diagram. Kasten’s parti pris here might have been ‘bridging dimensions’, but this being art, not architecture, it’s all left open to interpretation.
What you will see at Bortolami is plenty of dimensional play: in Collisions, a series of grand, colour-rich Fujiflex photographs of acrylic fragments started in 2016, with new additions presented at ‘Parti Pris’, 3D structures are perceived but flattened – an ambiguous space in between. Kasten’s works are a constant guessing game – what is surface, and what is image? What was really there, and what wasn’t? Her artworks have a dimension of their own.
Meanwhile, in Progressions, 2D arrangements protrude out and enter space. Reversing her Amalgams of the late 1970s, (photograms of transparent objects translated into a two dimensional suffusion of photograms, drawing and photograph) she turns the flat representations back into abstract shapes that cast shadows over the gallery. Kasten calls them ‘temporary photograms’. This is geometry as its most mesmerising.
The show-stopper, though, is Parallels, a vast sculpture of cantilevered components, in Kasten’s favoured translucent fluorescent palette. It’s really in these transitional seasons that Kasten’s work comes into its own, shifting in sync with the light as it starts to change outside – and with it, our perception of space and where we are within it.
INFORMATION
‘Parti Pris’ is on view from 8 September – 10 October. For more information, visit the Bortolami website
ADDRESS
Bortolami
39 Walker Street
New York
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Audemars Piguet and Kaws have created the Royal Oak Concept watch we didn't know we needed
The Audemars Piguet x Kaws Royal Oak Concept Tourbillon 'Companion' is slick wrist-worn art
By Thor Svaboe Published
-
A friendly rivalry coloured by kinship: Wendy Maruyama and Tom Loeser on their two-artist show
'I wanted to make furniture, just not traditional furniture, but weird furniture,' says Wendy Maruyama on ‘Colorama’, a two-artist show presented at design gallery Superhouse (until 11 January 2025)
By Gregory Han Published
-
Tranquil and secluded, Lemaire’s new Tokyo flagship exudes a sense of home
In Tokyo’s Ebisu neighbourhood, Lemaire’s tranquil new store sees the French brand take over a former 1960s home. Co-artistic directors Christophe Lemaire and Sarah-Linh Tran tell Wallpaper* more
By Joanna Kawecki Published
-
Henni Alftan’s paintings frame everyday moments in cinematic renditions
Concurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
By Osman Can Yerebakan Published
-
Inside Jack Whitten’s contribution to American contemporary art
As Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
By Finn Blythe Published
-
Frieze Sculpture takes over Regent’s Park
Twenty-two international artists turn the English gardens into a dream-like landscape and remind us of our inextricable connection to the natural world
By Smilian Cibic Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
'There’s an anxiety under all of it': Violet Dennison in New York
Violet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
By Mary Cleary Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American West
The artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990s
New York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
By Hannah Silver Published